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Barry Sonnenfeld & The Coen Brothers on BLOOD SIMPLE (1984)

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Joel & Ethan Coen, and cinematographer Barry Sonnenfeld recall how and where various sequences from "Blood Simple" were shot and some specific ideas about the film’s visual design before and during the shooting process.
For educational purposes only. Non-commercial purposes.

Опубликовано:

6 авг 2020

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Комментарии : 31

@helethewanderer5923 2 года назад

This is an incredible, informative conversation. The exact thing other filmmakers are interested in. Thank you.

@of1300 2 года назад

This in sheer informative value equals four years of film school. I wasted my money! This is just magnificent. If Ms. Spielberg, Scorsese and Fincher could just do the same thing, I would not have to die anymore. I ´d be in heaven already.

@julianrdz 10 месяцев назад

so great seeing these guys pick apart a masterpiece.

@user-mj1qo8vm1x 3 года назад

1:02:54 Kathryn Bigelow/s first feature as director was actually The Loveless (1981) Near Dark, the film Barry Sonnenfeld is referring to, was made six years l8R in 1987

@Redmenace96 Год назад

I think this is their best film. Loved it! Becoming better at operating the cameras or the lights, doesn't make a better film. Blood Simple has a distinctive look, and they do more experimentation with the camera (successfully) than most of their other films. I think they were having fun! Cool, cool film noir.

@Khumbu0609 3 года назад

I really enjoyed this! I've seen "Blood Simple" 7 or 8 times and remember every scene, so it was fascinating to hear how it was filmed and produced.

@WillJBailey 8 дней назад

It's funny - I love the strong, high contrast, often unmotivated coloured lighting, the uncomfortable close-ups and the janky camera effects. So interesting to hear them say how it was the budget and the inexperience / ignorance of youth, and how they would do everything differently now. So much great art comes from the creative overcoming of low budget and young people breaking 'the rules' because they haven't learned them yet.

@NOMOFilms 3 года назад

This is AMAZING!!!! Thank you for posting this.

@leoquesto9183 3 года назад

The self-deprecating trio, haha. Plus, it's pretty funny how much they razz Barry. And Barry's "Over-the-shoulder was difficult for me."

@Catholicophobia 3 года назад

I lived in Midland for a few years. That photo at 0:47 seconds gives me chills. I literally have seen that shitty skyline from the same angle, most likely the same road.

@pokirimirchi 4 года назад

legends

@Studeb 11 месяцев назад

Scary how much they seemed to know about lighting and lenses for it being their first film in any case, I feel so intimidated, what ever looks cool would probably be my idea.

@bmandrakeeee8378 7 месяцев назад

What they are pretty much saying is that they didn't knew. There's a lot of discussion about unjustified lights, which means "somebody didn't know how to naturally light the set". The lesson that I got from this video is to storyboard really well, with drawings of shots that you probably saw in other films, and try to replicate them on the day of the shooting. In other words, to be really prepared and to know your material, instead of trying to wing it

@nicolaspojmaevich Год назад

23:10 > Joel -- that's the focus puller, we can't figure out why he wasn't behind the camera. Barry -- but it might explain why the shot's out of focus 🤣🤣🤣

@BenMoranFilms 3 года назад

This is hilarious.

@carlosalonsoperez2445 3 года назад

Why?

@georgemaranville3305 3 года назад

@@carlosalonsoperez2445 self-deprecation.

@MintyFreshTurds 11 месяцев назад

13:12 The part where Joel complains about not getting rid of the orange sign.

@dubliners0999 3 года назад

at 51:00, they describe the shot that starts with CU of Fran and ends with her head hitting pillow.... producers stole that and used it in Sherlock with Benedict Cumberbatch.

@AnHonestDoubter 3 года назад

Every single discussion with Sonnenfeld and the Coens is mostly the brothers subtly calling out his hackiness as a DP. 👌 Also, at 19:06 we get the exact moment Barry decided not to mention his work as a porn cameraman, "industrials, and . . ."

@georgemaranville3305 3 года назад

The Rialto Report shoot do A podcast interview with. Maybe they’ve already asked.

@georgemaranville3305 3 года назад

But a minute later he says the bar scenes from the first day looks like porn. Hahaha

@roxannebaker503 9 месяцев назад

they keep talking about the house in East Hampton...I assume they mean NY or is there an East Hampton Texas?

@amjoshuaf 3 года назад

This from the criterion disc?

@DrVVVinK 3 года назад

Yes.

@moosemush 4 месяца назад

28:42 LMFAO

@lanolinlight 2 года назад

Instructive that the mistakes and flaws they point out as seasoned professionals are the very things that give the film its style and character. Mixed color temperatures, unmotivated camera movements and light sources, aggressive color... They almost sound like rule-bound film school professors discouraging a freshman (their younger selves).