Satan hates being loved.
The original scene is a clip from the A&E reality show Intervention, which documents the life of someone suffering from an addiction. In the show, the subjects are led to believe they are being filmed for a documentary, but near the end of the episode, they are presented with an intervention staged by their family and friends, forced to choose between going into rehabilitation or being isolated from their loved ones.
In an episode that aired on April 5th, 2010, former boxer Rocky Lockridge was profiled for his cocaine addiction that left him homeless. During the intervention, his son tells him that no matter how badly his dad treats him, he will still love him. The first video of this scene was uploaded to RU-vid the next day.
Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. The term usually refers to a more abrasive, harsher, underground, non-commercialized style or sound nearly always associated with genres like thrash metal, black metal, death metal, and doom metal.[1]
Though many extreme sub-styles are not very well known to mainstream music fans, extreme metal has influenced an array of musical performers inside and outside of heavy metal.
"Extreme" can be meant to describe any of the following traits: instrumentation (whether it is intended to be faster, more aggressive, abrasive or "heavier" than other metal styles), lyrics (dealing with darker, more sensational topics and themes), vocals (which often use guttural, harsh or abrasive singing), or appearance and stage demeanor (using corpse paint, Satanic or occult imagery). The "extreme" label is most commonly applied to bands whose music is extreme; for example, few would consider Kiss or Alice Cooper to be extreme metal, though they could be considered to employ "extreme" elements in their appearance and stage demeanor for their time.
According to ethnographer Keith Kahn-Harris,[2] the defining characteristics of extreme metal can all be regarded as clearly transgressive: the "extreme" traits noted above are all intended to violate or transgress given cultural, artistic, social or aesthetic boundaries.
Given the vagueness of existing definitions and considering the limitations such definitions have, there are many artists for whom the usage of the term "extreme metal" is a subject of debate.[2] However, Kahn-Harris also notes that many musicians and fans see such debates over style and genre as useless and unnecessary, or at least as given undue attention.
2 июл 2011
