Thank you very much- May i say an new version with English subtitles will be much appreciated as it could be shared with non urdu speaking Ameer Kushrow 's lovers shukriya- Love to All
thanks very much for uploading this informative documentry.hazrat ameer khusro was a poet musician a great saint and what not.He was expert of many languages...hazrat Nizamuddin Aulia was his peer
Hazrat Ameer Khusrau is one of the top most Poets, Musicians, Poets and a staunch Patriot as well of India. There can never be a substitute to him. His contribution to to the enrichment development progress and popularity of Indian Music and Poetry is monumental absolutely unforgettable. His works will ever by most useful for the posterity.
The qawwali has gone through enormous changes. For quite a long time, it mulled as a minor structure, concealed some places in the customs that were related to Sufi shrines, especially those of the Chishtiya orders. Qawwali was practically non-existent in the area that later became Pakistan. It had started, as the legend goes, in the Delhi region under the support of Nizamuddin Aulia. The shagirds of Amir Khusro, like Mian Samit, are supposed to be the ones who put it in practice so it turned into a standard component of the shrines. It then spread to different shrines where the Sufi orders were not very strict in their act of religion and turned into a permanent feature on Thursdays and Fridays. Nonetheless, it was as yet restricted to the shrines. And no understanding of it was being pulled out of its ritualistic format and performed autonomously. That was viewed as an infringement of the sacredness doled out to it. And it was blasphemy of sorts: disloyalty of the melodic response that was associated stringently to the inspiration of feelings channelized on the directs of tariqat. Qawwali existed with the dhrupad It might have existed with the dhrupad that was the best choice for the music performed at the courts. The dhrupadias ruled for more than five hundred years, in various courts spanning the sub-continent. The legendry singers included: Swami Haridas, Baiju Bawara, Tansen, Man Toomar, Sur Das, Ram Das, and Gopal Naik. Every one of these dhrupadias was considered to have been unparalleled. The qawwali that was connected to the shrine and limited by its quasi-religious sensibility was restricted in scope. A considerable lot of the kheyal practitioners were supposed to be Qawwal Bachchas. They included Baray Muhammed Khan and Tanrus Khan. They were made to pull out of their inherited job to be kheyalias in view of their incredible ability and the more noteworthy distinction allocated to the kheyal. In this way, in the last 200 years, one doesn’t know about any remarkable qawwal. However, numerous kheyalias with their beginnings in the Qawwal Bachchas. Most scholars criticized music Qawwali was not viewed as an independent form of art. Consequently, it was put at a lower level in the hierarchy of genres. Moreover, it was disapproved of by the more conventional and nearly named as heretical. Since there was no proper approval in the mainstream religious order. So, music was criticized and overlooked, and not considered deserving of squandering one’s time. In this way, all melodic structures even the quasi-religious ones were viewed as deviations from the virtue of the strict structures as endorsed. A fight has seethed inside the strict ambit of the job of the Sufis and their endeavors to extend a barely characterized strict code. This running fight has been a regular component of Islam in its long-term history. In our way of life, a pattern later began to have a qawwali performance as a concert item. As it acquired prevalence, many included the qawwali performance for their wedding parties to engage the guests. Normally, the accentuation on it being a show thing, rather than being a melodic presentation in assistance of a religious cause changed the type of music especially in the kalam that was being delivered. The text of qawwali changed with times During the Muslim standard, when Persian was perceived by a great many people, the greater part of the kalam was in Persian. The progress was an unseen one as the qawwal changed from Khusro to Jami, to Hafiz then Rumi and Faizi - some of them Iranian writers and some Indian. Writing in Farsi didn’t cause a commotion in India. Some Arabic texts signaled the commencement of the show; later some kalam in the local dialects was presented. The qawwali became a concert item, especially after the emergence of Pakistan, the Persian kalam, was sung less as it was understood less. Farsi disappeared after independence at a greater speed than it had during the colonial period The vernacular dialects presently shaped the significant piece of the kalam that was sung. Everything began with Shikwa and Jawab-I-Shikwa and the kalam of some Sufi artists, the Punjabi Sufis specifically. A portion of the writers was at that point notable. Similarly, others became well known solely after their kalam was delivered by some qawwals as it was effectively perceived and. played around on high sentimentalism. Current challenges to qawwali These days, the test isn’t achieving a combination of the sounds that might be more global in character and those that are local and restricted to the region. But the challenge is wrestling with the new sounds that are a result of the technological revolution taking place. It is all unavoidable and music can’t say standoffish from it, regardless of whether it attempted. Nusrat Fateh Ali was hailed incredibly as he was a qawwali singer and a qawwal with a genealogy. He opened the more isolated structures to outside melodic impacts, obviously from the West. Moreover, he was advanced by a portion of the enormous names that were dealing with the music business. This assisted him with accomplishing fame that was really global in its scope and essence..By Saif Of National College of Arts Pakistan,
can somebody tell me what raag the last song is bassed on? I can recognise some elements of ither puriya or sohini, and maby it could be Marwa. I am not sure help me please! love Nicki
Dunya ma jitnay b ahal e danish(aulia karaam) guzaray hy sub log Ali ko moula mantay hy . Aur Ali ki hamd o Sana kartay hy. Agar dakhna chahtay ho toh kci b wali Allah ki book khool k dakh lo.
ख़ुसरौ रैन सुहाग की, जो मैं जागी पी के संग, टन मोरा मान पिया का, जो दोनो एक ही रंग. Khusrao! It is the blissful wedding night; I awake with my love. The body mine, the heart my lover’s, and both coloured in the same hue. ------------------- satisfy ?? -------------------------------
"AAMIR KHOSRO" jinhone apni fankari ko kabhi apni jamin se alag nahi hone diya jo likha apne Watan apni jamin apni jado(roots) ke liye likha .......kyuki wo bhi hmara hi bhai tha uski or meri rago me wahi lahoo behta thaa jo aj bhi h ....kyuki D.N.A to ek hi h chahe unhone apna ibadat ka tarika badal liya ho....proud to you .....Ravinder Gautam
Hey buddy can u pls send me the link to download that nazr e karam kunn kije nizam uddin kalam used in this documentary... Plzzz its a reqst.... Plllllzzzz brother....
“آفاق را گردیده ام، مهر بتان ورزیده ام خوبان فراوان دیده ام اما تو چیز دیگری من تو شدم تو من شدی من جان شدم تو تن شدی تا کس نگوید بعد ازین من دیگرم تو دیگری” ― امیرخسرو دهلوی
America ki gulami main Saudi Arabia nai angrezon ko basaya osama binladen ki Tom se ishi baat ki ladai thi aur Allah ne Tom logon ko pesa petrol diya uska Tom ne kya kiya whan Dubai ke naam par jb road red light area banana dala jahan ap suar ke gushat se le kar sharab aur kabab shabab har cheez kharid skate ho rohigiya musalman Marta hai to in ke moh main dahee jamjati hai keralan ke liye 540 crore de dalte hai dr israr Ahmad ke banyan sonlo saudi Arabia ke bare main to rooh kapjaye gi allah ka azaab sab se pehle Saudi Arabia pe hi ayega in sab ki biviyan aur bache yahoodini se peda hain khanaye kaba pe asal mein kabza to ajbhi angrezon ka hi hai nahi inka petrol hai nahi zameen iski misaal aap filisteen Israel hai uspar bhi in ke moh aur zabaan khamosha hojati hai isa peer na Musa peer sab se bada hai pesa peer in ka khuda to sirf America hai ya al madad America