Bad Theme Park Opinions I'm Tired of Hearing 

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Add a roller coaster

"Controvserial" 😆 Real talk, though, spelling mistakes in videos is a great way to farm engagement from people trying to correct it.

I assumed it was an intentional mistake

I personally eat controvserial for breakfast everyday 🥣

Fr dude

Change for the sake of change is largely ineffective, it needs to have a real purpose beyond a shakeup.

@@platinumspike9578 AMEN

Or that when it comes to Disney parks specifically that people quote Walt saying "Disneyland will never be finished." Okay, sure the parks are going to change. But the change needs to be justified. The burden of persuasion lies with the people wanting the change, not the people wanting to keep a great attraction. Change is not justified by virtue of being change. It needs to actually improve on what is already there or it shouldn't go into the parks.

Yea! Cause they always think they will like the change. But they throw an even worse temper tantrum when change finally goes in a direction they don't like

Agreed...

I’ve heard good things about Tokyo Disney.

@enchantingkatie we got really lucky around April time frame last year. Bought tickets out of LA for January. For my family of 3 it surprisingly was around 1700

@enchantingkatiewhere do you live? We flew there in October for about $300 each round trip. Zipair is a really affordable option, and Tokyo Disneyland is an absolute must for any Disney fan

Tokyo DisneySea is GORGEOUS

You're lucky they fixed it within 20 minutes. Now it would take days.

Ah, the facade for a shop fell down in Hollywood Studios six months ago right? I haven't been, but last I heard, construction walls were up for months and I'm not sure if it has even been fixed yet.

Its always the Disney worshippers that say this

@@M50A1 “Pixie Dust snuffers” as I like to call them.

@@MonsterKidCory Amen.

@@spinlok3943 Yeah, exactly. A fitting name

People say that about movie/ shows too, then act surprised when box office and ratings drop

Im glad I stopped frequenting social media cliques because of people who think media exists only to be dopamine generators and nothing more

Coasters certainly have their place, but only when I think it makes sense in balancing the park or conveying a particular experience. Fantasyland is still my favorite area of Disneyland because of its dark rides.

Exactly. If you want more thrill rides, go to Universal/Cedar Fair/Six Flags.

@@Croz89 Or Busch Gardens.

This is a beautiful comment.

I agree with all of this. toon lagoon just reminds me of the Sunday paper in the 90s. I love the vibe the aesthetic, and it's cross generational charm. (Also ppl know Popeye and Betty boop, so come on....)

I'm so upset they don't do anything with that circus tent stage where they used to have a Toon Lagoon show there

It’s not relevant in the same way as more modern IPs but it’s iconic and memorable, and the raft ride is perfectly themed. It’s one of the best fits of an IP to a ride type in the world.

I'd argue how the hell is Princess and the Frog relevant today.

@@MrStGeorgeIllawarra It isn’t. It’s only being used as a virtue signal. It was never a super popular movie compared to other Disney animated movies. They are trying to promote a revisionist history to pretend this is a highly regarded and in demand theme park ride.

@@josephbrown9685 To be fair, Song of the South wasn't really relevant either.

Okay, so I've gotten some actual responses to this, which I wasn't expecting. I was just using it as an excuse to type out some Popeye-like dialogue. I even purposefully misspelled "relevant" to imitate Popeye's unique pronunciation of words. But since we're here talking anyway, I was actually glad this "irrelevant" IP was there because it was relevant enough for me (though, I was not a fan of how drenched I got). You see, the last time I went to Universal, I found myself increasingly falling into the generation gap, the culture gap or both. Because as I've gotten older my taste in IP has either gotten old, become too obscure or foreign, or I've just gravitated to stuff that can't easily be adapted into a theme park ride. Some I have seen but I haven't developed the same type of attachment to them I would have when I was young. So, I get that time keeps moving forward and most people my age are there to bring their kids who are super into this stuff. But, as a middle aged cartoon fan, I was glad to see ol' Popeye and Bluto.

mario kart is known as a game, they went the highly themed game-ride route instead of a less themed coaster and i think that’s the right decision. feel like it’s one of those rides you need to go on to understand why it’s good because the effects don’t come across on camera.

Agreed. Mario Kart should have been a coaster.

Both should have been something along the lines of the Test Track ride system, not a coaster.

I think that F&F could have been better as anything else, but speed is not necessary. Bourne does have vehicle scenes, so I thought that a sit down show similar to that but more focused on vehicular action would probably be a better fit for the building.

Here’s the thing, your opinion about IP in every new attraction that Disney builds is valid and I agree it’s kind of maddening and I wish they would allow the Imagineers to also be storytellers that come up with their own creative ideas, but it feels a bit hypocritical that you criticize Disney for this yet, when was the last time Universal built an attraction that wasn’t IP based? I get that you’re talking about quality as well and maybe some of the more recent Universal attractions are believed to have a higher quality than some of the Disney ones, but you can’t deny that Rise of the Resistance is at least incredibly innovative and for years when Universal was just building mostly screen-based attractions, Disney was coming up with new and creative ride systems and animatronics.

100%. A well themed ride is just 50 percent to me. I can forgive a lot if the ride itself is fantastic.

@@LChatmanFLexactly. I was very skeptical about Guardians in Epcot but that is so good I kind of forgive that part

@@uhhhhhhh4040 Guardians is actually a good example. It has no business being in Epcot, but it is such a fun ride you just don't care. If it were in the correct park with better theming, in a land designed around it, then of course it would even better. 😀

They already wasted it on Magic Band system Perfectly how Disney+ being thorn in the flesh for media division.

I agree, the WDW parks all need more capacity. Disneyland is smaller, yet has more attractions.

Yep, not unexpected, since now Disney gets money twice. First when they save money on constructing the ride and second when guests pay extra to skip the long lines because of low capacity. @@SalivatingSteve

@@Robbedem So they’ve destroyed operational efficiency and the guest experience in order to get more money from Genie+ and lightning lane. I haven’t been to Disneyland since 2019 before Galaxy’s Edge opened and FastPass was free. It’s too expensive and crowded now. I can buy a Knott’s season pass for less than the price of a single day at Disney and it’s way less of a hassle getting inside the park, whereas Disney requires an hour just to park and take the tram, it’s a mission!

"The blessing of size" sounds like "maintenance costs" to executives who are okay with only achieving the bare minimum in guest satisfaction. It's becoming more and more clear that this is a bubble waiting to burst. Perhaps with how quiet summer was last year, maybe it has? From what I read from travel agents, WDW bookings are way down this year and the return of their discounts is an interesting sign.

I didn't say it wasn't in good condition lol

Exactly, I miss rides like old Journey, World of Motion, Horizons

It seems as if epic universe will have more of a focus on families and not solely intense rides for teens and adults, which should bring some balance to that

I like Universal's thrills, but they do lack accessibility. Weirdly, E.T. was the only original ride with a height requirement in its first decade of operation.

I am in that age range and I love MASH, but your point does stand that I am a minority.

@@DarkSkyRender I teach classes with 20-30 year old students who only occasionally get MASH references. However, I get to use jokes and bits from MASH, and they think its mine!!

As someone without much knowledge on the IPs used in Toon Lagoon, the land itself is so well themed that it doesn't matter. IP tie ins are not required to make something cool and fun, especially if the IP itself is fun. I didn't think it was outdated (apart from the land itself showing some age). Especially since it fits so well with Superhero Island since they both have similar comic strip inspired theming.

The point isn't that "people these days don't know about it, therefore we should get rid of it"; the point is that "we should teach people about this, so they don't forget about it."

I talked about this a bit in my "90s" video, but I think that a large reason that Comic Strips were chosen as a theme was because Hollywood was trying to revive a lot of these old properties with contemporary films after the success of Tim Burton's Batman. They thought "1940s characters" were the winning formula, not super heroes.

I don't think that being critical of Disney before a ride opens is unreasonable, because, well their track record has not been great. I've been hearing good things about TBA though, so I'm hoping that's a positive surprise.

Just because you aren't a chef doesn't mean you can't say a plate of crap is not edible, or just because you aren't an engineer doesn't mean you can't say a bridge failing is bad. Knowledge can give authority to an opinion but it doesn't dismiss an opinion.

@@delusion5867 There's a comedian who has a bit on that very thing. He's criticizing bad parenting, a heckler in the audience asks him if he's a parent, he says no, the heckler tells him he then has no right to call out others on parenting. He then responds by saying, "I don't have to be a pilot to be able to look at a helicopter stuck in a tree and say, 'Wow! The dude messed up!"

He made a great video on BG if you havent seen it. Your disappointment with their recent additions is likely a result of misplaced expectations: it is no longer the highly themed disney/universal contemporary that we grew up with, but a low-budget thrills-based park that fills the niche of a six flags/cedar fair park in FL. Ive found that, while I still lament what could have been, keeping the park's new mission statement in mind has allowed me to appreciate what they've been up to lately: Sure, a highly themed experience in pantopia or congo would be nice, but i cant complain about a contender for world's greatest coaster in my backyard!

@@jmcbango in talking about Bush Gardens Williamsburg. So much of their focus lately has been roller coasters. Their latest one, Darkoaster, uses the building that Darkastle, a dark ride, was in. I think 3 of their 4 latest rides were coasters.

The Busch/SeaWorld parks need some actual well designed dark rides. I know that'll never happen under leadership now, but I think they could really turn things around that way.

We are blessed to live very close to Cedar Point and have annual passes. I don’t mind so much when they build or replace coasters, since that is their whole thing being the “Coaster Capital.” But, as crappy as they were, I miss their old Dark rides: the Pirate Ride and Disaster Transport, because they were indoor and something different. Cedar Point even tore down their (previously IMAX) theater to make room for more coasters. They literally have the Snoopy/Peanuts IP and could make an incredible dark ride! Now the only way to get out of the sun or rain is to go eat at one of the restaurants or shop. At least they still have a really nice Frontierland area that’s shady, and I will not be happy if they remove that for more coasters. 🤷‍♀️

Right. I don’t think anyone would say specifically that a roller coaster should have replaced Disaster and Beetlejuice, but a Fast & Furious ride SHOULD actually be fast. And a coaster is a good option for something like that. It could have gone anywhere in the park.

Uhh no. It shouldn’t exist. Bring back the older ones that it replaced

@@1ronEntertainmentYes, I wouldn’t hate super charged as much if it didn’t replace two classic attractions even though Beetlejuice's graveyard Revue overstayed its welcome.

No, it should be something along the lines of Radiator Springs Racers.

Agree

not only that but they're just using like the same 6 or 7 ips everywhere too

what does ip stand for ??

Bob Iger is not. He's only interested in money not you.

@@allysoncampos1055 : Intellectual property.

The only issue with Cat in the Hat is the maintenance. I criticize Disney for its maintenance standards, but a lot of Islands is in really rough shape.

It's certainly interesting, but I've only managed to get to the one in Vegas. I want to visit the others eventually, but if they're as complex as Omega Mart, then it might not make for an interesting video.

This is how I feel with Jurassic Park River Adventure at IOA. Doesn't need a retheme if they just put the effort into making it look and feel modern and hold up with other great rides.

I think the issue with updating rides is that there's never a direct return on investment. Universal did re-track Hulk and updated the projections on Spider-Man, but I'm sure it was out of necessity to maintain the license. I have wondered if major ride refurbishments could be financially successful. If Disney updated all of the effects and animatronics in Dinosaur, adding in new effects too, could it be marketed as an updated experience? As far as I'm aware, it hasn't really been tried, but it would be an interesting experiment.

I always loved how the land gave something for my grandparents to relate to whenever we visited

I don't like the idea that something shouldn't be built because people won't know what it is. If the characters are interesting in the context of the attraction, prior knowledge shouldn't hinder anyone's enjoyment.

I've only seen the first film and thought it was just okay, but I agree, the land is fantastic. Good design always outshines IP.

I’m with you. I believe the reason the Avatar franchise has made so much money has very little to do with the characters or story and everything to do with the enchanting beautiful world and arguably best digital effects ever created on film. And Disney did a fantastic job at Animal Kingdom recreating that world to totally immerse you. I still hate IPs being a thing at Animal Kingdom though, just like at EPCOT. I wish Disney would distribute IPs between Magic Kingdom and Hollywood Studios, where they have always had a place. I’ve read they will be replacing Dinoland and the Dinosaur ride at Animal Kingdom with something, and I will not be surprised if it will rely on an IP. Why not keep Dinoland and make it amazing instead? Kids love dinosaurs!

Galaxy's Edge is shooting only for diegetic ride systems, so I don't see a coaster fitting at all. Maybe if it was indoors, but you run the risk of just creating another Space Mountain.

I actually don't feel like I see much praise for Rise anymore lol. The people who always had to say "THIS IS THE BEST THING EVER!!!!" have now moved on to Cosmic Rewind. I like Rise well enough, but I'll never go out of my way to wait for it, because as you said, it does lack that re-ridability factor. Every time I go on Pirates or Haunted Mansion or Small World, I always notice something new. I think that a slow moving Star Wars attraction, one packed with detailed scenes, would probably resonate a lot better with people.

We skipped galaxy’s edge during our last trip- I used to love Star Wars too. Cool the first time, but no interest in going back.

It feels like any time I see talk of RotR it’s about how anyone who praises it is a shill. I HATE everything about what Disney has done to Star Wars. They’ve killed SW for me. I don’t think Galaxy’s Edge is particularly cool it feels more like a shopping center than an experience to me. All that in mind I thought RotR was easily one of the coolest and most immersive rides I’d ever been on. It’s exactly why I’m perfectly ok with change in the parka to see what modern technology can create in a new theme park ride.

@@ftrwrwbg I'm with you - Galaxy's Edge was kinda meh, the prequels and sequels are junk, yada yada - but Rise was a damn good ride. I was totally blown away when I rode it for the first time. And I still thought that even AFTER a long and miserable wait with a bunch of cranky kids in tow!

There's a lot of "iconic" park music that people like to always bring up, but I think that the sea shanties down by the lagoon are some of the best that people miss.

The IP mandate it awful. I see so many people gushing over San Fransokyo and it's just so obviously a cheap overlay that clashes visually with everything.

Disney has always from the very beginning had plenty of rides based on specific ip. Not sure why now it’s controversial.

The land itself can stir the imagination even if the ride iits designed around is dull. San Fransokyo may get people thinking about cyberpunk or animeland. Funny enough, adding street characters or vendors that are specific reminders of the IP may take people out of it.

An indoor coaster? No. Now that Hollywood has opened the doors for a less themed thrill coaster? Yeah, I'm down for that. I wouldn't want a third thrill coaster in the park, but two would balance it quite well.

I'd argue that the *illusion* of speed can be done just as well. Coasters need a lot of track that gets chewed up quickly. The six axis vehicles used in Transforners can make you think you're going quickly in scenes. Part of the problem is a choice of using a bus for a high-speed mayhew ride. Buses are clunky and not as maneuverable, and since your views on the sides and top are obscured, you can't get as immersed in the prerendered visuals with a family of strangers and ceilibg gentky rocking with you. Tram rides work better with practical effects surrounding the enclosed vehicle shell. Smaller vehicles can accelerate in multiple directions--and it is the acceleration, not pure speed, that makes a ride thrilling.

I often visit theme parks solo and I always bring a book for the queues! It just makes sense to have something to enjoy whilst waiting in line. People do look at me oddly at times but other people strike up.conversations about what I'm reading, so I'm winning all round!

that would be ironic because europa park copied the dome and now has a coaster with the IP that star wars stole from in it.

Emperor Igertine fits snuggly along with Bob Paycheck

Spaceship earth needs to stay it’s the last remain of classic 80s Epcot.Back when the park had meaning and purpose .Not just a place for ips to be shoe horned in

@@nox5555 Star Wars is based on French cabaret?

@@nox5555 yapper alert ‼️🗣️🗣️yapper alert ‼️🗣️🗣️ yapper alert ‼️ 🗣️🗣️🚨🚨

It could be a show similar to Bourne Spectacular

NOOO, THE POINT IS THE GAMEPLAY

Will it? It'll be interesting to see how things play out

I can't wait for the new horror movie, "Popeye Is a Scary Guy Now"

That's the top park I want to visit. It just looks like it has so much charm.

As far as I'm aware, Bullwinkle's has no relation to Boomer's, which started as a Florida chain. A few Bullwinkle's still exist, but I'm guessing that Boomer's probably bought up some former locations.

I had no idea that IoA set the standard for stuff like trash cans lol. I always assumed that it was a Disney park standard and wouldn't have assumed that the changes were so recent either. I'll have to look out for that whenever I sift through old footage.

Lol yup

People who were shilling for Web Slingers was sooooooooooooooo embarrassing.

I would never say it can’t be surpassed but when I finally got to experiences RotR it was genuinely one of the most amazing ride experiences I’d ever had. The fact that there’s just as many people who would call it mediocre is wild to me. It’s exactly why I’m perfectly ok with change. We started out with rides literally being mostly made up of flat cutouts of characters and now can deliver a full incredibly immersive experience like this. Or over in Tokyo the new Beauty and the Beast ride. Look at how insanely realistic the animatronics are there, but I know there would be people absolutely pissed if it were replacing one of those flat cutout dark rides here. I’ve been going since I was a small child I understand nostalgia and that the og rides are fun, but I would happily trade them for these new experiences that can take advantage of current technology and deliver what in my opinion are some of the most amazing rides I’ve ever seen.

@@ftrwrwbgRise is certainly high budget, but honestly It’s not even in my 25 favorite rides. It’s mediocre from a pacing standpoint and how it feels sort of corporate.

If you took away the Guardians and treated it as just a Space Mountain, I would say that it's easily one of the best. I have no problem with the actual ride itself, as I think it's one of the rarer instances of strong attraction design from Disney that I've seen in a while. The issue I cannot overlook is how poorly the theme fits. If it were any other theme, I still think it would be just as popular and I would certainly like it a lot better. I find it hard to enjoy an attraction when it feels completely out of place.

Yeah, the "you just don't like change" sentiment is nothing other than lazy discourse. There's a reason that Haunted Mansion has resonated with people for decades.

I never see much Marvel merch? The only common Marvel shirt I notice is that blue t-shirt with Cap's shield on it

I agree that a lot of people love the Guardians. I also think Cosmic Rewind is awesome. I just think they did a bad job with the story for that ride (none of us in my family were drawn in by the ride’s story nor really understood it, and we loved the movies and characters). The ride is very fun and well done, but it should not have been built in Epcot at the expense of the Universe of Energy imho. It should have gone to Magic Kingdom or, preferably, Hollywood Studios as that park dearly needs more attractions.

@@PoseidonEntertainment I mean maybe it’s just me but I felt like I saw a million people with those Groot shoulder plushes when I went to WDW a few weeks ago

Disney has proven to me that they don't do trackless rides very well. They waste an immense amount of space and follow mostly linear paths. I think that another JII omnimover would be just fine. I wouldn't rebuild the original ride, but conceptually, something similar would work in exploring different artistic disciplines.

@@PoseidonEntertainment yeah, that's the idea, I know Disney's track record is dubious at best but I feel there's a lot you could do focusing on the arts

Here's the idea in full: Intro: The Intro is the same as the original version with the Dream flier and Dreamfinder as he makes Figment and they go through the dream vault, which in this version is full of all sorts of locked boxes, going back to the dawn of locks with safes, steamer trunks, etc. piled high, with some open with creative ideas before entering Art. Art: Art is an homage to the classical art period with sharp oil edges mixing with rounded mosaic dots. Dream-finder is wearing an artist's smock and beret as he pains a journey with a massive color-changing paintbrush as the ride cars waltz. The sections are portraits, Landscapes, Life, and Death. Portraits see artists painting various people, getting a view of their lives as the people and their portraits change over time. Landscapes have the riders ride through a vast Life heads into a tavern full of drunken merriment where the booze flows like water out of Niagra Falls before leaving and heading into the bustling city streets, where the townsfolk have set up a carnival. Death depicts the warriors of old fighting battles in a massive conflict. The ride cars go through the painting and enter Writing. Writing: Writing is very dark; it's set in a forest where the branches of the trees are made of letters at night with the only light being the moon with many trees; the ride cars scurry around the almost pitch black hub, in the middle on the edge of a cliff as the Dreamfinder is dressed like the Phantom of the Opera, typing on a typewriter pipe organ. The ride cars are aimless yet fast, leaving riders unsure of where they're going and disoriented by the identical and thick woods. The show scenes are Frankenstein, The Tell-Tale Heart, Dracula, and The Legend of Sleepy Hollow. Frankenstein features Dr. Frankenstein looking over the lifeless corpse of the monster from a balcony, lording over guests as his creature is brought to life, and standing up with Dr Frankenstein, realizing the error of his hubris. The Tell-Tale Heart has Cops and the narrator chatting idly as a heart beats louder and louder, with only the narrator able to hear it. Dracula has Riders enter his castle before being greeted by the man himself, going through catacombs, and being chased by his brides and then wolves as you finally escape the castle. Lastly, Sleepy Hollow has riders cross a bridge before being pursued by the headless horseman through the woods, then returning the way they came. The riders exit through the cave below the Dream-finder. Music: The cars exit Writing and are hit with tonal whiplash as Music is a Neon-soaked 1950s fever dream. The ride cars enter through the Auto Works. They are spinning fast around coupes and sedans, mimicking swing dancing with the Dream-finder. They are made to look younger in a leather jacket, T-shirt, and jeans sitting on the back of a Caddy, while Figment wears a Letterman jacket. The ceiling is adorned with flashing neon signs that spell outlines to famous rock and roll songs ("Oh baby that's a what I like," "Lay off of my blue suede shoes," "Let's do the Twist," "You ain't nothing but a hound dog" etc.) The area itself is a small town city-scape with 8 buildings, "JC's bail bonds, Presley and Berry Autoworks, Everly Bros. Music shop, Jiles Perry Richardson Jr. memorial gymnasium, Buddy's Bowling alley, Perkin's Shoes, Orbison's Theatre and the Sugar Bowl Malt Shop." There are 4 Segments, The Sock Hop, Drag Race, Rock and Roll show, and Lovebirds. The Sock Hop is a small gymnasium dressed up as a sock hop where Animatronic teens on their on-moving platforms dance around as cars are paired up, mimicking swing dance. The Drag Race goes through JC's Bonds and sees a black 1958 Pontiac Bonneville race a ruby red 1932 Ford Coupe hot rod with the cars almost hitting them head-on. The Rock and Roll Show is at Orbison's Theatre, where "Ace High" Sampson is rocking and rolling with his band, swiveling his hip and jamming out on his acoustic guitar to an audience of screaming fans. Lovebirds goes into Buddy's bowling alley and features couples sipping malts and doing things deeply in love. The ride cars exit through the malt shop and into Theatre. Theatre: The cars enter Theatre, and it has a very 1920s vibe with Dreamfinder and Figments on a stage in Tuxedos. Meanwhile, the ride cars behave freely, but not as chaotically as music with four brightly lit marquis. The sections are Comedy, Tragedy, Puppetry, and musicals. Comedy sees caricatures of Abbot and Costello, the Marx brothers, Charlie Chaplin, Laurel and Hardy, and the Three Stooges do their thing. Tragedy is more Greek-oriented with Dante's Inferno and Oedipus Rex, as well as the end of Frankenstein and the finale of Hamlet. Puppetry features puppets ranging from ancient Corn dolls to the Muppets putting on various shows. Musicals see Opera singers mix with more Disney-like musicals and the works of Gilbert and Sullivan, creating a rather absurd scene. The riders move on to science before the stage sinks to the floor. Science: As the ride vehicles enter Science, they're met with a 1960s Space Age laboratory with Dream-finder Biology, Physics, Chemistry, and Inventions. Biology has scientists studying various animals in humorous ways, like measuring a giraffe's neck and putting a platypus under black light. Physics shows humorous examples of physics in motion, such as Newton's balls and the old Feather and Bowling ball trick. Chemistry sees riders shrink down and see inside of a drop of water. Inventions show off famous inventions and their creators, like Edison and his bulb and Whitney and his Cotton Gin. Finale: The Finale has Figment singing "One little spark" as videos of him using the arts play on film reels in the background before passing famous figures who used their imaginations for writing, art, theatre, science, and music (like Hemingway, Einstein, Picasso, Elvis and Arthur Sullivan).

RIDE CAPACITY! Such an important point

Yeah, I criticize Disney because I want it to be better, not because I hate it. They used to be the industry standard and have slipped so far.

Yeah, I've only really had that experience there. I still haven't had a chance to get on Xcelerator

Ah, I like Hollywood well enough, though I think that Florida is by far the better experience. It still has a lot of flaws to sort out, especially with the over-saturation of screen based experiences, but it seems like Universal knows they need to fix it going forward.

Combined with the context of your user name, this comment initially seems condescending

@@PoseidonEntertainment no it’s really not! It’s how your videos are structured, reminds me of academic writing

I cannot believe I messed that up, especially since I took the time to spell check it and somehow failed

Well, at least it's shade for when you stand in line for a sour cherry pretzel.

The issue is Tron specifically, one of the prettiest coasters ever built, but one of the most underwhelming. I can't be mad because it didn't replace anything, but it doesn't add much to the Magic Kingdom experience.