Ach ich fühl's - KARAOKE / PIANO ACCOMPANIMENT - Die Zauberflöte - Mozart

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Piano accompaniment of “Ach ich fühl's" (Oh, I feel it!), Pamina's aria from the opera Die Zauberflöte (The magic flute) by Mozart. The German libretto is by Emanuel Schikaneder. You can get the score here: www.sheetmusic...
A fine example is by soprano Barbara Bonney with the Zurich Opera Orchestra under Nikolaus Harnoncourt:
• Mozart: Die Zauberflöt...
Information on the aria and a translation can be found here:
www.aria-databa...
A guide to singing the aria can be found here:
www.schmopera....
A recording of the diction can be found here:
• Ach ich fühl's by Moza...
The IPA pronunciation guide is here:
www.ipasource....
Free Pianist RU-vid Channel provides piano accompaniments for vocal repertoire as well as other instruments. It is a participative project where all users’ proposals are attended to. Do you have any recording requests? I’ll be very glad to upload the accompaniments…for free 
Would you like to support our Channel? There are different ways to do that:
• Subscribe to our RU-vid Channel
• Subscribe to our Blog: freepianist.com
• Follow us on Facebook: / freepianist
• Follow us on Twitter: @freepianist
• Make a donation to our crowdfunding page: tipeee.com/free...
• Enjoy our accompaniments!!
I wish you a musical day! See you online :D
Héctor Valls
info@freepianist.com
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Acompañamiento para piano de “Ach ich fühl's", el aria de Pamina de la ópera La flauta mágica de Mozart.
El Canal RU-vid de Free Pianist ofrece acompañamientos para piano de repertorio lírico y para otros instrumentos. Se trata de un proyecto participativo donde todas las propuestas de los usuarios son atendidas. ¿Tienes una propuesta de grabación? Estaré encantado de subir el acompañamiento… gratis 
¿Te gustaría ayudar al Canal? Puedes hacerlo de diferentes maneras:
• Suscríbete a nuestro Canal RU-vid
• Suscríbete a nuestro Blog: freepianist.com
• Síguenos en Facebook: / freepianist
• Síguenos en Twitter: @freepianist
• Haz una donación a través de nuestra página de crowdfunding: tipeee.com/free...
• ¡¡Disfruta de nuestros acompañamientos!!
¡Que tengas un día bien musical! Nos vemos online :D
Héctor Valls
info@freepianist.com

Опубликовано:

21 окт 2024

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Комментарии : 29

@eylemdemirhan44 4 года назад

The best!! Thank you.

@sedanahapetyan6304 3 года назад

Thank you very much

@yaseminek7581 5 лет назад

Hey! I love to practice with your accompaniments .. ⭐️ Thanks for helping us opera singers by working ! 🎶 At the moment I am working on "Me voilà seule .. Comme autrefois" of "Les Pêcheurs de Perles" from Bizet and "Se come voi piccina io fossi" of "Le Villi" from Puccini. Unfortunately, I do not find any accompaniment for these songs .. I would be so happy if you can help me and record them 🙏🏻 Thank you and continue to success!! 👑🌸

@emilyjuhyuncho7776 4 года назад

Thank you!

@tsambikamusic Год назад

Thank you, it's perfect to practice!😊

@hildadelcastillo8495 3 года назад

Thanks!

@victoriacicchitti4697 3 года назад

Grazie!!! 🥰👏👏👏👏

@Pianissim 3 года назад

È un vero piacere! 😊

@erikarevillaclassic 5 лет назад

You're great!! Could you record o luce di quest'anima and je suis Titania please! I would appreciate it

@mikaela.music8 4 года назад

Thanks for being so helpful 😊

@Pianissim 4 года назад

I'm very glad it is so Mikaela! Indeed, this is the purpose of this Channel 😀

@NikolaiGunter 5 лет назад

Wonderful!

@Pianissim 5 лет назад

I'm glad you like it 😊 Thanks a lot!

@Crazy88. Год назад

Ach, ich fühl's, es ist verschwunden! Ewig hin der Liebe Glück, ewig hin der Liebe Glück! Nimmer kommt ihr, Wonnestunden, meinem Herzen mehr zurück meinem Herzen, mienem Herzen mehr zurück! Sieh, Tamino! diese Tränen fließen, Trauter, dir allein, dir allein! Fühlst du nicht der Liebe Sehnen, der Liebe Sehnen, so wird Ruhe, so wird Ruh im Tode sein, fühlst du nicht der Liebe Sehnen fühlst du nicht der Liebe Sehnen so wird Ruhe, so wird Ruh im Tode sein, so wird Ruh im Tode sein, im Tode sein, im Tode sein.

@avasophia1859 5 лет назад

Hello! I really appreciate your channel! Do you allow people to post videos on RU-vid of them singing to your accompaniments?

@Pianissim 5 лет назад

Thanks a lot! Sure, you can post them 😉

@avasophia1859 5 лет назад

Thank you!

@dr.helenayipnolen9305 5 лет назад

U r so wonderful ! It feels like u r really accompanying for me. Timing for perfectly I love your playing. Thanks for posting this

@-_-ello-_- Год назад

Ach, ich fühl's, es ist verschwunden, Ewig hin der Liebe Glück! Nimmer kommt ihr Wonnestunde Meinem Herzen mehr zurück! Sieh', Tamino, diese Tränen, Fließen, Trauter, dir allein! Fühlst du nicht der Liebe Sehnen, So wird Ruh' im Tode sein!

@CurtisCT 5 лет назад

I don't mean to be negative but you do not seem well acquainted with the sentiment or text of the aria. In this scene, Pamina expresses great passion, anguish and sadness which requires that the staccati in the accompaniment be played with more legato and expression. The tempo also requires more rubato, especially on the higher notes. Voices aren't machines, they require time and space to properly unfold on high, expressive notes.

@LondonBrazilianDancers 4 года назад

It’s just to learn the aria That’s what all piano accompaniments on RU-vid do

@katieb.1579 Год назад

That’s what all accompanists do, full stop. That’s their job. They are rarely ever your performance partner; most accompanists provide a neutral starting point from which a singer learns the technical tempo and the notes. Then, if this accompanist will be performing the song with the singer, they follow her interpretation (or the director’s interpretation) of the phrasing and emotion of the song, creating a very personalized performance. If this accompanist will not follow their soprano to the performance, then they allow her to have such a firm knowledge of the technical music that she can match the power of a full orchestra and, if necessary, keep them in line with *her* expressive choices (watch Kathleen Battle’s version and see if you can spot where she wrestles the orchestra back onto *her* tempo). Incidentally, I find plenty of time and space to unfold when singing to this track. I think you may be mistaking a performer’s difficulty hitting a high note accurately and on time for an expressive choice. (Also, I hate to mention this, but “staccato” and “legato” are antonyms.) I very much wonder whether you’ve shared your opinion with any sopranos, and what credentials authorize you to make these sorts of judgments to begin with. If you truly don’t mean to be negative, I would advise you in the future not to give into the temptation to say anything at all.

@katieb.1579 Год назад

tl;dr You have no idea what you’re talking about, OP. Shut up and sit down. The fat lady just sang.

@CurtisCT Год назад

@@katieb.1579 So, I really hesitated to answer this comment as I wasn't sure if it was meant to be taken seriously or simply in jest. The more I read it however, the more astounded I became at the lack of rudimentary musical and singing principles. For reference, please see the following piano score to the aria: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-IVmyUd4kUb8.html At 01:26 you'll clearly see Mozart's indication of staccato notes meant to be performed legato. You'll also hear a very correct interpretation of legato staccato by the singer, in this case Anna Moffo. On the high Bb she takes time to allow her voice to unfold in the style of the rubato. This has nothing to do with any "difficulty hitting a high note" and everything to do with expression. In fact, the entire aria is performed rubato and Moffo slows down the tempo whenever she sings a high note, as a means of heightened expression, not because of any difficulty she has in singing the note. "...and what credentials authorize you to make these sorts of judgments to begin with" Both a Bachelor's and Master's degree in Music Composition and Performance. I'm an opera singer with over 20 years of experience, debuting in 2002 at the Vienna Konzerthaus (Musikverein), Austria. My main teacher was Vittorio Giammarusso (deceased), student of Nicolai Gedda and protegé to Joan Sutherland.