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Why does the conductor start it as if the three quarter notes are syncopated? I've seen other conductors start other pieces the same way and it puzzles me. I played in school orchestras and as far as I remember downbeats got the emphasis except for syncopations. At the repetition around 1:30 he conducts it the way I'd expect. Anyway, this is my current favorite performance of this piece; the bouncy 3rd movement of this piece played a large part in getting me interested in music as a youngster. Wonderful to be able to watch it as well as hear it!
Naşide Gökbudak'ın, Perina adlı eserinden geldim . Evet Perina bu parçayı çalıyordu kemanın akoru fena halde bozulmuştu,elleri de eski yeteneğini kaybetmiş, yavaşlamıştı ama o ne çaldığını biliyor, müziği duymak istediği gibi duyuyordu.... Çaldı, Çaldı, Çaldı...
¡¡¡¡Bravísimo!!!!... ¡Excelente escucharlo con detalle, bien de cerca, pues este concierto para violin, del divino Bach, del maestro de maestros, no es, obviamente, como los conciertos para violín escritos, por ejemplo, en el Romanticismo. A/B D/B. 👍👍👍👍👍👍👍👍👍👍👍👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻
Great performance!! Your playing is excellent and you play so far from the bridge! I'm sure you're not hearing this for the first time :) I believe that being able to play further from the bridge gives a violinist access to more colors (though it can cause intonation issues at times, not for you though!). However, I have never seen someone actually stay that far from the bridge consistently throughout the whole performance as you do. This is interesting, I am curious how you came to develop such a technique. Was it an influence from someone or a self-discovery? And the last thing I'll say, I appreciate you using more bow as a tool for projection, rather than adding arm weight/active pressure on the string. I have always seen that as a more old school way of playing, which I much prefer, especially when listening live.
Interesting question. But yes, I'm hearing this for the first time! I don't really analyze much visually, I rather let my ears to analyze. When I play the violin I open my ears to be as sensitive as possible, and expect my arms and hands to immediately work for anything I want to hear. But the distance from the bridge can have other factors too, like the instrument itself, the height of the bridge (mine is low, because I don't like too much tension), and maybe even the bow, or the hall where you're playing. We know of course that if we play too near the bridge, the sound becomes scratchy. I want to avoid that, and maybe the most optimal contact point looks how it looks in this video. Yes, I use bow speed as a tool for projection, not pressure.
@@AntalZalai Bravo, fantastic response and excellent playing as usual. Do you have plans to come to the NY area in the future? I would bring everyone I know to your concert!
