Blender Archviz MASTERCLASS | Archvis Tutorial #3 | iMeshh.com Guide 

Just wanted to let you know you are probably one of the most talented out here, thank you for all the help you are giving out to people trying to better themsleves in this field. You are a true inspiration

Sorry everyone, we haven't uploaded this kitchen yet :( (was trying to get this video out). If you need a kitchen it should be easy to modify our existing Full Kitchens. Hopefully the kitchen in this animation will be up in a few days! 🤞

Finally, I watched this whole tutorial, and I learned many things .

Been using your website for the past five months and can not tell you how much easier my blender journey has been since....the textures you provide with your models alone are a total god send, the models are all beautifully made and your tutorials are some of the best I have found and the monthly content updates on your site are always top notch...cheers for all of that 😊

I keep wondering why is this channel so underrated. You create a very good content in one of the important fields of Blender. Thank you for the knowledge you're providing. Keep it up!-

If anyone hasn't already subscribed to iMeshh, DO IT NOW! 😃 The Black Friday sale is a steal, and the models are THE best out there that I've found. Kris, I'm *so* thrilled to see this video uploaded! Still waiting on that full archvis (paid) course....I'm still first in line to sign up. 😁 Really eager to get started on this video tutorial, and I have all my iMeshh models set up and ready to go. Let's get this party started!

I just love Your work. Your models are extremly good and I'm using them almost in all my projects.

Your work is so cool!! Thanks for being an inspiration🙌

thank you for sharing knowledge and providing such amazing resources.

👍 thankyou iMeshh. your tutorials are very helpful. Hoping for a video on the light group setting.

Totally agree on the *not* cheating aspect of using premade 3D models. Kris, I love your example of the photographer, who isn't expected to build all the furniture in the room they've been hired to photograph. I think of it as, if someone hires an Interior Designer, they certainly don't expect the Interior Designer to build all the furniture, paint all the paintings, sculpt the sculptures, engineer the electronic equipment like TV's, etc. That would be ludicrous, and so is people accusing ArchVis artists of "cheating" by using premade assets.

Excellent tutorial. Thank you for making a learning video longer than the standard 10-20 minutes. This is really helpful. I was also looking for a new asset manager, as even in Blender 3.5 the native one is still not ready for prime time. I installed yours and it is great. I love the multi-folder depth and the HDRI controls. Highly recommend. Subscribed and looking forward to more excellent content from you.

Hello , just wanted to let you know your content is absolutely different , inspiring and straightforward. You’re building a strong community around Imeshh and also blender , thank you for all the high value tips you’re giving her , looking forward for a more detailed and structured courses on Imeshh soon , I’ve subscribed to Imeshh few days ago and literally was a really good decision to make . your content is supporting the high quality assets you provide on Imeshh very well , keep it going dude ❤

My Goodness. What an amazing masterpiece. Thank you Mr Christian

Thank you very much. You help us so much with your tutorials... One thing: I use low res hdris and for the camera and the reflections i use a tonemap. The results are pretty good. Especially for people with low vram...👍

Love this masterclass. It confirmed that I'm on the right way. As always, you guys are great, keep it up! It would be nice to see a part 2 with the tricks for a perfect interior animation. Above all understand how to stabilize the noise and the pipeline for animation. think about it ;)

thank you man as usual extremely good work.

Chad of blender archviz. Thanks my man

This tutorial was great. You've definitely sold me on Imeshh. In the future I'd love to see a more detailed post production tutorial. It seems like there is a lot that can be done with render passes, and while you did go into them a little bit in your second tutorial it seems like something you could dedicate an entire video to.

Thank you, great tutorial!

I like just to put this and lisent to it brain off while I'm doing ArchiViz myself, it's better than just putting music. thank you for your videos

Thank you! Just signed up for imeshh, great models

Great challenge with the lighting point .. i will explore more way how to do it

Thank you very much for great detailed pro content!

I just realized the clamping tip a few weeks ago. Never touched those settings, then out of curiosity change clamping indirect to 0 and I was like "wow, why the hell is this set to 10??" hahaha Awesome tutorial!

thanks for the tutor mate, very helpful🔥🔥

Thank you that I found this!

Wow, this is really good! Keep up the great work 🧡

This video was awesome

As a long Max user, it's nice to see someone doing the full workflow with dwg input, on Blender. I still think this is easier in Max for a lot of part, but close enough. I would love to see a comparison workflow one day with two people doing the same project and talking about each step on the two softwares. For example at first with the dwg, Max can import it natively, with scale options, wich layers to import, merging them or not etc.

thank you so much! I wish you sell some in depth light and rendering tutorial.

simply the best.

Excellent tutorial, and thank you very much for sharing, I also purchased a subscription to your online website, Thank you !

Amazing Tutorial Thank you

Are the models for imeshh created according to a predetermined list? And if so, do you run surveys for subscribers to find out which 'sections' to prioritise more? An annual roadmap of what to expect from you in my opinion would be a nice idea.

Amazing work. I have a query, The objects you used in this tutorial are not free in Imesh . What should be the alternative?

Thank you so much for this kind of beautiful content Even after buying paid course we won't get this much quality of content

learn a lot, please do more videos

Thank you for this! So there is no need to create thickness for the walls? What can i do if i want to add another room?

Superb as always, thankfully I use articad to build the rooms and bring into blender. Only use clients plans for measurements. So much quicker! 😜👍🏻

your bomb , even vray 3ds max and other render egines even dont talk about which you have said in this, MODE BOAD, AREA lights for studio like light brilliant

awesome work. please do exterior tutroial

Can you explain how to use flamenco for bunch rendering?

Wouldn’t it be easier to use archipack to design the walls, windows and etc. or were you doing it for demonstration purposes?

At 1:35:12 i found that you can turn off the "multiple importance sample" in the light details to turn them off inside glass reflections. Does this have a drawback?

thank you, because every time i feel not talented cause i use 3d models i find on official furniture websites, i just want to create cool spaces

The dotted line means "overhang" - whatever is above your head that doesn't conform to the plan outline (it actually looks more like marching ants btw, which means "hidden", but that's not correct here). They are not steps (otherwise you'd have solid lines with an arrow showing the direction of climb. If you had drawn an overhang you would have been able to line up the windows.

I HOPE YOU MAKE THE NIGHT LIGHT INTERIOR TUTORIAL PLEASE DO IT!!!

You teach us a lot, why not we 1. the cavity option of viewport, it is very helpful to see windows and other objects while modelling. Also experiment with studio light rotation, first you have to enable it. 2. Use hook modifier in door object and use handle as a hook object to adjust the width of door.

Can you make Imeshh have a package per mounts

hi, where did you get those clothing 3d models?

probably willtake me days im 1/3rd of he way

Do you going to upload in imesh this Class model?

Also "go over to here" :)

Is the video in 1.5 speed or he is so talent?

Off topic: I'm having trouble with the imeshh addon and Blender 3.4; i.e., I specify the folder where my are, but they don't show up in Blender. I don't have this issue with a previous version of the addon with Blender 3.3. What can I do?

I wish I was that fast at Blender. Seems like no matter how much I practice at it I can't enter the numbers and do the key commands that quick.

21:58 IVE BEEN STUCK AT THIS PART FOR 2 DAYS.. IDK WHAT WENT WRONG. I CANT MAKE A SOLD BOX OUT OF THE LINES ITS NOT FULLY CONNECTED AND IDK HOW TO JUST ADD ONE LLINE JUST TO CONNECT IT, AND THE KNIFE TOOL IS NOT SELECTING FOR ME

I think I ❤ U.

Is $89 for Asset Library still available, Your link says so, but clicking on page it go to subscription with monthly fee. Thanks

For some reason my light is too soft I cant see properly..I m following each and every steps need help..have set my power to 50w .but can't get much light

ahh just missed out on the black friday sale? any chance there will be another half off deal this year?

I can't get over "haitchDRI" pronunciation :)

i cant see what keys your pressing!

You could make a special price for brazil :(

Hello, with the imesh update I am having performance problems, it works much slower in my case (when I start the addon). I don't know if I'm doing something wrong, would it be possible to download an old version?

Can you do an external render please?

Hi there, just installed the Asset manager, but can't get the paths to work and thumbnails to show?? anyone else have this issue?

Дедпи47 это ты?!

Things I'd like to add: 1) Setup a template file so that all the organizational stuff is consistent throughout works. Should include some cameras bound to frames, and the passes you'll typically end up working with in post. For me that includes cryptomatte, shader AOVs, and Light Groups as well as the usual stuff if I want to do selective denoising. 2) I prefer to have both Cavity options enabled for all viewports, which helps separate the objects and add some depth. 3) Don't cheat too much with "not gonna see it anyway", you know the client are going to ask for an angle later. For the same reason, texture repeats are my main nemesis. 4) For walls, floors, columns, and ceilings, I prefer to work with object coordinates over UV, because of the chance client require accurate scale representations. Similarly, if doors and windows use textures, I make sure to randomize the texture lookup (if generic, non baked textures are used) to avoid fully identically looking assets. 5) For curtains, I prefer to save out a few positions as shape keys to maintain the overall volume properly. Simply adjusting x scale quickly shows its limits. 6) For lights with reduced spread, consider using collections with two lights; one strong with reduced spread, and one weak with no spread. The latter works for the camera and reflections since the lights glass/diffuser/translucent surface will still light up, just weaker than the focused light. 7) Render at higher resolution not only to preserve denoiser detail, but also downscale with sharpening to gain back details lost to the pixel filter. 8) Persistent data, I've had it ruin jobs due to dicing rate (adaptive subdivision/microdisplacement) not being recalculated for different camera views. 9) Bump maps, leave it to strength 1 and adjust distance, with a math/divide node it necessary. You want the bump output to produce the same change in normals as real displacement would. 10) I prefer to get as much tweaks as possible done in Blender, and I also use Blenders own Fog Glow and Streaks using the Glare compositor node. Use shader AOV and Cryptomatte to limit the size that goes into Streaks, using the full illumination surface tends to be too much. The *ONLY* post edit I do is some selective tone mapping if required, and always sharpening of source, downscale, and sharpening for output. When you do projects lasting months with tens of iterations (our systems change, and customer furnituring and layout changes all the time, with many changing camera angles), you'll know why. 11) For beveled edges, don't forget about the bevel node. While real bevels are by far the best for closeups, the node does allow you to add some noise to it. 12) Plain wall backsplash? Think the architect might have some issues with that. 13) For the aliased edge on the kitchen lamps, use a lower emission strength for camera (and sharp glossy?) rays. 14) One thing I rarely see properly addressed in tutorials are brushed/satin (also directional), matte, hazy, and polished metal surfaces. Sure, everyone can do a pot by now, but what about refrigerators, sinks and armatures, picture frames, glass wall assemblies with these kinds of detail where you might want to think about proper direction and tangents where radial no longer works. 15) If you have lots of glass in your scene where the edge is showing (say the edge of a glass door), consider upping glossy/refraction counts to about 64 to really kick off that green absorption. Depending on the glass, consider treating the edge differently wrt roughness and bump to break those "light streaks" off.

40 minutes to render that? Ok I need to do some optimizing because my renders take 12 hours

Great video, but the animated background is highly annoying. Something moving in the background always catches the eye and detracts from the content.

Building this was is not a good way to build. If they ever requested an exteriro shot tou would be screwed. Why wouldnt you just build the walls as full inner and outer walls instead of assuming it wont be seen anyway. Thats the worse way to do stuff because when it all of a sudden needs to be seen you just shot yourself in the hands and caused yourself a world of problems by being lazy. An architect would never leave walls out because they wont be seen.