Aaron Copland - Four Piano Blues for Piano (1926-48) [Score-Video]

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Aaron Copland - Four Piano Blues for Piano (1926-48)
I. Freely Poetic (to Leo Smit)
II. Soft and Languid (to Andor Foldes)
III. Muted and Sensuous (to William Kapell)
IV. With Bounce (to John Kirkpatrick)
John Wilson, piano
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Опубликовано:

29 сен 2024

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Комментарии : 12

@Arnold-vc7es 2 месяца назад

0:06 I. Freely Poetic (to Leo Smit) 2:27 II. Soft and Languid (to Andor Foldes) 5:14 III. Muted and Sensuous (to William Kapell) 7:55 IV. With Bounce (to John Kirkpatrick)

@1967nikolas Год назад

piano concerto quote in no 4

@MarcelManager Год назад

The 3rd one has so much character! I really like it. Its like a piece about coming home

@engloute Год назад

Does someone else hear Martinu vibes in No. 3?

@bsdkflh Год назад

no, but Bill Evans -- yes. what makes you think of Martinu though? I'm curious because I don't know him that well

@engloute Год назад

@@bsdkflh TBH I have to bend my mind a bit to get Bill Evans there (although I get that it's probably connected with a certain modal vibe and other elements of Mr. Evans' playing). Try Etudes and Polkas, they encompass much of Martinu's idioms.

@mookiesdream1 8 месяцев назад

Does anybody have any insight into why Copeland would’ve called these blues? They have nothing to do with the form of a blues.

@danielayalamusic 7 месяцев назад

It was probably his own crazy interpretation of the blues, I agree, if it wasn’t for the name, I would’ve never thought of the blues. However, there are some blues ornamentations and voicings some times…

@michaelsolomon6594 4 месяца назад

My thoughts exactly

@nicholasfox966 22 дня назад

Indeed, not meant as an exact demonstration of the form and language of a true blues, but rather an homage to what he perceived as the "feeling" of the blues, filtered through his own aesthetic. "Blues" used only in the most subjective, poetic sense.