It was recorded just 3 months before his stroke and paralysis in 1961 by paying 45000 rupees by Hindustan recording companys GN Joshi..after 2 years of waiting. So we all are lucky to get it recorded befor his paralysis in 1961
Khan Sahib Ji ki gaeyki khuda ka krishma hay. Yeh seekhney se riaz se hasil nahi ho sakata. Yeh to kisi aur hee alam ka sangeet hay. 💕💕💕💕💕💕💕💕💕💕💕💕💕🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🪷🪷🪷🪷🪷🪷🪷🪷🪷🪷🪷🪷🪷💐💐💐💐💐💐💐💐💐💐💐💐💐💖💖💖💖💖💖💖💖💖💖💖💖💖🎶🎶🎶🎶🎶🎶🎶🎶🎶🎶🎶🎶🎶💙❤️♥️🩵💖💛💚💝💓❤️💕💕💕
Unless I’m mistaken, tabla saath is provided by none other than Khan Saheb U. Nizzamuddin Khan. You can tell it is him by the mukhdas and the way the tirikitas are rendered and also baya balance.
Pronam, raga malkaun, taat voirab, ga da na komal, ra pa barjitho, jathi ourab ourab,ma badi,sa samobadi, time night 3 PM,ayrohi sa komal ga ma da na sa ayborohi sa komal na da komal ma ga komal ma ga da,bilombit korlen ,bistar sargam taan korlen ,bol taan korlen, aktal 48 matra bilombit, 4 tali 2 kali, druth korlen, bistar sargam taan boltaan korlen, taal trital ,16 matra 3 tali 1 kali ,bari taan korlen, excellent performance, musician dada rao sundar vabe sangote korlen, all are respect pronam namosker,
Mayank Raj This is recorded only after repetitive appeal to record his best,but at that time bgak's voice has changed a lot. As per my experience bgak's best malkauns is which is sung in Pakistan and khyal gayaki after his paralysis attack recovery. This is also very good,but you can see his decline of voice from this record onwards, which recorder also accepts.
