An Introduction to Old Master Drawings | Christie's 

Sergio C. Mata No he is not, you fool.

Um. No. With the gloves, we may end up crinkling the paper because the hand isn't in direct contact.

Actually no. With the gloves, we may mishandle the paper because the fingers aren't touching the paper directly. Gloves are clumsy. They make sure in other ways to keep paper clean.

@@shreyasshankar4109 dude, that makes absolutely no sense.

YES, and a mask when he talks around them. Has anyone seen high definition, close up footage of some speaking?...it's disgusting...we all let out a little bit of spite, even with the shortest sentence.

Full-sized preparatory drawings are also called cartoons in art.

@@numairsobhan5137 no they're not, those are called preliminary sketches or an "undersketch", they're not called cartoons.

A cartoon (from Italian: cartone and Dutch: karton-words describing strong, heavy paper or pasteboard) is a full-size drawing made on sturdy paper as a design or modello for a painting, stained glass, or tapestry. Cartoons were typically used in the production of frescoes, to accurately link the component parts of the composition when painted on damp plaster over a series of days (giornate).[3] In media such as stained tapestry or stained glass, the cartoon was handed over by the artist to the skilled craftsmen who produced the final work. Such cartoons often have pinpricks along the outlines of the design so that a bag of soot patted or "pounced" over a cartoon, held against the wall, would leave black dots on the plaster ("pouncing"). Cartoons by painters, such as the Raphael Cartoons in London, and examples by Leonardo da Vinci, are highly prized in their own right. Tapestry cartoons, usually colored, were followed with the eye by the weavers on the loom.[2][4] -Wikipedia

@@numairsobhan5137 lies.

@@CommentReader Try the link if you question my authenticity. Unless you distrust the Getty museum as well?

@@mementomori1022 assfknhall