Beethoven: Symphony No. 7 / Petrenko · Berliner Philharmoniker 

0:57 How the violinist on the second chair looks at the concermaster with that smirk on his face. He has so much fun. Awesome. As it should be in this movement.

Beginning of a new era of the Berlin phil

Petrenko is revealing the chaos in Beethoven´s glorious music like hardly anybody else and finds a perfect solution to curb it. When he conducted the 7th in 2018, with Strauss` Tod und Verklärung I felt reborn. I can´t wait for his Mahler 9 next season.

Beethoven....Berliner....and Kirill Petrenko..... Tre Magie Assolute 🎶💪😊

Sir Simon Rattle will be dearly missed, but Mr. Petrenko certainly continues to build upon a great legacy of leadership!

Petrenko is one of the few conductors who actually figured out what the real purpose of conducting should be. Not to just show tempo and dynamics but to invigorate the players with pure energy and emotion.

I like so much this new conductor

L'élégance conjuguée au talent...c'est un vrai bonheur ! Merci monsieur Petrenko , merci à vos musiciens !

Bravo!! I want to see him performing Beethoven‘s other symphonies too.

This is definitely great, his interpretation is different from what I mostly hear out of this movement and almost feels like he's giving the listener time to let your ears catch EVERY note that being played from every member of the orchestra with a slightly slower tempo versus a typically fast one. I'm extremely curious to hear the the other 4 movements now and how he takes care of those. Bravo~

This music makes me sorry about never being a maestro. To conduct such a heavenly masterpiece, this must be the ultimate satisfaction.

Watched it live, what a blast!

Kiril Petrenko ¡genial, su dirección musical, retrato de la pasión . . .

I like him, his music

Antiphonic violins? Finally! It was about time the orchestra returned to the old german seating. I think all music written prior to 1920 should be played in this seating.

Beethoven , genius

Kirill Petrenko hace que uno se transporte a un mundo de emoción. Gracias

I did a powerpoint on the Berliner Philharmoniker in German class

Сегодня Бетховену 250 лет величайший на все времена Супер

Yes !!!! Nailed... enjoying the outcome of studious rehearsals and inspired enjoyment.

Kirill Petrenko ♥♥♥♥♥

The best Philharmoniker!!!

Oh, I love it.

He‘s so cute 😍😍

Alive and very well i see!

あきれるほど上手いオケ。ベルリンフィルの合奏力に今更ながら驚く。７番の狂気性は感じられないが。

I think it is Petrenko's intention to actually teach the audience how to interpret the piece they're playing, far more than just delivering the music. He tells the audience what to listen to, and what it means (at least what it means to him as a conductor).

fantastic ! fantastic conductor for fantastic orchestra

Omg I love his conducting so much its draws you in so much and it’s energetic and engaging

Magnífico!

금관 듣기만 해도 숨차다😻

Wanderful petrenkoo

So good to be there^-^

A fresh sound for the modern era.

素晴らしい…😭

Eine sehr mitreißende Aufführung, die Begeisterung aller Musizierenden geht natürlich vom Dirigenten aus. Irgendwas muss er total richtig machen!

Petrenko is sooo CUTE! 😍

Bravo 👏🏼

When you hear the conductor breath, means something Brilliant going on. This is very good. Can't wait for the Mahler. Sarah Willis, please marry me.

Great performance , intense

Never heard that part before

This year 2020 is Beethoven's 250 birth annual .

Дирижер прекрасен!!!!

What a dexterity!! ❤❤❤

Trumpet is so great!!

An exciting sound!

The 2nd movement is my favourite

Haha, what kind of Look does Bendix-Balgley give Kashimoto at 0:57 - 1:00?? He looks confused and then smiles as he turns away. :-)

Wow! Great!

Petrenko has more than a dash of Carlos Kleiber. With him, the Berlin Phil are on the edge of their seats: sheer music making in the moment, alive spontaneous and free. I loved that at the end of the concert the wind principals thrilled and relieved were congratulating each other. A thrilling new era of the Berlin Phil is surely dawning. I am really looking forward to more ...

it is so full of life

superb

People who say that this conductor is goofy or that they just want to draw in young people: The music is light, festive and happy, like a dance, and the conductor is mirroring these emotions and transitions them on to the musicians. Why should he not be happy, smiling and somewhat dancing to the music? Isn't that also conducting? If it was a Mahler symphony or the 5th of Beethoven he wouldn't act that way but here it is totally understandable. His interpretation is original and refreshing, but also in a respective manner. If you want a second Karajan, thats okay, but there is more to music than just perfection and the emotions are please to be felt and in this case, its fun! And I find the idea to draw in younger audiences great! Why shouldn't they do that? There is nothing negative about evoking interest of younger people, its the exact opposite, young people mostly have a different perspective on classical music and its everything but childish. The only thing we have to do is teach them, to deal with the music in a respective manner, always keeping in mind what is being said and who the composer was. Its always sad to visit a concert and see that 90 % of the listeners are 40 or older, while the future of classical music and everything to be honest, lies in the hands of our future generations, the young people. So we should god damn try to bring classical music closer to our younger people, its undoubtedly necessary!

They love and respect Petrenko. Little wonder with results like this !

Er ist einfach toll!

👏

grandios

I personally just find Rattles recording much better...Yet it is true that Petrenko manages to make the music flow and pierce easier into the listener’s ears, but I find Rattle’s version is much more exciting and passionate, and portrays much better how boastful, full of energy and human like Beethoven should, in my like, sound

A gravação ficou boa, mas sinto muita muita falta das dobras do tempo do Karajan, especialmente, dos 4 trompetes de rotor. Assim, perde-se demais comparando com a versão de Karajan. Gardiner com a ORR conseguiu fazer uma versão com instrumentos originais a altura da versão de Karajan. Mas ainda assim prefiro a versão do Karajan. A orquestra é cheia, com potência máxima. A tradição da BPO, para mim, é com as dobras dos instrumentos. Quando lembro dessa orquestra é assim que a imagem vem na minha cabeça. Era isso que eu queria ver na orquestra hoje. Ficou sendo sua marca de sonoridade. É uma pena que não se tenha dado continuidade a essa tradição de sonoridade. Mas o trabalho de Petrenko é muito bom. O problema é que Karajan é monumental e Furtwängler insuperável. Ganhou meu like. Peço uma coisa maestro,, dobre os instrumentos nas próximas gravações.

Es entretenido y ala vez sobrecogedor verlo dirigir

listen to the flute at 1:04

Extra❤

I feel that the Military Polonaise from Chopin would be a incredible masterpiece to be interpreted by the Berliner Philharmoniker

Extraordinary

솔로주자급 연주자들 모아놓고 오케 지휘하면 얼매나 좋을까 듣는 사람도 이렇게 신이 나는데

Welche Art von Gehörschutz gibt es für diese vorbildlichen Musiker ?

0:53 it's Martin Freeman at the horn

1:23 oh my god @StevenHe is that you??

gut

Vederlo mi fa veramente sorridere, se non peggio!

zu leicht..das ist Beethoven!

I ike it. Just curious ... was Paavo Jarvi considered for the position?

Reminds me of "Mozart in the Jungle"

音楽の流れが平板に感じてしまって、、、私、おかしいでしょうか❓💦

0.46 are you happy

Le encanta las velocidades extremas pero no hace música

A Kasperl! Was sollen die zwei Auftakte bei den Übergängen und die ganzen Grimassen? Braucht er noch immer eine Partitur zum reinschauen? Alles so unecht... In meinen Augen ist das eine reine show. Etwas Trost findet man hier: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-2Sw97NzvvsE.html

カップラーメン作れるやん

So dirigiert man die Siebte. Und leider nicht so getragen wir Karl Böhm. Der hat dafür andere Qualitäten, die Petrenko nie erreichen wird.

What’s the name of musician with beard, he plays violin?

Berliner straordinari non hanno bisogno di un conduttore

E' lui l'erede di Carlos Kleiber!

BPO新時代。

io c'ero

Omg Amihai cut his hair..!!

Yes… There’s this… Polished, powerful, pacy - but just just just a tiny bit - what? Slick? Machine-like? - compared to Carlos Kleiber with the Concertgebouw. Great, but CK just 1% greater, maybe.

oha geht mit ton nicht wie 433

To me, this is the only version comparable to Carlos Kleiber.

Super digital sounds, but Musical scent?

KrachBumm..ein Orchester ist kein Maschinengewehr, man hetzt auch nicht so durch die Musik, es kann/darf auch schön klingen, das Stück hat auch Melodik und Stimmführung kann man z.B hier sehen... ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-k1dKrR1iRWk.html und hier: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-psl29vF-mRk.html man könnte eigentlich fast meinen die hätten den Verstand verloren und die Medien auch

Petrenko hace tempos ridículos

のだめかな

Carlos Kleiber incarnation of the new age.

Bugs Bunny has appeared in the flesh.

Too fast...

Too fast, and lose its phrases. Impact is not good solution for interpretation of Beethoven's.

With this orchestra, he just has to stand there and give a down beat and smile. It’s almost an insult to “conduct” Beethoven with Berliner.

I dont think it is a good interpretatoion. There is something brutal into it. And Petrenko looks disgusting. Missing Karajan and other masters.

No good.

お笑い芸人？