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All about the LYDIAN DOMINANT (Lydian b7) SCALE - Crystal Clear! 

QJamTracks
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A crystal clear guitar tutorial about the lydian dominant scale with examples in different styles (Jazz, Blues, Metal, Fusion and film scores) enhanced with fine supporting graphic and animations so everyone can understand this beautiful lydian dominant scale. The lydian dominant scale or lydian b7 scale (which is a mode of the melodic minor scale) can be used mainly over non-resolving dominant chords but can be an asset for any style of music which I will show in the lesson. You will learn the basics of the scale and more advanced examples. Short: You will learn everything there’s to know about the Lydian Dominant scale in a fun and above all, a crystal clear way.
0:00 Introduction
1:35 Basics
4:05 Names
5:41 Harmonizing the scale
8:57 Studying the scale
10:12 When to use it
11:58 Arpeggios
14:04 Pentatonic Lydian Dominant
15:25 Conclusion
You can support me on my patreon page (also for tabs of the licks played in this video): www.patreon.com/QJamTracks
Artwork: (c) 2020) Rob van Hal
Used:
Ibanez JEM 7vb (www.Ibanez.com)
Ibanez RT
Ibanez SD GR Bass (www.Ibanez.com)
Schecter Banshee GT FR (www.schecterguitars.com/)
Takamine GD930 (www.takamine.com)
Castilla Classical Guitars
Samson Concert 99 Wireless system
Rode Microphone
Axe FX II (www.fractalaudio.com)
Social Media/contact:
www.patreon.com/QJamTracks
QJamTracks
QJamTracks
/ qjamtracks
(c)2020 Rob van Hal, Netherlands
Subjects in this video:
The Lydian Dominant scale,
The Lydian b7 scale,
The mixolydian #4 scale,
The acoustic scale,
The overtone scale,
The pentatonic lydian dominant scale,
Metal scale,
Writing metal riffs,
The melodic minor scale,
Modes of the melodic minor scale,
Dominant chords,
Improvising over dominant chords,
Soloing over dominant chords,
Dominant licks,
The Simpsons theme,
James Bond theme,
Music theory lesson guitar,
Music theory,
Guitar tutorial,
Guitar lesson

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26 июл 2024

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Комментарии : 57   
@Phadddy
@Phadddy 3 года назад
1st class tuition! So much information in around 15 min, amazing!
@tony11950000
@tony11950000 Год назад
Best channel for Guitar learning.
@figueroa661
@figueroa661 Год назад
This is fantastic! Incredible detail and easy to follow and understand. Thank you!
@lympho5863
@lympho5863 2 года назад
So well put and in-depth ! Thanks a lot !
@ZHA
@ZHA 3 месяца назад
Thank you. Well done
@3teRnaLfr
@3teRnaLfr 3 года назад
Nice i really enjoy watching your videos ! Thanks
@davimarques4726
@davimarques4726 3 года назад
Great interesting class, exploring aspects and aproaches from the lydian dominant scale.
@vincentchen5341
@vincentchen5341 3 года назад
Super useful detailed and applicable material, keep it up
@mikep7525
@mikep7525 9 месяцев назад
Nice!
@nuke97
@nuke97 3 года назад
Excellent analysis, inspired to give this mode a run.
@satchrules101
@satchrules101 2 года назад
Gold lesson!
@Davidparry12
@Davidparry12 2 года назад
I'm not done the fill video yet but this is so far the best reference material I've seen for a scale on RU-vid ever. Thanks so much!
@kondorram9073
@kondorram9073 3 года назад
Great channel. Thanks mate
@rafa_guitar
@rafa_guitar 3 года назад
Another awesome video Rob! A pleasure to see you playing, for sure you are a great composer! This channel is so full of reference information.
@QJamTracks
@QJamTracks 3 года назад
Thanks Rafael!
@prsaikcanton3148
@prsaikcanton3148 2 года назад
The best explaination
@kytronnbueno1428
@kytronnbueno1428 3 года назад
Thank You For The Awesome Lessons. Merry Christmas, Wish You & Your Family The Best For The New Year.
@QJamTracks
@QJamTracks 3 года назад
Thank you so much Kytronn! I'm a bit late with my answer, but I wish you and you family all the best and a happy new years eve!
@RafaelSCalsaverini
@RafaelSCalsaverini 3 года назад
Great channel!!!
@cowabungabonzai
@cowabungabonzai 2 года назад
I love this scale
@ritupabankotoky
@ritupabankotoky 2 года назад
Thanks for the lesson sir, subscribed.
@boatfaceslim9005
@boatfaceslim9005 2 месяца назад
Surprised not to see mentioned how I use it : Playing Lydian Dom a tritone from the root of a dominant chord ( in say a 251 ) gives you the notes of the Altered Scale over that dom chord. Another way to think of the same situation is to play Lyd dom starting from a semitone above the root of the chord that the dominant chord is resolving *to* e.g. improvising over a 251 in C would be - play D min arp or scale - then on the G7 play Db Lyd Dom ( gives you G Altered Scale notes superimposed on the G7 chord) then play C maj arp, scale - or whatever to resolve.
@QJamTracks
@QJamTracks 2 месяца назад
Thanks for your contribution!
@blackcitadel37
@blackcitadel37 3 года назад
Could you make a video about how to practice scales, arpeggios, chords, etc the right way? These videos are wonderful. I just get confused how to practice these scales without feeling repetitive or just that endless "up-and-down" all the time. Thanks a lot for all this content. You're the best music channel I ever found
@avatacron60
@avatacron60 Год назад
Ok, ok...
@PedroSilvaMusic
@PedroSilvaMusic 3 года назад
Fantastic
@nipu5840
@nipu5840 9 месяцев назад
Thank you
@correametal
@correametal 3 года назад
Wow Rob you just made my day with this video! Excellent as always! Another tool for adding color to compositions! I liked all the examples but I especially loved the Metal one! I can't thank you enough for all that you do for us. Eternal thanks!
@QJamTracks
@QJamTracks 3 года назад
Sorry for my delayed reaction. I've been so busy lately. Thank you Jose!!! And have a nice new years eve :)
@correametal
@correametal 3 года назад
@@QJamTracks No need to be sorry Rob. I totally understand that you are always busy to make these excellent videos for us, so thanks for taking from your short time available to so kindly answer our comments. Thank you Rob, and may you have a nice new years eve as well, stay safe!
@brianbergmusic5288
@brianbergmusic5288 Год назад
Grateful for this lesson. There's something about this mode that I wish to capture. It's so close to the mixolydian b6 scale, but doesn't have that uplifting mystical sound to it. It sounds... cooler and even funky if a dominant strum is in the backing track. If it doesn't have that funk element, then it sounds strange, an odd-ball encounter in a whimsical adventure.
@KCE779
@KCE779 18 дней назад
TOP 🔥🔥
@megashredderofkate
@megashredderofkate 3 года назад
this is a scale i learned about a long time ago, but i think the rules around When to use it were very confusing especially if you're not a jazz musician! very helpfull as always, and i hope to take this more seriously in my improvs from now on! i'd love it also if you did a video on ionian #5, that scale always makes my ears go 'oooh, what was that'! but again, i have not much reference material to go on!
@echelonworks
@echelonworks 3 года назад
This is exactly what I've been looking for!!!
@dankers12
@dankers12 3 года назад
This was really thorough and easy to understand. Thank you for the great lesson.
@lawboss
@lawboss 3 года назад
Enjoyed the video. As always, there's a lot to unpack.
@QJamTracks
@QJamTracks 3 года назад
Thank you Tom :)
@DavidPhillipsMusic
@DavidPhillipsMusic 8 месяцев назад
Lydian Dominant also works well on backdoor Dominants
@danaeverhart6487
@danaeverhart6487 3 года назад
Merry Christmas My Friend!
@QJamTracks
@QJamTracks 3 года назад
I'm a bit late with my answer Dana. Best wished for you too and for later on: a happy new year!
@blow-by-blow-trumpet
@blow-by-blow-trumpet 3 года назад
For me this scale provided the solution to resolving a back-door progression (IV-bVII-I). Since the dominant chord is naturally a 7#11 the scale kind of imposes itself upon you. I was playing it for a while without knowing it was called anything!
@shanedefeo6881
@shanedefeo6881 Год назад
Great lesson! You mentioned that to get the lydian dominant sound (chord4) you can play chord one over chord three with the pedal point of the root of chord.My question is : is this a formula that works with any chord? For example could I superimpose chord two and four with the pedal of chord five to get the mixolydian flat six etc... And does it work with all harmonized modes of any scale? Thanks
@johnstrange1382
@johnstrange1382 2 года назад
Charles Ives used to imploy this scale.
@adrianaslund8605
@adrianaslund8605 2 года назад
Could you construct a tone with overtones in another mode on say a synthesizer? I wonder what that would sound like?
@zorandjipanov6492
@zorandjipanov6492 3 года назад
But wait, what do you mean “can’t play if it resolves to the one” ? If I am playing a f minor blues and suddenly go to the V/iv play a Lydian dominant lick over the F9 then go to the Bb min9 and just continue to play the F minor blues scale, how is that not going to work ? To me it sounds like it dose indeed work, specially if I add the blue note as a passing tone between F Lydia dominant and Bb minor 9… please explain
@bernadusrikosantosa2002
@bernadusrikosantosa2002 2 года назад
Great lesson, superb... But I dont get it why it cannot be used over V7-I progression (resolved dominant)...
@brownpunk1794
@brownpunk1794 2 года назад
Shimpsons
@arsenmingo62
@arsenmingo62 3 года назад
Lydian dominant... Of course he is using the Steve Vai signature!
@joebermuda6452
@joebermuda6452 Год назад
Mode 4 of melodic minor if I’m not Mistaken
@MsDavo123
@MsDavo123 2 года назад
i wonder if i have thrash y phrygian dominant riff can i solo with this scale over it?🤭
@Meshuggapeth
@Meshuggapeth 11 месяцев назад
Short answer is sure. Long answer is it depends how much dissonance you want at any given time. If you’re doing a modal riff in Phrygian dominant, go ahead and use Lydian dominant too but be mindful of the natural 2 clashing with the minor 2 and the sharp 4 clashing with the perfect fourth
@MsDavo123
@MsDavo123 11 месяцев назад
@@Meshuggapeth actually i shall experiment and see how it goes kind of tired of Harmonic minor but such a lovely scale hahahah
@Meshuggapeth
@Meshuggapeth 11 месяцев назад
@@MsDavo123 my favorite mode of harmonic minor is Dorian #4
@MsDavo123
@MsDavo123 11 месяцев назад
@@Meshuggapeth nothing beats phrygian dominant but shall experiment with your favourite ad well
@zlatkodraskovic5532
@zlatkodraskovic5532 2 года назад
Fuck… add on the second minute…
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