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Alexei Volodin - Vladimir Jurovski. Scriabin: Prometheus 

Margit Nagy
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Alexander Scriabin: Prometheus or the Poem of Fire
Svetlanov State Orchestra, Academic Grand Choir
Vladimir Jurovski (conductor), Alexei Volodin (piano)
Александер Скрябин: Прометей. Поэма огня для фортепиано, хора и оркестра.
Государственный акалемический оркестр России имени Е. Ф. Светланова, Академический Большой хор
Владимир Юровский (дир.), Алексей Володин (фортепиано)
Moscow (Russia) Tchaikovsky Hall
9-06-2014

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29 янв 2017

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Комментарии : 21   
@leonardobautista1619
@leonardobautista1619 3 года назад
The best performance I´ve heard of this piece so far.
@emilyhutjes
@emilyhutjes 4 месяца назад
The Orchestra, the piano, the choir, the great conductor and the lights make this a most exquisite performance. Thank you ! 🌷🌷🌷 (Holland)
@Minusixii
@Minusixii 7 лет назад
A wonderful performance! And the pianist plays so sensitively too.
@purpleblue946
@purpleblue946 7 лет назад
Thank you so much! This is an absolutely fantastic performance. This is what the work has been waiting for. He really brought it to its full potential. Most of the other live performances on youtube pale in comparison. BRAVO!
@Mezzotenor
@Mezzotenor 7 лет назад
Spectacular, in every respect. First of all, Mr. Jurovski offers the cleanest and least diffuse interpretation of the piece I've heard - perhaps a comparison could be made to the Boulez supposedly controversial (it isn't) interpretation of Debussy's La Mer. The various tempo changes and motivic variants seem to come from a very well ordered musical mind, notwithstanding the ridicule Scriabin gets for his delusions of grandeur. Second, there clearly was a lot of consideration of color, both as to the lighting execution and to the orchestration, which for once came through with an almost Brahmsian clarity. Third, I've never heard the dynamics so carefully controlled, e.g., 21:20 where the climax just beforehand was not an excuse to play louder than the markings until the remainder of the piece. Fourth, the camera work was intelligent and only occasionally relied on effects (like the combination of close-up and dissolve at 16:15). Fifth, the solo piano part is somewhat thankless, requiring a lot of detail but precious little in the way of virtuosic display, and Mr. Volodin was splendid. MANY thanks for posting this, and could I ask which orchestra is to be commended?
@MargitNagy09-28
@MargitNagy09-28 7 лет назад
Svetlanov State Orchestra. Thank you, I have completed the description.
@Mezzotenor
@Mezzotenor 7 лет назад
Wonderful group... rich Russian colors, which you really can only get there.
@rittelmann
@rittelmann 2 года назад
SPLENDID FINAL
@angusheider2038
@angusheider2038 5 лет назад
timeless music _____________________________________
@rittelmann
@rittelmann 2 года назад
VOLODOS IS LIKE A FISH IN THIS MUSIC OF SCRIABIN
@Luca-yg5qx
@Luca-yg5qx 2 года назад
Makes me sad how many empty seats there were during this spectecular performance
@christianwithers1121
@christianwithers1121 5 лет назад
I love this music and this is definitely one of its best recorded performances. But why does it say 18+ in the upper right corner? I kept waiting for nude dancers! 😜
@MargitNagy09-28
@MargitNagy09-28 5 лет назад
In Russia, classical music concerts were recommended by age. "Возрастная категория".
@MrCC379
@MrCC379 5 лет назад
So, do the light changes represent the "Luce" part that Scriabin wrote for in this piece?
@jacobtapianieto9655
@jacobtapianieto9655 2 года назад
That's right!
@dAvrilthebear
@dAvrilthebear 7 лет назад
мне кажется, очень интересное исполнение: Юровский выпячивает акценты (во всяком случае, больше, чем я привык слышать), и это идёт произведению на пользу.
@Vinhhhhh
@Vinhhhhh Год назад
мне одной сказали это в школе слушать?
@maksimryslyaev4794
@maksimryslyaev4794 4 месяца назад
Слишком сложная музыка для школьников. Лучше что-то легче из классики давать
@Vinhhhhh
@Vinhhhhh 4 месяца назад
@@maksimryslyaev4794 думаю, что вы правы
@pinkanimals
@pinkanimals 5 лет назад
Scriabin could write a bitching soundtrack to Alien. Not that Goldsmith did poorly, but still.
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