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Balancing Colour on a Multiblock Reduction Linocut 

Laura Boswell
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An update on my two block reduction linocut of a limestone valley near Malham Cove in Yorkshire. I'm mixing and balancing greens for a bold foreground and printing a 'dead layer' - my name for those layers in a reduction print that appear to kill the image with their flat colour, but are a necesary stage in the creation of the print. I'm using traditional oil based inks from Cranfield Colours and the lovely brass roller (brayer) comes from Lawrence Art Supplies www.lawrence.co.uk/printmakin...
If you are enjoying & learning from my films and would like to chip in and help us keep these videos free at source, we have a fundraising page at GoFundMe gf.me/u/zd8bcq

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28 июн 2024

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Комментарии : 5   
@CAZZIEK321
@CAZZIEK321 Год назад
Thanks Laura. So much to consider.
@marieyoung3390
@marieyoung3390 2 года назад
Can you do a film where you talk about whether you ink the whole big block when you only want a little bit of colour to save ink, or is it best to always do the whole lot for layering purposes. It just seems a waste but with extender you probably hv to ink the whole thing it’s so transparent. Your work is so beautiful, thank you for sharing.
@LauraBoswellPrintmaker
@LauraBoswellPrintmaker 2 года назад
Good idea - I’ll have a think about that. Also check out my work on progress photos on Instagram as I often partial ink stuff 🙂
@mvswaaij
@mvswaaij 2 года назад
Happy New year to you, Laura. I am just a beginner at linocut, but still can folllow your thoughts and actions. And learning and admiring. Thanks again for the video.
@danielfranchette5547
@danielfranchette5547 2 года назад
Happy New Year Laura. As in a good dish, you need a good texture. To warm you up from this winter period a little "Summertime". ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-stwF4ti1tbc.html
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