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Be a Better Bassoonist in Your Ensemble | Tips for Playing in Bands, Orchestras, & Chamber Groups 

Building a Bassoonist
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In this video you'll learn tips for becoming a better bassoonist in your band, orchestra, or chamber group.
🔗 Download my bassoon fingering chart here: buildingabassoonist.ck.page/f...
🎶 Take a lesson with me, I'd love to help! buildingabassoonist.com/produ...
🎶 Purchase my reeds here: buildingabassoonist.com/produ...
00:00 Intro
00:58 How to Blend in an Ensemble
06:55 How to Match Articulation
11:24 How to Play in Tune
21:23 How to Play in Time and Together
26:08 You Should Play Chamber Music
28:36 Always Have a Positive Mindset
Check out my wind quintet, Pure Winds, album on Spotify: open.spotify.com/album/0A8g7b...
🙎🏼‍♀️ About Natalie:
Dr. Natalie Law is an active bassoonist and educator based in Ann Arbor, Michigan. As an orchestral musician, she has most recently performed with the the Lansing Symphony, the Grand Rapids Symphony, and West Michigan Symphony. Natalie is a founding member of the Lansing-based woodwind quintet, Pure Winds, which was recently named a finalist for The American Prize and released an album under the Orpheus Classical music label. She has toured the United States as a performing artist and clinician at numerous institutions and conferences such as the Midwest Clinic and the International Double Reed Society Conference. Natalie received her DMA from Michigan State University, where she also obtained her Master's degree in bassoon performance. She completed her Bachelor's degrees in both bassoon performance and music education at the University of Montana. Her primary teachers have included Michael Kroth, Dorian Antipa, Elizabeth Crawford, and Jennifer Cavanaugh.
Natalie is passionate about teaching bassoonists. Having grown up in a rural area without a bassoon teacher for hundreds of miles, she understands the need for high quality and accessible online resources. That's why she founded and created Building a Bassoonist: to help students feel confident, successful, and enjoy learning this unique instrument!
💌 Want to get in touch? Shoot me an email at info@buildingabassoonist.com

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23 июл 2024

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Комментарии : 18   
@footrane
@footrane Год назад
So good!!!!! Congratulations again, Nathalie…very good information, clear ideas, nice video and background …really great. 5 stars!!
@BuildingaBassoonist
@BuildingaBassoonist Год назад
Thanks so much Alexandre!!
@garrettlee8287
@garrettlee8287 Год назад
I switched from clarinet few weeks ago to play at Korea University orchestra. Your videos are very helpful!! ❤ from South Korea.
@BuildingaBassoonist
@BuildingaBassoonist Год назад
Wonderful!
@keltat-qk2sp
@keltat-qk2sp Год назад
I play the bassoon in a quartet with a flute, clarinet and f horn. Your tips on blending are excellent, as we always work on our blending within the group.
@user-uy9yh8sx5p
@user-uy9yh8sx5p Год назад
The thing I struggle the most with when I play in an orchestra or band is definetely playing in soft dynamics. Playing second bassoon, where you need to play really soft in the low register it is extremely hard for me to play in tune. I'd love to hear what you have to say about the keys of getting pianissimo dynamics. Anyway, very informative video, thank you!
@sophiefragezeichen8248
@sophiefragezeichen8248 11 месяцев назад
This is so helpful, thank you a lot!
@MusicLover7545
@MusicLover7545 Год назад
Another great video. I love chamber music, it's so fun.
@christianclark7261
@christianclark7261 Год назад
A whole video on tuning would be great, personally learning to tune has been a trial and error process and a resource like your videos would be great
@BuildingaBassoonist
@BuildingaBassoonist Год назад
Got it!
@lanthesaxman1592
@lanthesaxman1592 Год назад
I started bassoon a few months ago after switching from tenor sax. These videos have been super helpful! Thank you so much!!!
@BuildingaBassoonist
@BuildingaBassoonist Год назад
Great to hear!
@patwade9249
@patwade9249 Год назад
Great video, thanks! Especially in small ensembles, do you typically move for each cut off note, as well?
@BuildingaBassoonist
@BuildingaBassoonist Год назад
It depends! If it’s a very exposed/delicate cut off, then yes. If it’s pretty straightforward and there’s no slow down, as long as we’re playing together, I don’t generally worry about cueing off. Great question!
@patwade9249
@patwade9249 Год назад
@@BuildingaBassoonist Thanks!
@SpencerYoon
@SpencerYoon Год назад
I got a new reed in my d is insanely flat. Why is that?
@BuildingaBassoonist
@BuildingaBassoonist Год назад
Which D? In the staff or above?
@SpencerYoon
@SpencerYoon Год назад
@@BuildingaBassoonist in the staff
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