0:13 Stabat Mater 4:08 Cujus animam gementem 6:16 O quam tristis et afflicta 8:25 Quae moerebat et dolebat 10:45 Quis est homo, qui non fleret 13:39 Vidit suum dulcem natum 17:34 Eja mater, fons amoris 19:37 Fac, ut ardeat cor meum 21:38 Sancta Mater, istud agas 27:11 Fac, ut portem, Christi mortem 30:57 Inflammatus et accensus 33:05 Quando corpus morietur 37:00 Amen
Belle interprétation. C'est peut-être la plus proche de celle de Nathalie Stutzman avec l'inoubliable Emöke Barath et Philippe Jaroussky que je considère comme la plus belle, la plus "transcendante"; bref, la version DE RÉFÉRENCE.
With this comment I will probably bring some negative reactions but I found Netbrebko superficial and not “involved” in her interpretation which is closer to Rossini than to Pergolesi. Unlike Netbrebko, Pizzolato is "in" the music with a sumptuous legato which adds to the emotions of this Stabath Matter. In addition, she has a very good voice quality. The conductor is good but with occasional moments when he rushes the tempi for the accelerando parts, which is hard to understand why. With these rushed accelerando parts, singers sometimes barely have time to sing the notes when the slow parts are just the right tempo. Thank you for this video.
![Anna Netrebko, Marianna Pizzolato: Stabat Mater [G.B.Pergolesi]](/img/logo.svg){kind=logo}
