There's something special about what Roland did with these Old Circuits. I can't say how close Behringer came to recreating them, but it truly seems close! Thanks for this example :]
Cheers Gary, I’m very well thanks, hope you are too, would be great to catch up with you soon, hopefully our paths will cross at Awakenings or such like 👍
@@conceptdevices I don’t know there is something in the melody and bit the way how Tom Ellard his sequences build plus the sound character. Well done 👍
Thank you It’s just the basic System 100 modules from Behringer, from left to right are CP1A psu, 112 VCO, 121 VCF, 130 VCA, 140 EG, 182 Sequencer, & 150 sample/hold. Output is going through a Boss PS-2 delay pedal into desk mixer.
@@mathematicwaveformrecordings hello and thanks for watching and commenting. Well done on getting the Sys100m rig too. As for tuning I use an old guitar tuner, tune the oscillators to A440 (concert pitch) first, if they aren’t in tune nothing you do will be either, then tune each note the 182 is playing to a tone within a key, you’re then going to get an in tune sequence, my key change on this is being done by the LFO, set to a square wave and very slow, depending on the sequence key it’ll change it to a desirable alternative or it won’t, it’s trial and error but lots of fun exploring it.
@@mathematicwaveformrecordings I think its the simple nature and the authenticity of these B Sys100 modules that give them their appeal and sound characteristics. Ive got much more modular gear since getting ths starter rg and enjoying the process of making music with modular.
@@mathematicwaveformrecordings hello friend, unfortunately you can’t do different tempo sequencers on one 182 module, with a second 182 you can trigger it from the first and adjust the running tempo of it accordingly. Even using a clock divider you can’t alter the tempo of the two sequencer runs in a 182 module.
Looks and sounds great, I'm looking into behringer modular, but dont know much about it. this may be a silly question but, is the audio out a single 1/4 inch jack which goes to an amp or mixer or is it more complicated? Thanks Tim.
Thank you 🙏 And it’s not a silly question, I was exactly the same when I first got this case, usually on Eurorack modular the jacks are 3.5mm so audio outputs might need a jumper lead (small to big jack). You can send audio to a small modular mixer or a desktop mixer or in fact direct to a PC interface, the VCA output in a modular system such as this will do it.
How much time did you have to spend getting this sequence to sound in tune? It looks extremely fiddly. I'd is there a quantizer at the far end that's hard to see?
@@SomeOne-pd6vm hello and thanks for watching, I’ve not got a quantiser in the system so it was all tuned and possibly took about 30 minutes the hardest part of the tuning was getting the slow LFO pitch (the thing I’ve used, that is transposing the notes) to play the notes at a recognised scale against the first run of notes. The envelopes are changing note decay and as such it’s all going into a delay pedal which is sort of holding extra notes over after the LFO has transposed them, so it’s a short double up creating a fluent overall sound