#behringer 

Thank you for watching it and your comments

Thank you 🙏

Thank you my friend ❤️

Thank you 🙏, this was when I first got into modular and the Sys100m skiff was a good starter kit

Thank you and thanks for subscribing 🙏

@@conceptdevices 🙂

Thank you very much Shane. ❤️

Cheers Gary, I’m very well thanks, hope you are too, would be great to catch up with you soon, hopefully our paths will cross at Awakenings or such like 👍

Are you on Twitter?

@@GaryNMorgan yes matey

Cheers Peter, its a very sweet machine, still very much a learning process and patching to see what it is capable of

@@conceptdevices Yep sounds really good, impressive! I have a software one and that can do all manner of sounds... So, itll be a journey!

Thank you friend

Thanks 🙏

Thank you and going full Modular is quite low cost when starting with the Behringer system’s

Thank you Daniel 👍

@@conceptdevices Welcome Martyn! ; ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-ckIuASqS0D8.html

There’s a good selection to get and they’re a lot cheaper than similar equivalent modules

Not heard that

@@conceptdevices I don’t know there is something in the melody and bit the way how Tom Ellard his sequences build plus the sound character. Well done 👍

@@NTRSN-Archive Thank you very much ❤️

Thank you It’s just the basic System 100 modules from Behringer, from left to right are CP1A psu, 112 VCO, 121 VCF, 130 VCA, 140 EG, 182 Sequencer, & 150 sample/hold. Output is going through a Boss PS-2 delay pedal into desk mixer.

@@mathematicwaveformrecordings hello and thanks for watching and commenting. Well done on getting the Sys100m rig too. As for tuning I use an old guitar tuner, tune the oscillators to A440 (concert pitch) first, if they aren’t in tune nothing you do will be either, then tune each note the 182 is playing to a tone within a key, you’re then going to get an in tune sequence, my key change on this is being done by the LFO, set to a square wave and very slow, depending on the sequence key it’ll change it to a desirable alternative or it won’t, it’s trial and error but lots of fun exploring it.

@@mathematicwaveformrecordings I think its the simple nature and the authenticity of these B Sys100 modules that give them their appeal and sound characteristics. Ive got much more modular gear since getting ths starter rg and enjoying the process of making music with modular.

@@mathematicwaveformrecordings hello friend, unfortunately you can’t do different tempo sequencers on one 182 module, with a second 182 you can trigger it from the first and adjust the running tempo of it accordingly. Even using a clock divider you can’t alter the tempo of the two sequencer runs in a 182 module.

Thank you 🙏 And it’s not a silly question, I was exactly the same when I first got this case, usually on Eurorack modular the jacks are 3.5mm so audio outputs might need a jumper lead (small to big jack). You can send audio to a small modular mixer or a desktop mixer or in fact direct to a PC interface, the VCA output in a modular system such as this will do it.

Behringer do a reasonably priced output mixer module that has 1/4 jacks too if you have the funds and room in the case

@@conceptdevices Thanks for the info, so have I got this right, all the sounds from the modules can come out of one jack output, at he same time? :)

@@DisciplinedCommotion yes, that’s right, I put mine into two mixer channels to give me a left and right spread

@@conceptdevices cheers. :)

Thank you, and it’s just a Boss PS2 delay pedal

Thank you my friend

Two sequences off the 182 module

thanks @@conceptdevices

That’s the John Cage start 😀

It’s got 3 my friend

@@conceptdevices rad

It’s the Behringer 182 System100m module

How much time did you have to spend getting this sequence to sound in tune? It looks extremely fiddly. I'd is there a quantizer at the far end that's hard to see?

@@SomeOne-pd6vm hello and thanks for watching, I’ve not got a quantiser in the system so it was all tuned and possibly took about 30 minutes the hardest part of the tuning was getting the slow LFO pitch (the thing I’ve used, that is transposing the notes) to play the notes at a recognised scale against the first run of notes. The envelopes are changing note decay and as such it’s all going into a delay pedal which is sort of holding extra notes over after the LFO has transposed them, so it’s a short double up creating a fluent overall sound