@Lea.Sea.Noelle girl what are you even saying 😭 the number is what octave they’re in. This is universal and doesn’t change based on singer or even instrument an E3 is always an E3. Also F- doesn’t exist (unless maybe English your first langue) maybe you mean Fb but that would be just E (E natural) and you would almost never see it written that way
Her voice is tricky... Her speaking voice doesn't sound like a soprano and the weight of her voice between G4-A4 does not suggest she is a soprano, but her low notes below G3 are way strained and breathy. I know she is a singer rather than a vocalist, probably that's the reason why it's soo tricky.
I think her being so young has a little to do with all that , years of performance experience with a changing voice, deepening and whatnot so I think I’m the next few years we will see what she can truly achieve
Billie's a perfect example of a stylistic vocalist and peoples reactions to her singing are a perfect example of people not understanding stylistic vocals. If it's controlled, sustainable and intentional then it's just different, not bad. There's also quite a few people who comment from that perspective that, quite frankly, are exposing their lack of knowledge when it comes to more standard technical singing. I love Billies vocals and there's a lot to be said about them but for me the more interesting conversation here is stylistic singing as a whole, how it relates to technique (both potential issues and ways to do it sustainably and/or better/more efficiently) and peoples understanding of it/reactions to it.
I have really recognized, HOW good she is, when listening to her cover of Something from the Beatles.. together with Tina Turners or Pegga Lees or Minas Version the best, I have ever heard-.... and I love, that she is not oversinging, is influenced by traditional pop singers like JUliy London (what you totally hear) and is supercreative, alsmost alien like in her expressivity - a real artist... I am 43 and she is my new inspiration..lol
Actually she has a bad technique, belts are meant to be powerful not all weak all her range sounds just like falsetto, breathy tone all the times in the long run is not good for the voice.She is not a vocalist she is a singer from what qi can see , I came here to see if she actually belts
Billies always been gr8t couldn't believe it when I heard her .and she was so young x her n her brother are so good ...her voice is incredible for her age too x x x 😍💗 a dunno why her voice on some song are like an old soul she's that good 👍😊😊😊❤️❤️❤️✌️🌞⭐🌈🌹🎶kick ass Billie just as u are !!
Aparentemente puede llegar a notas más graves, seguro hasta un D3, quizás hasta un Db3. Noto que no imposta la voz, más que nada en las notas graves, pero debe ser para no generarse problemas porque si hiciera canciones tan graves debería hacer ese esfuerzo extra con regularidad.
@@pedromurilo1050 she is obviously an untrained soprano, her lows sucks, her voice is small and bright tell me how on hell is she a mezzo, having a smaller range dont equal to mezzo
Coloratura is a Classical singing term, and can only be applied to singers who have trained for the role. Billie is painfully obvious. In the fact that she is a soprano.
@@christiancolo7768 as vocal coach her lows sucks?! 😂😂😂oh lord 🤦🏻♀️btw for now we don’t hear all her vocal range. She has 2 octaves and a perfect fifth. I always said Billie Eilish is a soprano, either a Light Lyric Soprano, a Soubrette. She has already a great clear range and she can sing in a deeper low tone or a higher breathy tone in a perfect way. She usually uses a lot of breathy vocal tones, this means that she uses her chest a lot to project her vocal sound.. The voice is also clear and not nasal, which some “head singers” can struggle with. Her voice as far as range has been used somewhat reservedly. This just goes to show that range is in part behavioral and stylistic!!! So we don’t know nothing for now about her vocal range bc everything she did is only for keep her signature in every song she does. “Most of Billie Eilish’s songs are in a croon; she is seldom belting or reaching for the extremities of her voice. That said, there are some standout moments, such as the two-octave ascent in “when the party’s over” (E3 to E5). But as recorded overall her full known range is D3 to G5, just two-and-a-half octaves. Most cite Eilish as a soprano, even though she sings in a fairly low to midrange croon, because of her girlish head voice notes, and the youthfulness and mild prevalence of her belts. She seems to have an ease there that contradicts the breathy and conversational low range she prefers to compose and perform in. Most sopranos would surpass G5. But she seems to have a relative ease there that suggests promise for higher notes and more consistently high passages. Should she build further power and color in the lower range she performs in though (low laryngeal placement, belting, use of vocal fry, continued practice of said range), she could easily become a mezzo. She could especially become a Lana del Rey type mezzo, namely a what’s called a dugazon - a mezzo with girlish highs and a very light vocal production… basically a light-lyric mezzo, or a low soubrette. That climb to E5 in “when the party’s over”, the D5s in “no time to die”, and the G5s in “ocean eyes” are very soprano-like… while still not being overly high. They seem a part of her vocal persona too. We have not heard the full gamut of her voice, but for now she has perfect vocal control and she is a very great and unique singer perfect for the 20-50s genres: Jazz, Blues, even R&B. “ Every now and then she brings out something vocally new Billie like this: vm.tiktok.com/ZMFN3c6M7/ Listen this video, she is a vocal coach she is talking about Billie vocals very well: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-YD47MKI04LM.html
