A Three-Part Framework for Playing with Others (ft. Miles Jensen) 

I like that texture of guitar chords and piano melody and bass. It forces the pianist to play contrapuntally and allows the guitarist to navigate a tenor line.

An absolute joy to listen to. Two instruments which can so easily become entangled with one another , are shown here how to work in harmony

Phenomenal jam at the end!

Bravo! The jam at the end was wonderful.

Love hearing your ideas on the tune, always something clever but honest to the song

That was very helpful… Also, looks like you guys were having a ton of fun :-)… Loved it

Yeah ! More !

Loved when you did stride 10ths in your left hand!

Very helpful. Fun. Thank you.

Great video just starting out with ur books (which are awesome) and tips on duo settings are very helpful!

It took me far too long to realize it, but here's what I've learned that is the number one groove killer in the band context (and groove is what we all want, right?): someone playing too loud. Only when everyone is dialed in, volume-wise, can groove be conjured. I tell my band students: if you can hear yourself clearly, you are playing too loud; if you can barely hear yourself, you still might be playing too loud. If you have a solo, do what you might, otherwise... And especially: drummers and piano players take note. Adapt your dynamic range to the instruments you're playing with.

Beautiful 🎉🎉

Jeremy - I liked your 'turn-back' at 3:30 . . . Can you do a video on escaping the old standard turn-arounds? Thanks. Always great stuff !!

Hi Jeremy Can you please make a video about reading sheet music I just learnt about treble and bass cleff

The two of you are brilliant... unless there is that level of awareness it can be so difficult to blend guitar and piano... I guess its the same problem as if you had two pianos and two pianists in a band....

Jerry Garcia was, by most measures, a much better guitar player than Bob Weir. But I think the Grateful Dead would've sounded less interesting, musically, if it had been 2 Jerry Garcias instead of 1 Jerry and 1 Bob. That occurred to me during the first couple of examples. (the last one clearly found a great way thru it... I noticed that this video has a nice progression of examples). In the early examples, I noticed what I've heard before, sometimes... when 2 people know and are used to playing right where the notes "should" go, then sometimes there's sort of a 2 Jerrys aspect to a jam. I'm not so much a Jerry, but I've heard it happen. Good lesson... I never want to step on people's toes (well, almost never), but when I have a skill deficiency within a particular song or style, it's hard not to do for the OPPOSITE reason.

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