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Hi Sandra , thank you again sooo very much for your very patient gr8 teaching, you re looking like you re feeling gr8 too with your present condition and look, you re looking friendlily charming , love it , big tumb up !
@@GuitarversumSandraSherman Hi Sandra, I would really give you back something which I hope and contribute, like, Qi Gong meditation , for inne and outer balance from Tao te Ching base upon or for any oneness developement, growth , it's very much close and related to music ,can I possibly message you in messenger on fb or so ? I will very much wish to and will be delighted , all best, Kee Cheang
Thank you for the lesson, Sandra! I always think I need to be playing with more than just two fingers so it was good to get reminded about diads and how you don't need to use every single finger when playing a chord. things can sound beautiful and be simple at the same time it doesn't need to be complicated.
This is also, because you are not the only player in the arrangement (as said) and there is no need for doubling notes (if not wanted for a special reason). Makes things sound more tranparent. I remember when I first heard, that at least one of the Rolling Stones guitarists plays with only four strings on his instrument, because the arrangements never need those other two ones, I was quite astonished. Also the root is mostly played by the bass player.
00:00 ALL BLUES (Miles Davis) - Lesson Time Stamps 00:08 Introduction 00:44 ALL BLUES - Performance (Regular Tempo) 01:19 Song Structure 01:27 ALL BLUES (Guitar Chords) Explanation 01:30 Breakdown 07:30 ALL BLUES - Performance (Slow Tempo) 08:16 Recommended Tutorials
I just want to say "thank you"! I just found your channel randomly, but I love everything about it- the songs you cover, the relaxed and pleasant way you teach, clear demonstration and explanation. Jazz is quite intimidating, but you somehow make it appear much more approachable. Fantastic job. Thank you so much!
Classic Miles! Always loved playing this with our trumpet player. We split the chord notes and do a unison melody verse. It’s a fun tune to rip on! Nice lesson and insights (as always), Sandra! Stay safe👍
Cool, Sandra. This one is groove critical in my opinion. 😎 You're always a great teacher. Thank you. A solo lesson over this would be awesome too. No pressure, ha ha ha. 🤣🤣 Happy New Year my friend. 🤗
Ha, good idea 💡. I'm looking for songs for solo lessons. This had is short enough, otherwise the lesson would become too long. Keep the suggestion coming!
A millions thanks. Absolutely love your videos. Your pacing is absolutely perfect and love how you take complex concepts and break down to learn WHY it's important. Thank you!
Whoa!! I picked this off years ago by ear, and it did fit harmonically, but after seeing this I realize I had it quite wrong. A big THANK YOU! Cudos on a job very well done.
Hi Sandra, #Greetings. Your work and contribution to the guitar community is excellent, it has helped me a lot in the compression of many chords and accompaniment. I hope to continue learning from you, A Gigantic Hug from here from Venezuela. (I hope someday you will consider doing something with Donna Lee or Confirmation, at least the accompaniment or melody of her)
Love It! This was one of the first songs I learned to get into a jam and remains one of my favorites. I have learned several reharms over time but none quite like this. DES IS JAZZ, OIDA! Thank You for all your wonderful material...!!! B-)
@@GuitarversumSandraSherman LOL, now I'm embarrassed... Nothing to write home about. The jam host was a vibe player and music teacher, he took an interest in the way I was trying to work out improvised harmonies to stay out of the way of all the melody players. He turned me on to building double and triple stops playing with major and minor intervals upscale from the root. Tons of diatonic possibilities for "the new guy" w/o getting in trouble and my first pair of jazzy big boy pants... B-)
Welcome to the jazz ride, Richard! Hope you have a great time here and learn a lot. Please share your comments and thoughts in the comment section as often as possible. Thanks you! Keep swingin'!
IN CASE ANYONE'S WONDERING WHO'S IN THE BAND: I PLAY SOLO 1 ON TROMBONE, DOUG WEBB IS ON TENOR SAX, BILL WATROUS TROMBONE PLAYS NEXT FOLLOWED BY RON FEUER ON PIANO, AND STEVE HUFFSTETTER ON FLUGELHORN.....THE GROUP IS ROUNDED OUT BY BILL VAN RAVENSBERG ON BASS, AND THE LATE GREAT JOHN GUERIN ON DRUMS.....
Hi Sandra , a belated happy new year to you, thanks for this classic Miles Davis kinda blue, will be adding this to my repertoire, got your lesson on my favorite things in my grasp, stay safe ♥️
@@GuitarversumSandraSherman Yes it's always nice when you get a new one in your grasp, have also got cry me a river and midnight blue in my grasp, also played silent night over the festive period, thanks for all your lessons ❤️
@@GuitarversumSandraSherman Very cool and very useful for futur jam session. I never played this song. This is the opportunity to learn it now. Thanks again :)
Thank you, Miss Sherman. I have gotten a good deal from your videos. However, I need to make one point about the chord progression. Instead of C7 in the 5th and 6th measure, the proper chord is Gm.
True. I prefer to hear it as Gm simply because it's supposed to be a modal tune. Notice how Paul Chambers doesn't change the bass line until the 9th measure.
Bin fünfsaitiger Basslehrling. Ich muss auch immer das Thema zum Stück lernen. Was ich inzwischen, wo ich seit „Ende“ Corona mit mehreren Mädels Musik mache, auch gut finde. Ich habe intuitiv ein gutes Gefühl wo ich mich im Stück befinde.“Natürlich weiß ich das auch“ Dafür Danke. Durch deine Videos habe ich ein wesentlich besseres Empfinden was um mich rum passiert. Grüße aus Marburg berndbriefs
Dear Sandra, thank you for the legendary Miles Davis tune. Thank you for your didactically very well-funded, theoretically and practically very well organised lessons that I have been enjoying for two months. Are you of Austrian or American descent? Greetings from Germany, Gerald
Are bars 5 and 6 really on C7? I know they are always written that way but, bearing in mind that this was intended as a modal blues, and because Paul Chambers continues to play the bass figure in G on these bars rather than move to C, I think G Dorian is more appropriate. I also think your dyad sounds more G Dorian that it does C7.
Yeah, it's G-6 actually, but data really just like a C9 with a G (the 5th) in bass. I wrote is as C9/G, because it explains the 4th degree of the blues a little better.
Something went wrong, I'm not hearing anything you say and only hearing the count-in and the backing track. My mistake, my headphones were partially plugged in.
I tried to translate “Des is jazz, oida!” Online, but couldn’t get a translation. What does that mean exactly? (I’m pretty sure I know the first three words!)
@@GuitarversumSandraSherman JAZZ ISNT BLUES. Muddy water, bb king, blind lemon Jeff. That’s blues. That’s the soul of it. You’re not respecting the history of the pain and storytelling of blues. Jazz-New orleans. Blues-Mississippi
