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ARRI large-format camera system: The artistic spirit 

ARRIChannel
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Cinematographer Wang Yu navigates the atmospheric studio and creative inspirations of the celebrated Chinese artist and furniture-maker, Shao Fan. Moving lights, ghostly shadow effects, angular and curved forms, architecture and perspective, raw materials and tools-all reveal the distinctive texture of ALEXA LF images. Learn more: www.arri.com/l...
ALEXA LF with 25, 47, 75 and 125 mm ARRI Signature Prime lenses

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5 сен 2024

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Комментарии : 11   
@BlaBla-jj6sh
@BlaBla-jj6sh 6 лет назад
Looks fantastic. The colors, the low-light sensitivity, the perception of depth... a pleasure to watch.
@ChristopherDobey
@ChristopherDobey 6 лет назад
Thank you ARRI, Sony and RED for pushing video into the full frame world :)
@flyingfox2005
@flyingfox2005 3 года назад
VistaVision. Motion picture film and S35 is "full frame" for cinema.
@Kprawl291986
@Kprawl291986 6 лет назад
Cannot wait to see the next big block buster shot on this new Arri LF holy smoke I am stocked lol
@radisorn
@radisorn 3 года назад
Beautiful work!
@GlueFactoryBJJ
@GlueFactoryBJJ 6 лет назад
Beautiful low light!
@gfxfilms2012
@gfxfilms2012 6 лет назад
Astonishing
@mr.c_visuals
@mr.c_visuals 6 лет назад
Wonderful
@rgqric
@rgqric 6 лет назад
Is funny that 35mm film has a narrower depth of field then a 35mm sensor but the large format sensor fixes that.
@VariTimo
@VariTimo 4 года назад
The Hidden Butcher that’s just not true.
@flyingfox2005
@flyingfox2005 3 года назад
Not it doesn't. 35mm motion picture film is a different standard compared to a 135 film / sensor.
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