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ALLA DANZA - Folia d´Espagne 

irairenka
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23 окт 2024

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Комментарии : 14   
@alaDiRia
@alaDiRia 9 лет назад
beautiful
@gradivazoe
@gradivazoe 4 года назад
Maravillosa mezcla, de arrebato y Contención... 😁
@LaBelleDanse
@LaBelleDanse 10 лет назад
Love the arms! Where did the music recording come from?
@keithcavers3110
@keithcavers3110 4 года назад
The Lighting of this dance does it no favours - contemporary lighting of the stage area would have been mainly from the front - there would also have been footlights at the stagefront which would have meant that the feet were more easily visible - modern lighting designers favour "Badger" lighting from the sides which they think make the figures more "sculptural" all this does is to leave a dark strip down the front of the face (hence the Badger) Front lightig would have made all this easier to SEE!
@marketahugo
@marketahugo 11 лет назад
Dechberoucí!
@Mercer1012
@Mercer1012 9 лет назад
Vivaldi's Folia in D-minor
@eduardobeirasgarcia9402
@eduardobeirasgarcia9402 6 лет назад
Les mains¿...en Espagne , pas de ces movements un peu cursis. On dance avec les bras e tout le corp. Ca pareit ballet classique¡
@goodaimshield1115
@goodaimshield1115 Год назад
Esto no es flamenco, colega. Ni jota siquiera. Son folias, de la clase alta. Cursis eran un rato.
@altanburidan1871
@altanburidan1871 8 лет назад
Trop mou pour être dansé que par des femmes!
@irairenka
@irairenka 8 лет назад
???
@altanburidan1871
@altanburidan1871 8 лет назад
Je me suis donc mal exprimé. Oui, je ne les trouve pas dans le rythme. Mollasson alors que la Folia est une musique envolée, etraînante, envoûtante. Votre interprétation manque de nerf.
@irenanavrkalova5035
@irenanavrkalova5035 8 лет назад
Merci pour vos commentaires et suggestions.
@adamnoman4658
@adamnoman4658 6 лет назад
Absolument juste! Oui, où sont les castagnets, les éventails, les tambourins, la fierté, le feu ... les hommes?
@adamnoman4658
@adamnoman4658 6 лет назад
Irena Navrkalová : You have the makings of a fine company: good training, good dancers, costumers, and musicians. Feuillet and Rameau supply only the basics, especially for theatrical dance of the period. It would be helpful to look at a lot of Jean Berain. It would be helpful to get off the vertical, to have the port de bras come from the center, to lead with the head, for principals to give each other room enough so they don't overlap, to learn the evolutions of country dance, to discover the diagonal, the serpentine...and to recruit some men! Best wishes. i. pinimg. com/originals/7b/67/f4/7b67f4f207c5a52c7e35700c7106d355.jpg
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