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The topic of musicality can be obvious to some, and totally baffling to others. This resource is meant for students and educators to help break down this material.
As dancers, we're supposed to look like how the music sounds, and a huge part of that is observing and predicting changes that occur in music through things like musical structure or macro musicality. However, hearing those changes can be really tricky for some.
In this video, we'll talk about hearing the differences between 3 basic structures (AABA, ABAC, and Blues), and we'll talk about some of the differences in terminology between dancers and musicians. We'll also listen for different musical features to help make the changes more obvious.
02:11 AABA Explanation
03:42 ABAC Explanation
05:30 Blues Structure Explanation
07:04 How to Hear Phrase / Chorus Changes
08:03 Practice Listening to the Background
Below are some playlists of these common structures, as well as examples of songs that deviate from them. Hope this resource helps! Enjoy!
AABA Forms:
• AABA Songs
ABAC Forms:
• ABAC Songs
Blues Forms:
• Blues Songs
Songs With Interludes:
- Exactly Like You, Count Basie, 32 Bar - • Video
- What a Shuffle, Chick Webb, 32 Bar - • WHAT A SHUFFLE by Chic...
- Dinah, Count Basie, 32 Bar - • Dinah
- Say Forward, I'll March, Jay McShann, 32 Bar - • SAY FORWARD, I'LL MARC...
- Georgianna, Count Basie, 32 Bar - • Georgianna
Consistently Different Forms:
- Pig Foot Sonata, Lionel Hampton - 30 bar (last A is shortened):
• Video
- D. B. Blues, Lester Young - AABA (A = 6 8counts, B = 4 8counts): • Lester Young - D. B. ...
- Baby, What's the Matter With You, Roy Eldridge - AABA (A = 6 8counts, B = 4 8counts):
• Baby, What's The Matte...
- Ram Session, Earl Bostic - ABA (all phrases are 4 8counts): • Ram Session
- Night and Day, Coleman Hawkins - A1 (8 counts) A2 (8 counts) B (8 counts):
• Video
8 сен 2020