Ajanta Caves : Aurangabad District of Maharashtra State in India
The first Buddhist cave monuments at Ajanta date from the 2nd and 1st centuries B.C. During the Gupta period (5th and 6th centuries A.D.), many more richly decorated caves were added to the original group. The paintings and sculptures of Ajanta, considered masterpieces of Buddhist religious art, have had a considerable artistic influence.
The caves at Ajanta are excavated out of a vertical cliff above the left bank of the river Waghora in the hills of Ajanta. They are thirty in number, including the unfinished ones, of which five (caves 9, 10, 19, 26 and 29) are chaityagrihas (sanctuary) and the rest, sangharamas or viharas (monastery). The caves are connected with the river by rock-cut staircases. The excavation activity was carried out in two different phases separated by an interval of about four centuries. The first phase coincides with the rule of the Satavahana dynasty from about the 2nd century BCE to the 1st century BCE, while the second phase corresponds to the Basim branch of the Vakataka dynasty with their Asmaka and Rishika feudatories in the 5th to 6th centuries CE.
Altogether, six caves (caves 8, 9, 10, 12, 13 and 15A) were excavated in the first phase by Hinayana/Theravadin followers of Buddhism, wherein Buddha was worshipped in an aniconic/symbolic form. These caves are simple and austere, and carry mural paintings sparsely. The chaityagrihas are characterized by a vaulted ceiling and an apsidal end, the façade dominated by a horseshoe-shaped window, known as chaitya window. Internally, they are divided by colonnades into a central nave and side aisles, the latter continuing behind the apse for circumambulation. At the centre of the apse stands the object of worship in the form of a chaitya or stupa, also hewn out of the rock. The monasteries consist of an astylar hall meant for congregation, and range of cells on three sides serving as the dwelling-apartments (viharas) for monks.
In the second phase, the rupestral activity was dominated by the Mahayana followers of Buddhism, where Buddha was worshipped in an icon/idol form. The earlier caves were reused, and several new ones were excavated. The architectural forms of the earlier phase continued, however, with a renewed architectural and sculptural fervour. The walls were embellished with exquisite mural paintings, executed in tempera technique; and pillars, brackets, door jambs, shrines and facades were richly decorated with sculptural splendour. The unfinished caves (caves 5, 24, 29) provide excellent evidences of techniques and methodology employed in rock excavation.
Ajanta Caves exemplifies one of the greatest achievements in ancient Buddhist rock-cut architecture. The artistic traditions at Ajanta present an important and rare specimen of art, architecture, painting, and socio-cultural, religious and political history of contemporary society in India. The development of Buddhism manifested through the architecture, sculptures, and paintings is unique and bears testimony to the importance of Ajanta as a major hub of such activities. Further, the epigraphic records found at Ajanta provide good information on the contemporary civilization.
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Recording Date: Jan 10, 2023
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27 апр 2023
