To find out more about this amazing synth: www.arturia.com/products/hard... Support what I do on Patreon: / dhilowitz Find my FILM & INSTRUMENTAL music here: davidhilowitz.bandcamp.com Find my ROCK MUSIC here: manwomanchild.bandcamp.com
$2699 USD nearly every where I look.. Some places include the $200 wooden legs for the same price, $2699. Cheapest I've seen is a $2000 sale price, new. Used, $2000-2200 USD.
I love the idea of how much an instrument wants to be played, because it takes everything into account. You have to consider what the instrument sounds like, how it works, and how it looks. Great way of putting it, and amazing content as always!
Arturia really feels like they’ve been putting in their all with their releases. A lot of companies like Moog and Korg feel like they’re riding from their reputation and don’t feel comfortable taking risks as a result. Meanwhile, Arturia is making a name for themselves by making high quality, innovative, and *fun* products to play with, AND giving them consistent support after release thru firmware updates. They’re doing everything right! I just got a Minifreak as my first synth a few weeks ago and it has been a joy to play with. I hadn’t ever been so inspired musically before I bought it. It’s just so *fun*. Arturia’s clearly doing something right, so I hope they keep doing what they’re doing! (Also hoping for a full sized Freak series synth one day… We shall see 😅)
I'm fairly passionate about Arturia since I'm into them for about $2500 with a diverse range of products, so I'll match you with a rant: The Polybrute is very nice - not quite as sturdy and pretty as a Prophet, but still very solid. They knocked it out of the park with that one and the MicroFreak - the latter is a great way for those on a budget to own a capable synth. The MiniFreak is just a cool expansion upon the MicroFreak, which I like. The MiniBrute 2S is a monster of an analog synth / digital sequencer hybrid… Eurorack-y…thing…😆and I love it. Having said that, their hardware has nowhere near the build quality of most expensive brand synths they're competing with. The KeyLab 61 mkII is a popular MIDI controller, but its quality is mediocre at best. The keybed is almost top-notch, but the faders and knobs are _AWFUL._ The wobbly rubber grips aren't tight or straight, and the resistance is inconsistent. 😬MicroFreak has better knobs, but still not real nice. People buy hardware synths over plugins (which they're famous for selling) to have something they can touch and feel, thus making that hardware feel good is essential. To sum up this rant, Arturia is a bold company. Taking risks and not simply following the crowd has payed-off. Arturia's plugins and tech are excellent, but their hardware is just average. If they improve their hardware quality _and_ continue to innovate, they'll have a cult following.
Also: I agree with what you said about Korg, but not Moog. Yes, they both rest on their laurels, but Korg's modern stuff is _terrible._ Moog's synths might seem same-y, but nearly all their synths are top shelf - and prohibitively expensive.
Two years: how long it took for me to become a total Arturia fanboy. My PolyBrute has been my main flagship polysynth of choice for over a year now. I’m so happy you made a video about it - I got into your channel because of your Microfreak video from way back when 👍🏽
Thanks for another splendid video and review, David. And, yes, I must agree being a Patreon supporter and being able to download the latest instruments you provide via Decent Sampler is, well, in a word - decent! Thank you for all you do to inspire joyful music making.
I'm a huge Aeturia fan, I've got the minifreak, fuse 2, minilab 3 and pigments as the backbone of my brand new studio.. I recognize the foundational elements of the polybrute from my minifreak, but wow the depth of the tools offered on the brute are extraordinary. tx for showing us around, David!
I've got a handful of really nice synths in my studio, but I do agree that the Polybrute is the one that begs to be played with more than any other. That synth is a work of art.
Fantastic explanation of how this complex synth works. It blows my mind! But you made it simple to understand and I can empathise with notion of, “do I want to play it?” Thank you David for another great video.
Arturia is the new Sheriff on the block.. They have the right kind of foreward thinking... Yes FOREWARD... NOT YESTERYEAR.... THEIR TAKE ON DEVELOPMENT AND LISTENING TO THEIR CONSUMERS,, YES,, ARTURIA WILL BE AROUND FOR A LONG TIME.. I JUST LOVE THEIR PRODUCTS... CANT WAIT FOR THE S U P E R F R E A K ...
for demonstrating reverbs and delays.. a short sound would be much better than the bell like one with a long decay as it masks the effects due to its similarity to an effect
I agree (I always wish I could here the whole swell-&-tail..in any reverb demo). I got a volcaFM2 (reverb being one of main adds) & was surprised I didn’t even find discussions of “how’s the reverb actually sound?” Still nice demo here though. Love Arturia’s ideas.
Nice rundown. Often in the EU we're clobbered by hefty prices for Moog's Fenders, boutique pedals like Hologram and Chase Bliss. But, at least on this one, it's a really powerful synth, maybe even a modern classic, that can be picked up second-hand here for about 1700 eur second hand. Which is in the ball-park of a new Sequential Take 5; also a really nice synth (maybe I even prefer the Take 5's basic tone). But the Polybrute has an awful lot going for it, full-size keybed, performance morphee and ribbon, better effects, an extra voice, timbral morphing, duo-timbral, more programmability than most analogues, and I think an end to end analogue signal path, apart from the digital Fx (Take 5 is digitized post filter). People have complained of it crashing a bit, and being problematic in that regard; something to be aware of.
Everything I have from Arturia is excellent. Can’t recommend them enough. I probably can’t justify spending 3K on one of these, and part of the reason is that I can already do almost anything imaginable on my other Arturia stuff. Pigments alone is absolutely exceptional.
From someone lucky enough to have one - If you really think it's right for you, and can get one, get it. It's a niche. But it's my desert island synth. I have other greats - polivoks, juno, dx7, eurorack, model D, etc - But the Polybrute calls the loudest when you walk into the studio each day. It's so damn inviting. Harder to dial in than others, doesn't have a signature "sweet spot" the way a Moog D does. Those things just fall into place effortlessly. But man, it's fun sitting down and having no idea where you'll end up in an hour. It's so good at "physical modeling" type sounds too. Sounds very present and mechanical. It's a modern CS80, really. It'll never do bass like a Moog, never do brass like a Juno, but if you want etherial Vangelis-y soundscapes and complex textures it's king. It sounds more like a real CS80 than Arturia's own VST clone. Again, a niche, but if that's where you know you belong, then there's no question this is the way.
It's worth noting that just above the keyboard there is a groove: it's a tactile slider, it's funny that none of the reviewers I've seen mention that, it seems that they all overlooked it.
Great video very good channel. Subbed❤❤❤❤❤. I had the Matrixbrute from 2017 to 2019. It was traded one on one for a Darkstar TI2. I don't have a digital synth so might as well. B2600 and TI2 combo , the one two punch. Thanks to the EMU sampler, I can capture and then layer.
I would love for there to be a discord server around you and this channel. I'm sure so many great minds watch your videos from just a quick glance at the comments and I have no doubt it'd be an amazing community!
It's a fantastic synth. Amazing. I've toyed with it in the local music store. Sadly budget doesn't extend that far for me, and my channel wouldn't interest Arturia as much as yours :) I have their little microfreak, which is incredible value. As someone who is fascinated about UI design, one thing I REALLY WISH Arturia and others would bring to modern synths is infinite encoders WITH LED rings, for all parameters. Very few synths have ever had this. But when you were morphing between sounds and showed all the knobs moving in the software - with LED ring encoder knobs you could visualise them all moving directly on the panel of the synth. Nord once had a (relatively unpopular) model with this functionality, the Lead 3. Not just for visualising modulation, the LED rings show the correct position of all controls when a preset is recalled. It's effectively like having motorised faders, without the expense and complexity.
I did some work many years ago with a few mixing desk manufacturers to introduce LED rings around encoders. They were being made by a small German company way before the low cost things came onto the market. They could place the LED die really accurately and create some beautiful devices but were expensive and didn't really get a lot of traction at the time.
I just purchased a Moog One and Matriarch less than 10 hours ago... And I think I'm going to get this to complete the synth core of my studio.I'm just wondering if it's too complex for my brain lol.
It's a great synth and respect to Arturia for creating the morph function, but I'm not sure how that is different from assigning aftertouch or the mod wheel to filter cutoff, envelope parameters, pitch, PWM etc.
In theory it's the same as assigning a couple dozen parameters to one input. But in practice it's about not having to. You can load up two immensely complex presets, with hours of mod matrix work in each, and automatically have one knob to shift between them. There's a cool feature that lets you grab any in-between sound as a new preset. You can very quickly breed multiple generations of presets together. Also, the X and Y on the pad morph "pitches" and "levels" separately, with an additional Z axis of your choice, so you'd need to split the mapping between three mod wheels. By that point it's really just impractical to achieve any other way. Eurorack could do it, but that's a LOT of patching and likely still a paraphonic sound.
And at the end of the video! Why do other creators feel like is ok to ask for 'like share and subscribe' to something you haven't even watched yet? How confident are they about their content?
It is a great design that gets better with age. Personally I would love to have seen a SEM instead of Steiner Parker and 2140 over transistor ladder. Also, the morphee not sharing mod lanes would have been fantastic and a 2nd set of outs. All individual preference, but I also would rather have seen analog compression and overdrive/distortion with no digital effects. Still a great design...
I have seen an exposition of this instrument from all my favourite RU-vid presenters and some besides. I have been very close to buying on on more than one occasion but, marvellous though it undoubtedly is, I have too much kit, very capable kit and when I ask myself that very same question, my answer is going to be a resounding no because, unlike you, I lack the will power to resist the "play" aspect when dealing with my urge to make music and my love of boxes that make exciting sounds and respond with LED and data changes, I am distracted like Mr. Toad with a new motor car. Nothing productive happens and the disconnect that happens between a musical idea and its instrumental manifestation results in unproductive but scintillating fun. To me, the Polybrute is so capable but also the ultimate toy.
Hi David, AKAI released MPC Key 61 earlier, what if you reached out to them and maybe partnered to implement Decent Sampler support into their keyboard? Arturia is great, but they have some catching up to do in making software for their hardware.
Optigan is super cool. But also obscenely overpriced for what it is: an old, badly manufactured toy keyboard. Peahix sells the samples and an app version though so that's a cool alternative or two.
$3000 for a polybrute? I thought things in America where always cheaper than in Europe. I love the sounds you're getting with it though. Are you going to do any presets for it?
@@LocaliLLocano whether it's worth it is not at all contested, but it goes for around $2100 here including taxes. It used to be that instruments cost double in european countries compared to the USA
If you want to import a new bank/sound yes. Otherwise it’s all on the synth. It’s used to backup your synth too & update firmware . I rarely use it tbh.
Same. I prefer to make my changes on the synth itself. I do like the software for naming presets, though, because scrolling through every letter of the alphabet to name presets can be tiresome.
@lolilollolilol7773 It's worth noting that just above the keyboard there is a groove: it's a tactile slider, that's another input in addition to the Morphée. Iit's funny that none of the reviewers I've seen mention that, it seems that they all overlooked it.
Compelling design, promising interface. But nothing I heard here particularly stirred my loins. (Maybe a hands-on try would make me feel different, but I've heard _plenty_ of YT synth demos that got me excited...)
Well, maybe Audiopilz is right...the Minifreak might just be the gateway synth to the Polybrute...just don't tell him I said that. Besides it will be a while before I can justify a polybrute anyway.
for 3K I'd want to see rotary encoders with LED position indicators. It does a digital param recall so it's not like it's actually running sound through any of the surfaces pots. it was dub when Presonus did it on the studio live in 2008, It was still dumb when Digidesig did the same thing on the 11 rack in 2009, and it's still dumb in 2023 on this synth.
I can see this having the same problem every DCO synth has had going back to the prophet 600, and that is what you see on the knobs only matches what the patch is doing if you go through and tweak each knob individually by a hair. I always wanted a feature from synths like this that is like a “revert to knobs” button. I’m not sure it’s even possible with how values are updated in memory though… Regardless amazing looking synth. The morph feature made me smile for sure.
The Super 6 has a direct control button, which does exactly that :D Though sometimes it can sound really ugly, because some of those functions aren't enabled by default on an init patch. For instance the LFOs and filter don't modulate anything after an init until you tweak some of their values, but activating the WYSIWYG mode will turn it all on. You can disable them in the mod matrix though.
It does have a "revert to knobs" button! Pressing the left and right scroll buttons together matches everything to the knobs. It's the first button I press every day, then I just use it like a Juno or something.