I guess im asking randomly but does anyone know a method to log back into an Instagram account? I stupidly forgot my account password. I love any tips you can offer me!
@Jacob Roman thanks so much for your reply. I found the site through google and I'm trying it out atm. Looks like it's gonna take a while so I will reply here later with my results.
Emmanuel Pahud is so handsome and plays this piece amazingly. His technicality is awe inspiring. But let us not overlook the beautiful work of the tambourine player at 7:22 - truly inspiring!
@@SaxandRelax this is probably too late but if you finger the normal third octave E just 12 12 and add the first trill key it’s harder to crack to that A5 when going to piano and pp
So brilliant and delightful. I'm a flutist...I've played this piece for recitals. His version of this is really head and shoulders above all the rest. Inspiring!
I must have been living under a rock - cause I've just discovered Pahud. I'm trying so desperately to justify my feelings for his amazing playing and the fact that he is such a gorgeous man!
My son is learning this (he's pretty good to be even trying IMHO) and I'm accompanying him on the piano so I'm listening to as many versions of this as I can right now. Pahud exhibits the most complete mastery of this that I've heard so far.
I so love arrangement with orchestra. It's refreshing to hear it with piano accompaniment for a change. WONDERFUL. Would love to see you perform again. Hope you come back to Boston.
The best flutist on earth! Even James Galway can't play that well hehe. I like him soooo much he's my model! I love everything he does and his master classes are so good! *There's a groupie here" hehe Emmanuel Pahud all the way
I heard a different recording of Pahud playing this with a piano accompaniment in China. The sound and video quality was very poor. I like his performance in this piece much better.
Any notable European classical musician arrive in these parts of Asian countries will be met with showers of gold and people bowing down like they are immortals. I don't know why that is, but there is so much lean towards French/Swiss/Germany culture like they don't have genuine interpreter of their own.
I wouldn't disagree with that, but before/at the turn of the century, compositions from these eras, French or Germany, despite the rise of nationalism, had already began fusion of ethnological elements in its tonal language. From the nationalism standpoint, Japan being one of, perhaps, the strictest views on upholding tradition and valuing one's way of life for the society (macro/micro), of all Asian nations, seeing how Japan perceives the west and its values, arts, as if they are superior, is just baffling.
I see many asian interpreters, though, that think they are superior to european ones but they get rejected at european academies because of their "athletic" and non-artistic approach. If asian people see these asian interpreters as the asian norm of european "classical" music, then I totally justify their "need" for european performances.
Because the classical music (as we know it) was never part of their culture. They try their best, but the result is questionable sometimes. (Ie: the Mozart concerto in D minor performed by Uchida is nowhere near to ideal.)
Why? Who has more tone colors? More dynamics? Pls do not mention Galway or galwayish players, because they are not half as good to listen to then this...
