ABBEY ROAD ONE - MIC TUTORIAL 

Great overview, Paul. Simon did such a great job on these mics/mixes. Loved hearing his insight on outriggers, makes a lot of sense, it is a rather addictively pleasant slightly out of phase sound! I love dialling some in particularly on horns/bones. Cheers.

Hello Paul, just came accross this tutorial by chance. Awesome, thank you so much. I learned a lot an revised my mix afte

Just what I was looking for. Great tips. Thank you.

Hey Paul thanks for taking the time to teach us these little things. It really helps me greatly. Love all of your products especially the expansions to abbey road

Great to hear your mindset about all the mics at the end and keeping it simple. Cheers!

Thanks for the clarity on the mic uses at the end, I panicked when I first bought this library bc I overloaded my computers cpu with too many sounds with all the mics on a session. I will be doing what you do and go back with the mics well after a price has been written

Thanks Paul. Great overview and explanation.

super helpful tutorial, thanks!

Beautiful video. Thank you for being so clear and succinct! Stunning sounding library!

I just wanted to say the best advice you gave was "listen" to the samples in context. I, for the past 30 years have been trying to perfect the sound of orchestral instruments BUT mostly doing this solo, per instrument. I have mostly been dissapointed with the results. BUT, recently it just clicked and getting the sound right in the mix is what matters........do more composing then get the right sound you really want at the end when mixing........I've started composing again and not messing with templates etc :)

This was very helpful. I being one individual who loves mics positions such as BBCSO and Hans Zimmer libraries due to the massive mic positions.

Thanks Paul. This is very good, very helpful. I am new to Spitfire, the interface, and even to orchestral sampling in general. The only suggestion I might give is to include some quick photos of the actual mic configurations/set up. It just helps me to picture what's going on even better. I've seen you include that in some of your other Spitfire videos and it really helps educate us amateurs! Cheers!

Great video, thank you Paul! The tone of this lib is outstanding, not the least due to the lack of hard reflections in the AR1 room even when using more distant placed mics. Now back to work on the legato patches :)

This is very helpful, Thank you.

That template looks great ;)

This was incredibly helpful; thank you! Have you done anything like this for BBC SO Pro?

Paul, it would be very helpful if you guys put some indication of mic intention/usage on the interface. Perhaps color coding the mics in groups as they are intended to be used. Also, the ability to save mic mix presets would be useful.

Nice!

Hello Paul Thompson, are you by chance the composer who made some of the music for Little Big Planet? I just realized why your name sounds so familiar. I've been playing Little Big Planet since I was 11 and it would blow my mind if somehow the universe had made our paths cross again. I've watched a ton of your review videos and it never crossed my mind until now!

Hey Paul, thats wonderful, thanks. My Question: Mix1 + Spills ? Mix2 + Spills? With BBCSO it was possible to add the Spills to the Mixes.

Thanks for that Paul... I'm still torn between this and upgrading to BBCSO Pro in terms of having control of the individual sections... any thoughts on the major differences?

wow , can you suggest a few good articulations for light orchestral music?

Paul, do you know if Simon added the spill mics to Mix 1? In my template I have everything set to Mix 1 + Spill mics. It sounds fantastic and I haven't heard any phasing issues or anything like that so far, but still wondering... Thanks!

Which Studio is this ?