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Afro-Cuban Lullaby - Elisio Grenet (arr. Parkening) 

Steven Saulls, Guitarist
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Masterworks for the Classical Guitar - Steven Saulls, Classical Guitarist
About the music and the composer...
“Afro-Cuban Lullaby” or “Drume Negrita” (Sleep Little Black Girl) was written by the Cuban composer Elisio Grenet (1893 - 1950) and co-arranged by Jack Marshall and the American classical guitar virtuoso Christopher Parkening (see the comments regarding an on-going arrangement controversy under "Reply"). This piece was first published in Christopher Parkening's book of classical guitar solos titled: Parkening and The Guitar - Volume 1.
Jack Wilton Marshall (November 23, 1921 - September 20, 1973) was an American jazz guitarist, composer, arranger, and record producer. He was married to Eva Katherine Pellegrini, and the father to four children, three sons, producer/director Frank Marshall, composer Phil Marshall, Matt Marshall, and a daughter, Sally Marshall. Jack is also the cousin of classical guitarist Christopher Parkening.
Parkening was born in Los Angeles, California. His cousin Jack Marshall, a studio musician active in the 1960s, introduced Parkening to the recordings of Andrés Segovia when he was 11 and encouraged his classical guitar studies. By the age of 19 he had embarked on a professional career of regular touring and recording.
Segovia has stated that, "Christopher Parkening is a great artist--he is one of the most brilliant guitarists in the world." The Washington Post stated, Christopher Parkening is “the leading guitar virtuoso of our day, combining profound musical insight with complete technical mastery of his instrument.”
At age 30, Parkening withdrew from public performances and recording seeking a respite from the demands of a professional career and a chance to pursue his hobby of flyfishing. During this period Parkening rarely played guitar choosing instead to focus his attention on his Montana ranch and trout stream. While visiting his Southern California home in winter, a neighbor invited Parkening to the Grace Community Church. Profoundly affected by this experience Parkening returned to recording and performing with a renewed sense of purpose" to glorify God with his music. He then released Simple Gifts; an album of traditional Christian hymns arranged for classical guitar. His autobiography Grace Like a River was published in 2006.
Parkening has recorded over 20 albums for Angel and EMI Classics. He has been nominated twice for a Grammy Award. Notable recordings include Parkening Plays Vivaldi featuring a selection of Baroque concertos, Pleasures of Their Company with soprano Kathleen Battle, produced by Patti Laursen and nominated for the 1986 Classical Record of the Year Grammy Award as well as the world premiere recording of Peter Warlock's Capriol Suite with the Academy of St. Martin in the Fields.
As an educator, Parkening has been instrumental in cementing the guitar's reputation and esteem within academia. He created the guitar department at the University of Southern California in 1969, when he was only 22, and he was serving as the head of the department when he first retired from public performance at age 30. During his famous sabbatical from the guitar, spent mostly fly-fishing in Montana, he agreed to found a guitar department at Montana State University, and he did what he terms a "token" amount of teaching at MSU during this time. He was awarded an Honorary Doctor of Music from Montana State University in 1983. He is currently Distinguished Professor of Music and Chair in Classical Guitar at Pepperdine University, where, in addition to his work with guitar majors, he also teaches a public master class. In a 2013 interview, Parkening said that he is retired from the concert stage and is focused on his family and teaching.
Christopher Parkening lives with his wife, Theresa, and their son, Luke in Southern California. (Wikipedia)
About the performer...
Steven began studying the guitar at age nine and has attended some of the finest music schools in the world including the Berklee College of Music (Boston), and the Mozarteum (Salzburg, Austria). He holds both a Bachelor of Arts degree from Western Washington University (1980) and a Master of Music degree from the University of Arizona (1982).
Over the past 40 years, Steven has performed hundreds of concerts throughout the United States, Central & South America, and Europe. His debut recordings ‘Espressivo’ and ‘Steven Saulls Plays Works by Ponce, Torroba & Bach’ have received wide acclaim both nationally and internationally. In addition to solo concerts, he has performed over 200 chamber works including guitar concerti (with orchestra) by Vivaldi, Ponce, and Rodrigo.
About the recording...
Recorded at The Steven Saulls Guitar Studio, Sahuarita, Arizona 2023/Guitar handcrafted by Martin Blackwell.
Copyright© 2023 Steven Saulls, Sahuarita, Arizona
For additional information please contact Steven Saulls at sdsaulls@gmail.com

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21 сен 2024

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Комментарии : 7   
@stevensaullsguitarist
@stevensaullsguitarist Год назад
There has been, for many years, an on-going controversy (including long-heated discussions) over the arrangements of Leo Brouwer and Christopher Parkening's Afro-Cuban Lullaby (Drume Negrita). Below is a summary of the facts regarding the origins of this controversy followed by Google Group links that shed some light on this topic: An unidentified guitarist simply known as Antucco claimed that a friend of his made a Xerox copy of what is now believed to be Brouwer's hand written arrangement of Drume Negrita from the late 60s or early 70s. In the early 1970's, Mr. Parkening was given a copy of this arrangement. This copy had no composer, no arranger credits, and no copyright information on it. Therefore, Parkening assumed (and was told) that the tune was in "public domain" and was a traditional lullaby. He gave it to his cousin, Jack Marshall, who made some small changes to it, and Mr. Parkening then recorded it. A couple of years later, Brouwer did finally published this same arrangement in 1978 under the title: "Deux Themes Populaires Cubains" through Editions Max Eschig. Because Parkening's arrangement was published first, everyone assumed, including Parkening himself, that this was, for the most part, his own original arrangement. At that time he had no knowledge of who composed or arranged the first version even though later reliable resources (including a recording before Parkening's) verified that this original manuscript was indeed Brouwer's arrangement. However, no copyright laws were broken due to the fact that Brouwer's arrangement was published after Parkening's and that harmonizations and chord progressions used in arrangements cannot be copyrighted (as proven by the recently failed lawsuit against Led Zeppelin and the song "Stairway to Heaven"). groups.google.com/g/rec.music.classical.guitar/c/XjcXjpiJ-zE/m/4-DF50dJ594J?pli=1 groups.google.com/g/rec.music.classical.guitar/c/NrZxfugDFOE/m/3fwBr2gACJkJ groups.google.com/g/rec.music.classical.guitar/c/29PX36Wl2zU
@Toddlane43
@Toddlane43 Год назад
Very nice piece and played with excellence it’s almost got a Japanese sound to it
@stevensaullsguitarist
@stevensaullsguitarist Год назад
Thanks Todd! Yes, perhaps the use of pentatonic scales and the double stops in parallel 4ths give this piece it’s exotic character.
@Toddlane43
@Toddlane43 Год назад
@@stevensaullsguitarist I agree with this observation
@juanmiguelsuarez
@juanmiguelsuarez Год назад
I didn’t know this arrangement before. Interesting that Parkening’s transcription wouldn’t give credit to Brouwer, even if he based a lot on him. There’s even also the harmonic variation in the middle section. Anyways, great playing as always Steven!
@stevensaullsguitarist
@stevensaullsguitarist Год назад
Thank you for your encouraging comments and another visit to my RU-vid channel! Please see the comments above regarding the controversy surrounding Leo Brouwer Christopher Parkening's arrangements of "Drume Negrito".
@juanmiguelsuarez
@juanmiguelsuarez Год назад
@@stevensaullsguitarist Oh, now I see! Thanks for the additional light on the matter.
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