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Bach: Toccata and Fugue in F major BWV 540 - Held | La Mantovana 

La Mantovana
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Amelie Held plays the Toccata and Fugue in F major BWV 540 by Johann Sebastian Bach at the Jürgen Ahrend organ of the San Simpliciano Basilica in Milan.
***
TRACKLIST
0:00 Toccata
10:01 Fugue
***
TECHNICAL EQUIPMENT AND STAFF
Cameras: Canon 6D, GoPro Hero 5, Sony FDR-AX33, Sony HDR-MV1
Microphone: Zoom H4n Pro
Editing software: Adobe Premiere Pro CC2018
Unit camera operators: Sara Rizzi, Stefano Ferretti
Organist assistant: Michele Zanella
***
ORGAN SPECIFICATION
I - Rückpositiv
Gedackt 8'
Quintadena 8'
Principal 4'
Salicet 4'
Octave 2'
Quintflöte 1' 1/3
Sesquialtera II
Scharf III
Dulcian 8'
II - Hauptwerk
Bordun 16'
Principal 8'
Viola da Gamba 8'
Rohrflöte 8'
Octave 4'
Spitzflöte 4'
Nasat 3'
Octave 2'
Mixtur IV
Cymbel III
Trompete 8'
III - Brustwerk
Holzgedackt 8'
Holzflöte 4'
Spitzflöte 2'
Terz 1' 3/5
Quinte 1' 1/3
Vox humana 8'
Pedal
Untersatz 32'
Principal 16'
Subbass 16'
Octave 8'
Octave 4'
Mixtur IV
Posaune 16'
Trompete 8'
Trompete 4'
Tuning: modified Werckmeister II
***
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9 июл 2024

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Комментарии : 20   
@cojo3927
@cojo3927 2 месяца назад
Crystal clear, I can hear all de notes! Very pleasant tempo. Thanks a lot.
@defiletia8838
@defiletia8838 Месяц назад
Perfect tempo - no rush! And the precise manual and pedal play. This is the only way to enjoy this music - thank you
@michaelhewitt258
@michaelhewitt258 4 месяца назад
Your pedal work is Very very exciting to watch The way your feet dance across the pedals Beautiful
@MyOrganist
@MyOrganist 2 года назад
Beautiful playing and a beautiful organ.
@GiuseppeRusso58
@GiuseppeRusso58 9 месяцев назад
Tempo pacato e "sontuoso" che lascia il tempo di riflettere su ogni frase. Organo magnifico e ottime scelte foniche. Brava, Maestro Held. Quando risuonano le note di Bach e di questi capolavori organistici in particolare il luogo assume un'energia speciale.
@michaelschwaiger8071
@michaelschwaiger8071 2 года назад
An outstanding performance!
@peteacher52
@peteacher52 2 года назад
This piece of organ music is a justly famous and frequently played war-horse. To distinguish it from the many other versions, there needs to be an almost indefinable "something", which in this case is a relaxed tempo and utterly fluent touch. And to top it off, of course, there is the wonderful organ of Jurgen Ahrend, imo, the modern day Arp Schnitger.
@magisterandrew
@magisterandrew 2 года назад
Complimenti! Tra le innumerevoli interpretazioni, questa eccelle sopratutto per l'impiego dei registri e del tempo scelto e nella fuga si possono ascoltare tutte le voci in una armonia ed equilibrio veramente interessanti: insomma un bel coro affiatato senza "sgomitate" per far sentire solo la propria voce. Complimenti per le riprese audio e video! SPQR ;)
@leonegrossi8141
@leonegrossi8141 2 года назад
Complimenti sei bravissima, lo strumento è molto buono e l'accordatura rende onore alla tua tua interpretazione...sei grande è un onore poterti ascoltare
@user-fk4zl7zv2w
@user-fk4zl7zv2w 8 месяцев назад
Molto bellissimo. Grazie mille.
@flavio5051
@flavio5051 Год назад
Wunderbar!!!
@Synthpower
@Synthpower 2 года назад
I hope there will be a new CD soon. Thanks for this wonderful music!
@KravchenkoAudioPerth
@KravchenkoAudioPerth 2 года назад
Interesting. Nice pace and tempo. Registration is kind of limited in different ways by this organ specification. I have been impressed and have to respect the registration that was chosen.
@user-hv4oo6ir4f
@user-hv4oo6ir4f 6 месяцев назад
Bravissima, ,vorrei sapere identita di codesta eccllente interprete
@matteoborghi93
@matteoborghi93 2 года назад
È l'organo meccanico aehrend di San Simpliciano ?
@Airy59
@Airy59 2 года назад
Si. Jürgen Ahrend.
@Membaz-Rauhisky20
@Membaz-Rauhisky20 2 года назад
This is all very polished and accomplished, all due respect to you, but for my taste the tempo drags significantly in the Toccata. Where is the panache, the jubilance, the sparkle? And the fugue sounds like an academic discourse. Have you not heard Karl Richter's version on DGG? But I suppose he is dismissed as irrelevant in today's music faculties.
@Airy59
@Airy59 2 года назад
why not come up with Virgil Fox ;)
@user-fu7zf4ck9z
@user-fu7zf4ck9z 2 года назад
This is close to perfect tempo
@mjmcb1
@mjmcb1 4 месяца назад
I love this piece. This is a Toccata that feels like a bicycle ride--sometimes you wonder how the organist stays on. I always wait for the entry of the main pedal part at about the one-minute mark, because that's when the initial exuberant tempo of playing on two manuals has to contend with the realities of playing semiquavers in the pedals. Only the most accomplished can avoid a slow-down, after which the piece usually settles down to something mere mortals might actually be able to do. I first heard this played by Virgil Fox in a recording from the 1960s [mentioned below in the comments, but I'm not sure whether intended scathingly or not], and he attacks the Toccata at a helluva pace from the start and yet manages to maintain the tempo when the pedal really kicks off. He also uses an insanely heavier pedal registration than this delightfully delicate performance.
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