The most elegant and musically meaningful Tilak Kamod I ever heard. His rendition, his style is so close to our common people. I wish our classical wallahs would learn from this wonderful singer's rendition.
Simply out of the world. He has created phrases that are absolutely unique and they reflect the deep rooted affinity of this raag and the spirit of the Kheyal form to folk music. Thanks a ton for sharing this recording.
@@shailendrabs9697 You are being hyper for nothing. He just mentioned about Pt Ganpati Bhatt being a student of Pt Basavaraj Ji. I see nothing wrong here..only in your mindset.. food for thought; shouldn't we music lovers be more compassionate and gentle?
@@atticusakelly There is a story that Bhatkhande the systematizer and transcriber of classical Indian music approached Aladiya Khan of Jaipur gharana for notation etc of a raga. Aladiya Khan left the meeting singing this song.
This composition is in Raag Tilak Kamod Taal vilambit Rupak Stayi Sur sangat Raag vidya Sangeet pramana Jo kaun Kar dikhaye Jo Kantha karr batave wako jaane guni gave Antara: anudruta Laa guru Doota Kaala Moola Brahma Raasa Sangeeta achala Sur baaje Chota khyal in Teen taal drut Aavata Ghar aaj Balama More Sab mil gavata
