¿Pero, cuando respira este hombre cuando canta? Y sin embargo respira: es el Arte. y cada obra de Arte es irrepetible, y te deja mudo. Hasta siempe, Alfredo
querido rawdonqueen yo tuve la suerte de escucharle hasta poco antes de su muerte y puedo asegurarte que seguia teniendo el sheen de joven y algunas virtudes mas. Y te hablo de escucharle en directo porque en un estudio canta cualquiera.
John Blacklock Comprendo que pueda no gustar a alguien,aunque no lo comparto ,pero desde luego era maravilloso no solo por su voz ,sino por sus interpretaclones,no se como expresarlo mejor
John Blacklock That was in his prime with an incredible quality. His diction was Superb especially in all the French OPERAS. He was very wise in choosing roles that suited his voice perfectly. I am not the type that always tries to find some very minor changes in a GREAT artist. Like they do to Kaufman as well. Another example of a great tenor when he was in his prime he could not get enough praise. And now per usual everyone always trying to find fault in his voice. Arnold Bourbon Amaral
John I too have always been a fan of Mr Kraus when back in the day all you ever heard was about Pavarotti! As a retired singer myself (baritone) I cannot help but listen with a critical technical ear, both the vocal technique as well as for the musicianship and the interpretation. I actually agree with you about the sheen not being there in his latter career but in the same breath it must be said that he sang into his late sixties, 67 I believe and died at almost 72. So I believe it is simply a case of an extremely long and exemplary career that accounted for the sheen not being there in the last few years of his active career.
Ningun tenor tenía más brillo de maduro que de joven, dicho esto, yo escuché a Kraus con 60 años y 69 y su maestría era única. Con 64 una Favorita que fué un derroche de técnica y poderío vocal y con 67 y 68 Werther y Lucía, un auténtico maestro. La mayoría a esa edad lo que hacían o hacen es gritar.
