Antonio Vivaldi - Dorilla in Tempe (Fasolis/ Ceresa) 

This is a great gift to Vivaldi enthusiasts all over this world

Great Vivaldi music. Stunning production. Beautiful singing. The costumes were outstanding.

Beautiful Viv and I’m a Vivaldi enthusiast it’s great to see and hear rarely played and heard Maestro rather than his concerto’s love it

Con Teatro La Fenice la musica non sta chiusa in casa, ma entra in tutte le case ...in cui ci siamo rinchiusi.👏👏👏👏🎭 GRAZIE !

Un véritable enchantement très vivifiant pour l esprit.

Потрясающе ! Огромное вам спасибо за доаставленное удавольствие !Браво !👏♥️

E' un piacere ascoltare e riascoltare questa bellissima opera di Vivaldi. E queste le mie arie preferite: 00:41:40 Al mio amore il tuo risponda 00:46:38 Rete, lacci, e strali adopra (il sagace cacciator) 01:02:51 Come l’onde in mezzo al mare 01:28:03 Bel piacer saria d’un core 01:54:25 Col piacer del tuo comando 02:21:19 Non ha più pace il cor amante Bravi tutti, ma un complimento particolare da parte mia a Rosa Bove e Lucia Cirillo.

Engaging production of one of Vivaldi's best operas.

una bellissima iniziativa che il teatro stesso pubblichi i propri allestimenti a distanza di tempo. Bravi.

Magnifique! J’adore particulièrement l’air à 2:00 (deux heures) chanté par Véronique Valdès. J’adore son interprétation! ❤️

Superbo allestimento.

The only thing I wish was added was CC in English. Delightful production.

Thank you La Fenice!!!❤️🌹🎶🎶🎶🎶

Les baisers entre chanteuses travesties ne gâchent rien, magnifique production merci la Fenice

Five Stars 🌟🌟🌟🌟🌟 Magnificent!

MAGNIFICA

Tho the orchestra is of modern violins and winds, they are sensitive to baroque style. Vibrato is minimized, tempos are brisk and articulations are light. This also allows the soloists to sing in a more moderate baroque style. Love the entire performance and sets. Thanks to the conductor.

I hope this wonderful production will be released on Dvd in the next future.

MARAVILLOSA !!!

Maravillosa! Muchas gracias Fuerza para todos! 👏👏👏👏👏👏

9:10 Mi lusinga il dolce affetto (= J. A. Hasse - Catone in Utica) 37:11 Saprò ben con petto forte (= J. A. Hasse - Issipile) 57:17 Lieta, o Tempe (Coro) 1:17:10 Se ostinata a me resisti (= D. Sarri - Valdemaro) 1:23:21 Se amarti non poss’io 1:28:04 Bel piacer saria d’un core 1:46:54 Con eco giuliva (Coro) 2:00:11 Fidi amanti al vostro amore (= Argippo, RV 697) 2:21:19 Non ha più pace il cor amante (= J. A. Hasse - Cajo Fabricio)

Grazie! Bravo! Ithaca

Q música maravillosa!! What a glorious music

Grazie La Fenice, siete incredibili..Quando finirà questo incubo covid, il mio primo viaggio sarà a Venezia. La Fenice for ever ! Yeaahhhhh!!!!!!!

ANTONIO LUCIO VIVALDI { VENISE, République de Venise 1678~1741 VIENNE, Saint - Empire } « ANTONIO VIVALDI - DORILLA IN TEMPE {RV 709} {1726} {FASOLIS - CERESA} Magnifique spectacle avec cette œuvre Melodramma eroico - pastorale de ANTONIO VIVALDI, avec ses voix vocales et musique instrumentale exceptionnelle, dirigé par le chef d’orchestre DIEGO FASOLIS et le metteur en scène FABIO CERESA grandiose bravo à tous. DIEGO FASOLIS, né le 19 avril 1958 à Lugano, est un organiste, chef d’orchestre et chef de chœur suisse. L’un des interprètes les plus passionnants de sa génération DIEGO FASOLIS, qui a fait ses débuts au Festival de Salzbourg en 2014, joint une polyvalence extraordinaire à une virtuosité souveraine. Son exigence stylistique est largement plébiscitée par le public et la critique bravo pour sa carrière musicale. ANTONIO VIVALDI renaît avec un splendide opéra, DORILLA IN TEMPE, dirigé par le maître DIEGO FASOLIS. Illustration parfaite de la créativité d’ANTONIO VIVALDI, l’opéra DORILLA IN TEMPE donne à entendre une musique variée, jouant des passions et émotions humaines. Représenté pour la première fois au TEATRO SANT’ANGELO de Venise, à l’automne 1726, sur un livret de ANTONIO MARIA LUCCHINI {vers 1690~après 1730}, l’opéra DORILLA IN TEMPE vient se placer exactement au milieu de la carrière de VIVALDI, qui dura vingt-cinq ans. Le compositeur a alors quarante ans et est à l’apogée de sa carrière. Peu de temps auparavant, le 14 décembre 1725, la Gazette d’Amsterdam avait annoncé la publication de son fameux recueil, opus 8, IL CIMENTO DELL ´ ARMONIA e DELL ´ INVENZIONE qui comprend les QUATRE SAISONS, qui allait rapidement augmenter et consacrer la renommée internationale du musicien vénitien. DORILLA IN TEMPE fut repris à Venise au théâtre SANTA MARGHERITA, en 1728, puis à Prague, en 1732, au théâtre du Comte FRANTISEK ANTONIN SPORK {1662~1738}, et de nouveaux à Venise au TEATRO SANT’ANGELO, en 1734, dans une version incluant deux airs de JOHANN ADOLPH HASSE {1699~1783}, deux de GEMINIANO GIACOMELLI {1692~1740}, et un de LEONARDO LEO {1694~1744}, et trois autres de compositeurs non identifiés. C’est cette dernière partition, qui s’apparente à un pasticcio, qui est conservée à Turin. Merci pour ce moment de musique Baroque et d’art lyrique, avec ce chef-d’œuvre de ce grand compositeur du XVIIe siècle ANTONIO LUCIO VIVALDI, et le maître de concert et chef d’orchestre DIEGO FASOLIS, au TEATRO LA FENICE en 2019, que j’ai beaucoup aimé bravo.

Danke schön!!! Bamberg

È stata bellissima!

Super...

Tesekkurler. 👍

I love everything about this! I saw the Wexford one too of this exact production and I might love this cast even a little bit more but I'm happy my two favorites (Véronique Valdès and Rosa Bove) are the same in both. How happy am I as well that there are so many mezzos :D I love a good Baroque trouser role and these performers are all so amazing, Filindo is adorable and I absolutely love genderfluid Apollo. The set is so pretty and the staging is so great; I love how it emphasizes that each of the principles have their own character arc. The choreography for "Bel piacer saria d’un core" in particular really broke my heart! (which is probably fitting). the aesthetic of the entire production is just lovely and I love how it depicts the four seasons so simply and yet so beautifully. This is now one of my favorite opera productions! Thank you so much for sharing, it really brought some light into the darkness that is 2020/2021.

I absolutely loved this. listened to audio a few times, but never had watched a production. so apparently the masks were to imply them as a group of Chinese servants, who've historically covered nose and mouth for a long time, and the snake attacking the kingdom would then also be likened to a dragon dance. of course this is out of place to the setting of ancient Greece, but intended in some productions.

Bravo 👏 👏👏👏👏

MILLE GRAZIE!!!!

Grazie, La Fenice!

BRAVO!!!BRAVO!!!!!!!🌺🌺🌺🌺🌺

I was not aware of this fine Vivaldi's opera. Thanks so much for sharing. It gives me the desire to see an opera at the Fenice.

Lucia Cirillo ❤

hah, when I saw the first scene it reminded me of the movie Midsommer. And indeed the opera could have fitted a horror-esque treatment. Instead the direction went for a more conventional course. Pleasant to see and by no means bad, but I was left with the feeling one could have done much more and more interesting. The hodgepodge of visual references (Greek-ish, Chinese, opera buffa with Admeto...) did not work as it could have been. The lights also could have been more subtle. Muslcally it was very good, with Fasolis imprinting a good spirit to the score (even though those little preludes from the Seasons were a bit too on-the-nose) and a generally good and solid cast of singers, some more some less.

Grazie

Finalmente nessun controtenore che strazia Vivaldi .

Thank you for sharing! Where can we buy DVD/blue-ray recording of the production?

Закипает кровь , от восхищения !

30:40 FANTASTIC!!!

Great Video & Audio Quality!!!!

4:17 = RV 269, RV 717 5:56 = RV 399 2:21:19 = J. A. Hasse

I find no synopsis and no subtitles? I love the singing and the music, but the plot will be difficult to follow.

Due anni fa l’Orlando, la stagione scorsa la Dorilla in Tempe....quest’anno già ero pronta a godere un’altra meraviglia barocca, il Farnace., ma il Coronavirus è nemico anche dell’arte. Coraggio, però:, andrà tutto bene e apprezzeremo più di prima ciò di cui abbiamo tanto sentito la mancanza!

Lawrence Alma-Tadema!!!

صباح الفل

9:10 Mi lusinga il dolce affetto (J. A. Hasse - Catone in Utica) 37:11 Saprò ben con petto forte (J. A. Hasse - Issipile) 46:38 Rete, lacci, e strali adopra (G. Giacomelli - Alessandro Severo) 57:17 Lieta, o Tempe (Coro) 1:08:13 Vorrei da lacci (L. Leo - Demetrio) 1:17:10 Se ostinata a me resisti (D. Sarro - Valdemaro) 1:23:21 Se amarti non poss’io 1:28:04 Bel piacer saria d’un core 1:46:54 Con eco giuliva (Coro) 2:00:11 Fidi amanti al vostro amore (A. Vivaldi - Argippo) 2:21:19 Non ha più pace il cor amante (J. A. Hasse - Cajo Fabricio)

Nyse!💐hm

Now why can't they put on beautiful productions like this of Handel operas? All the Handel productions I've seen are avant garde and trashy ugly.

И всё-таки красота спасёт мир.

wonderful music... always! but... why don't you try to have a male sopranist? Their voices are much more adequate

Oh wow, the masks if they were wearing them before the pandemic, t was certainly an omen. Beautiful production

Oh, the masks at 15:00!

Pasticcio Arias, exstra bellissima: "Vorrei da lacci scogliere" (Demetrio) Leonardo Leo 1:08:12

il est toujours bénéfique de se plonger dans les grandes oeuvres du passé , cela permet d'oublier le contemporain médiocre et ennuyeux 🎶🎶🔵⚪🔴

I truly need this subded in Spanish * -* i can undrestand co many things :'v but not the whole idea :(

Disculpen, quiero ver la ópera pero no encuentro el libreto por ningún lado, hay alguien que me pueda ayudar con eso?

09:09 ze blijft maar zingen en zingen - voor vijf minuten. Een prestatie op zich.

What is Nomio’s 3rd act aria?

When was this production? I presume before the lockdown of all entertainments in Italy -if so why the surgical masks?

4:17 spring

DES PERSONNES PHYSIQUES QUI ETAIENT BIEN INTEGREES DANS LE PAYSAGE FRANCAIS A LA SECONDE GUERRE MONDIALE;

00:09:10

A woman singing a character written for a man castratti? Please a sopranist can't be changed for a woman ; it isn't the same voice!!!

Too many female singers. Anyway, bravo Fasolis!

C'EST RARE UNE SITUATION EN FRANCE, C EST PAS LES US ... ET ETRE ETATS UNIS, C EST PAS DONNE A N IMPORTE QUEL PETIT FRANCAIS DE BASE.

C'EST SI RARE QUE CA UN AMI CHEZ TOI, OLIVIA JEHAN ? PERSONNE A DEMANDE A TRAVAILLER POUR LA FRANCE.

Since we don't have castrati anymore, why don't we simply sing their parts down an octave? In terms of authenticity, it is more so not only in terms of intent; but such adaption in baroque music was no big deal. Parts were rewritten for alternate voices on many occasions. Expand your audience to your contemporaries who prefer seeing real men making love to women.

AUCUN FRANCAIS N A PASSE LE BAC NI EU DE BOULOT NON ? PARCE QU ON DEGOUTE.

Як невпинно і швидко плине час! Треба залучати сопрано вже у віці 22-25 років, бо не більше 10 років мають.

He was a Catholic priest, but with all the castrati, transvestites, lesbian kisses, pagan dances, etc. he must have stayed up nights with the Eucharist wine.

TU PEUX REMERCIER BRICE BLONDIAU, IL A FAIT TOUT LE BOULOT.

dorito in tempe

c est un pays raciste la France? ruddy limon et Olivia Jehan, Je vous parle ! dit la fliquette.