1:03 Constructing Superimpositions Arpeggios 3:58 Lick 1 5:58 Lick 1 With Play Along 6:43 Superimpositions From The 5th 8:20 Lick 2 9:43 Lick 2 With Play Along 10:00 Superimpositions From The 7th LIck 3 12:07 Lick 3 With Play Along 12:23 How To Practice Superimpositions
Brilliant concept! I love this! I stumbled across this concept in a book but the author did not break it out this well! He only explained i and iii. Kudos - Great explanation and follow-through.
Hi Sandra. I enjoyed this lesson immensely. I don’t know if everybody does this, but I listen to these types of lessons with my eyes closed. My ear together with my “mind’s eye” let me visualize what is happening in a much more cogent fashion. When I then practice these I am then playing the sounds in my head
You know. Let’s not forget not gloze over the fact that this gal is just a straight badass. Paired with the fact that she’s an excellent teacher, she can shatter barriers. God bless you, badass professor.
This is so great, as in all your Jazz Guitar Instruction videos. I swear - WHO would give a "Thumbs-Down" to Any of your vids, let alone Others that are similarly helpful ? I've deduced it down to One Theory : quite possibly they are are done on YT by "Thumbs-Down Scrooges" who are so unhappy with their life (& jealous of your talent), they must get some kind of "Charge" out of it. Go Girl - you are Fantastic ! TYVM
I've been doing this with the 1 and iii. It's so cool to see this explained with the 5 and 7 too. First time seeing your channel, but I really dig this. I'm sure you'll be giving us a lot more of these lessons (:
Oh! The Howard Roberts Fusion model! I remember seeing Alex Lifeson playing that model on the Moving Pictures tour. Man did I ever want one of those when I was kid.
@@GuitarversumSandraSherman Oh, I know. but they aren't cheap. Not something I'd want to drag to most of the jobs I play. Wind up with a drunk person spilling something on it, or worse. The humble telecaster on the other hand can take a beating and not really suffer. Maybe someday, I'll find one for a great price and I'll be able to justify it for playing solo guitar pieces at home. Maybe I should just start doing solo guitar jobs ;-)
Just discovered your videos. Thank you! I love your teaching style and it's refreshing to see a woman in the know with this stuff! I'll be working with you over here in Seatlle, WA!
Thanks, my friend ❤️. Diversity is a good thing. Young, old, male female. There's a lot to learn from different teaching styles. Keep swingin and enjoy the jazz ride on my channel 😊
Interesting concept! I've learned so much from you already, just by side comments in your chord melody tutorials. Great to see you have concept videos too. Thx!
You made this really accessible. Thank you. Does it work on the notes of the V chord in a ii-V-I or should we use another approach for the tones of the V?
Great lesson, building blocks for developing unexpected melodic movement combined with some syncopation or movement across the bar. Love It, Thank You...! 😎
Arpeggios are a great way to make a solo sound more melodic. You're absolutely correct about being trapped in scales. I see people scale noodling around two adjacent strings all the time. No movement. Arpeggios climb up or down quickly in a melodic way, that's very pleasing for the ear.
Hi Sandra - enjoying lunch with you again😉. Wonderful 3/5/7 discussion. You really have a knack for teaching👍. You explain stuff we do in a “light bulb” way that makes sense. Love your whole vibe! Ga-reeeetings from Cincinnati Oh US.
hello sandra, do you have any video about superposition of major chords, or in other types of chords it is very interesting and it helps me to improvise sorry for my english is very bad...
I have a video on superimoising diminished arps/chords over altered chords, which is very important in jazz impression. I don't have one for mahler, no. But if you understand how the Minor thing works, it's the same with major. Just keep stacking your thirds in the major scale and you'll get all the superimpisitions for the Major Chord
@@GuitarversumSandraSherman Ok sandra thank you very much. I'll watch the video, I'm learning a lot on your channel, it's one of the best of youtube ;)
So basically you can play any of the chord arpeggios taken from the same key over any of the chords of the key? Or rather you can play any of the key notes of the key over any of the chords of the key but it sounds jazzy to play arpeggios with a few chromatic notes chucked in? Is that right?
Basically that's right. but if you take just any random arpeggios you may have added a ton of tensions and you lose all the basic chord tones. It depends on what you wnt. You just have to be aware of it. I prefer playing from the 3rd of the chord, bc it adds the 9th. If you start from the 5th you add the 11th, which can cause some trouble (especially on major and domiant chords). if you start from the 7th, you add the 13th, which can also cause some trouble. If you know what you're doing, you have control over the sounds you create. You can decide for more tensions or less. And yes, chromatics are always good :-)
I love that song! Played it a lot when I used to play jazz brunches. Haven't done a chord melody for that one yet. Let's see if its good for a chord melody arrangement.
@@GuitarversumSandraSherman Please do, I've been trying to learn it by ear but it doesn't sound as good as if I could learn it from you, plus there isn't a decent tutorial online as well
Oh, thanks for the info! I didn't know that the term "teaching" is not correct. My mother tongue is German, I sometimes struggle for the correct words. So your hint is really helpful. I just wished you wrapped it in kinder words 😉.
