Crying and singing and weeping and bravely opposing oppressors in despair, again hope, faith and love....That's what the Shostakovitch ouvre is all about, my friends. Emotions recollected in tranqulity and profound understanding for the tragic story depicted in the concert are all of breath-taking beauty. And don't mind a few slips here and there. The great artistry doesn't depend solely on the musical notation, and we should know that. One does not have to write poems to be a poet. And Bomsori proved to be s a marvelous poet of the violin! Cheerio!
彼女の集中力、音色、曲の解釈が好きだ。ロングトーンの多い曲ほど、音色に魅力がないと聞けない。 I like her concentration, tone, interpretation of songs. I can not say that the tone has more charm than the songs with a lot of long tones.
Great interpretation, balance, recording quality, filming quality, everything. Fantastique! Love the sound of her Guadagnini. Bravo Bomsori Kim! Deserved *at least* a second curtain call.
Very fine performance :) Just one nickpit: Sometimes when a downshift and a bowchange happens at the same time Ms Bomsori plays an often unwanted accent which causes the beginning of the shift to be audible. This is a little bit disturbing in slow passages May I add, that her playing of the cadenza was absolutely great :)
A few charring shortcomings here. The wrong Opus number is still not corrected. Why was the orchestra and the conductor not given any credits at all ? Sloppy and unprofessional ! The violinist is superb !
From Wikipedia: "The concerto is sometimes numbered Opus 99, although because of the delay between composition and performance it was originally listed as Opus 77. Because of the uncertainty of the political climate, Shostakovich shelved the concerto until after Stalin's demise, and then released the concerto as Opus 99."
As you're clearly a troll, your comment is probably not worthy of a reply. However what you say makes no sense, pseudo intellectual at best. But in any event I wasn't aware that Op.77 was Chamber Music...
Music is about communication. With melody and rhytyms, tempo.... Sorry that her music didn't fit(?) with you. But Her shostakovich is great and famous. Even It's a hard piece to play and hard to be deliver to the audience, lots of people says she does it!!
I think South Korea has better education in piano than violin. Young Korean violinists weren't forbidden some bad habits in their performance,but pianists are very talented, more sofisticated. I don't know why Seong-Jin Cho type violinist never came from South Korea.
Is it true that many concert hall listeners who stood up and gave Bomsori a standing ovation at the end of her performance are not telling You anything? Has the fact that Bomsori put her sincere feelings, bright aspirations and her beautiful soul into her music passed You by? I will please You more and tell You another supposed drawback of Bomsori performance: she probably also did the knixen (that is, curtsy) incorrectly - not like that, as it should have been done 100-300 years ago.
