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Abdul Alhazred's Necronomicon Book Review 

Bored Norseman
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A review of Thomas Minzenmay's new book, Abdul Alhazred's Necronomicon.
www.amazon.com/Abdul-Alhazred...
Liked most of this book, but the Planetary Magic components missed the mark. Things that are larger than this local celestial system can't be stuffed into it. The system has Lovecraft trappings, but isn't Lovecraftian.
The rest of the book is great and I recommend fans of Lovecraft consider buying it. Some pictures and thoughts in the video.

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16 янв 2024

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Комментарии : 12   
@Adrian_888
@Adrian_888 4 месяца назад
Thanks a lot for this comprehensive review! I was looking to get this book now it just went down on my priority list. I guess I'll start with Simon or Asenath Mason. Very unique perspective and I agree with what you said about planetary magick.
@borednorseman8814
@borednorseman8814 4 месяца назад
Well, if you aren't into Planetary stuff, then I wouldn't bother with Tyson's works on it. He crams things into ceremonial cans, too. If you're into dream work or astral work, then you may like Mason. I'm not into those areas, so her works haven't done anything for me. I've only read a few all the way through, to be fair. Love the artwork, but she's a bit too far down the fluff dark wording path for my likes. If I liked dark fluff wording, I'd read the Balg stuff or the Cabal's material.
@Adrian_888
@Adrian_888 4 месяца назад
@@borednorseman8814 I see. The thing is Thomas M.'s book is pretty expensive where I live, so I'd rather invest in sth I can make better use of. I'm still an apprentice, not exactly sure where I fit in yet. I've worked a little with Runes but nothing too in-depth. I was interested planetary magick at some point but never actually worked with it, so I don't have an opinion. But in dealing with The Great Old Ones I think it's just unfitting to say the least, for the reasons you've mentioned. Back when I was hyped on my occult studies I liked to correlate a lot of stuff and create my own systems, I guess I might do just that. I'm also planning on getting more acquainted with Lovecraft so I can take it all in. By dark fluff you mean she uses too many "dark" words at once in her writing? And finally, what are your areas? What do you like to work with?
@borednorseman8814
@borednorseman8814 4 месяца назад
So, I don't know that I would go searching the the Old Ones quite yet if you don't have an established practice. Just my opinion, but you'll likely find that there are several levels and different types of egregores that will answer the call and you'd probably want to have more experience with spirit interactions first. You do you. That's just an opinion. About the dark fluff. There's light fluff, too. Normally, published modern "grimoires" have a lot of flowery and emotional language in them that is designed to fill space, use an emotion to cover up a lack of depth to what's being talked about, convey an authority by talking above the education/experience level of their target readership. If they keep reverting to flowery language, trying to impress with pretend scientific understanding of unprovable things, or rely on a dark, edgy or a divine vastness and grandeur, they're probably guilty if this is used a lot. There are places where this is appropriate, of course. Whether a book is using it can typically be judged by asking what usable material was just presented. Usable is the key part to latch onto. Another would to ask if that material would work in a DnD story. This can't cover everything, naturally. I'm not going to write a novella in YT comments :)
@Adrian_888
@Adrian_888 4 месяца назад
@@borednorseman8814 rest assured I'm not thinking of doing anything reckless. All I'm after is some stories for inspiration and a good material for studying. Maybe one day I'll try calling them but that's still years away.
@tho_min7827
@tho_min7827 4 месяца назад
Nice review. I've also read the book and I do see it more positively (really positive), but I did come from a completely different direction. I mainly came for the stories and wanted to be immersed in this Lovecraftian world. So I actually only browsed over all the celestial stuff. However, I'd like to comment on the impractical sigils. I think it's important to take the background story of this particular book into account as it was laid out in the preface. This is a translation of the late 15th century Black Letter Edition of the Necronomicon. That's also where these woodcuts come from. So we're not looking at the original sigils but at reinterpretations of late medieval/early modern artists. Basically, we're looking at things through a medieval filter. As such, the artists surely embellished the designs and made them more beautiful and more complex than they needed to be. Also, from other sources (like the Picatrix), it seems as if the actual specific design of a sigil isn't really important as long as the image can somehow be identified, e.g. if it says that a sigil should display a woman holding an apple, it doesn't really matter how detailed woman and apple are as long as they can be somewhat discerned. Apart from that, the book is big. And it's supposed to be. It's a collection of various stories, topics and sources. I think it deliberately was designed like that, like an ancient holy book, which includes repetitiveness. If you read ancient Holy Books like the Bible or the Quran, or magical books like the aforementioned Picatrix, they are filled with repetitive phrasings. I think this is all part of the world building here. Sure, you could have shortened the Hymns to Cthulhu, you could have kept out celestial stuff which can be found elsewhere. But this is supposed to be Abdul Alhazred's collection, so it's bound to contain a lot of that stuff. So for me, the book is designed to be read like you'd read the Bible: Not front to back, but you pick individual stories here and there. Also, while it clearly is disjointed (and I believe deliberately so), I did get a kick out of some of the cross references. For example, in one of the stories (don't remember which one) Abdul Alhazred describes in passing how he found the Hymns to Cthulhu that are included in the book. Or I'm sure you have noticed that the woodcut of the Silver Key is adorned with some of the sigils that are explained later in the book. If you cross reference those two, otherwise independent, sections, the narrative around the Silver Key becomes a bit clearer. Regarding the tacked on stories in the end, I think you may be right. Though there is some logic to it. There are basically three types of stories, as far as I can tell: Autobiographical stories of Abdul Alhazred, stories that Abdul Alhazred received through visions and stories Abdul Alhazred collected through other means (those are in the last book). So I get the separation of these stories along those lines into various different books. However, I think the book should have started with the Book of Forgotten Lore, not ended with it. Instead, I would have put the visions at the end of the book, like it is with the Bible and the Book of Revelation...then again, maybe that would have been too on the nose and of course there are many more books about visions in the Old Testament of the Bible.
@tho_min7827
@tho_min7827 4 месяца назад
By the way, did you know that you can find a digitized version of the "original" on the Internet Archive? I can't post links on RU-vid, but if you go to the homepage and add "details/the-necronomicon_202308" to the address, you'll see it. Pretty cool if you ask me. The images are pretty high-res, so if you like some of the woodcuts, you can print them out yourself or have them professionally printed as props.
@borednorseman8814
@borednorseman8814 4 месяца назад
archive.org/details/the-necronomicon_202308/page/n35/mode/1up I hadn't seen this that I recall. Good thing the spills are near the edges.
@borednorseman8814
@borednorseman8814 4 месяца назад
I appreciate your reply. If I had come for the stories or mostly for them, then I would've been more than overjoyed. I think your suggestion that backend stories be pushed to the front would've been much better and removed the inconsistent feeling of it.
@lewton33
@lewton33 3 месяца назад
What is a realistic price for the book? Sorry my english is bad!
@borednorseman8814
@borednorseman8814 3 месяца назад
They were $25 for the physical book and $10 for electronic (Kindle) when I bought mine. As thick as it is, that seems fair to me. As another user pointed out, this is a print version of the online one. I can't remember what the differences are, if any.
@lewton33
@lewton33 3 месяца назад
@@borednorseman8814 Thank you very much for your response. I'll consider buying the book if I can find it around here. 👍
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