@Dušan Janek He has the right to be proud, since this kind of heavy and melodic death metal music hasn't really been done before. Of course, you might like the raw swedish death metal and the instrumentalists here might not be as virtuosic as, say, Steve Vai, but one simply cannot deny the innovation and uniqueness of the heavy music that At The Gates, In Flames and Dark Tranquility wrote. By the way, I see you have replied on many comments below this video. It is highly advised for you to keep this kind of negative feedback to yourself, since the people that admire this music, simply can't keep the bullshit you spill in their heads.
@@Enkelriktad123 As a fellow metal lover and Estonian neighbour, I salute you and express my graditude towards the metal musicians in your homecity for still making the crushing and heavy music since the '90s.
It blew my mind back in 97 or so. I heard Under a Serpent Sun mixed with some song from Carcass' Swansong (I loved it too) and some Cathedral, all of them new to me, and liked them all, but when I listened the whole record and it began like this... 😲 Similar to first time I heard Jason Becker Mabel's fatal fable, or Steve Vai's Fire Garden Suite.
that is exactly what i mean. that chord progression (I - VI - V) is very common among metalcore bands as well. examples might be avenged sevenfold - unholy confessions, asking alexandria - the final episode, as i lay dying - through struggle (AILD kicks ass btw) and many others.
Wow this brings me back. Was fortunate enough to see them in Toronto at the Opera House on their final slaughter tour.Absolutely amazing. Oh shit look! There's the whole show to the right! --- >
I tried to play this. My guitar died from the awesomeness of the intro riff. I better get me one of those guitars.... they seem to handle the brutality.
@Lyle Gentleman I saw him in October. He does not have the power of the recording of this album or this live performance, however I think his voice has aged pretty well.
