Some recommended headphones I think would be cool. Also a decent boom mic stand. I'm looking for one now to get the mic off my camera so I can get a little bit more space between my mic and my camera.
My first boom op gig was on a student short film, knowing nil about sound on set (I studied sound in a recording studio environment, so besides the standard recording workflow and microphone spec I knew bugger all). I used, get this... a hotshoe Rode microphone screwed onto a camera tripod, duct-taped the legs together into a makeshift pole and taped a Zoom H4n on the end. It was a massacre, but I learned a lot. After that embarrassment I went out and bought a cheap aluminium boom pole on Amazon. It's actually done so well it's still in my kit, though I'm looking for an upgrade now. The locks are holding on for dear life, at full extension the sections rattle and I run an external cable, which can be tough to manage if I'm doing a wide shot at 3m distance, then do a bit of handheld Foley during a quick break. Thanks for sharing your thoughts, this was very helpful in seeing what I need to consider for my next upgrade.
“The last thing you want on set is the phrase hold for sound, I hate to say that because it always sounds like we’re being hated on when we’re on a film set but it’s true” 😂😂😂😂😂😂😂😂😂😂😂😂 for all you young beginners it can be true if we fail to communicate! Talk to your 1st AD and your Dp and be proactive about the scene. Get in there during blocking check for shadows and standing room etc. this will ensure that nobody’s ego will be hurt because we are all on the same team! We are all there to serve the production. Have a great shoot and pay attention. ✌️❤️🎧
I don't know how I ended up in here, i was just watching some H3H3 videos and I ended up in here by autoplay, But the video was interesting even though I ain't no boom guy, it was a solid video
Came here from Curtis Judd's NAB recap video My thoughts on the naming system if you want to use them 😉 S2 = Shotgun S2s = Short Shotgun S2id = Indoor Dialogue
the one film set ive been on they had the boom but occasionally also lav mic'ed up some of the talent. Would love to see a video of when to throw a lav into a short film, how often that audio is used in a short film or if its just back up.
You hate that budget boom pole?! Send it my way lol. We're starting a hyper low budget short film series and could use anything we could get. Or maybe do a giveaway!!! Great video though, subscribed!
I think the right angle connector lower third was the most underrated thing in this video, if you already have a pole with integrated cable and straight exit throwing on a Cable with a 90° XLR would be a big improvement. You can also get 90° XLR adapters. I feel bad for anybody who got spoiled and got to use a boom with integrated 90 for the first time they used one. Oh yeah I'll just get one like I used it was nice, Oh that is the most expensive! I can't directly remember and apparently I didn't take a picture but I'm pretty sure my first time using a broom it had an integrated 90. :-( I like what you said about getting the integrated cable, it's there if you need it when Wireless don't work end it helps with counterbalance putting the WPack lower.
Nice! I use my boom pole with XLR at base/internal cable for studio shoots mounted with a $20 boom pole support holder on a c-stand and don't have to mess with cable runs down the boom arm. Suggestions? Other than actually hearing a lapel mic on yourself, what would a buyer look for spec wise so they at least have a chance of getting something that will sound good? I have 10 (?) lapel mics between $50 - $300 and they all suck. :)
How i can prevent the noise of the wire inside the boom pole? I put it inside following your video about how to fix a xlr but i think that is little noisy. I love your videos and greetings from México.
Could you please give me the name of the last boom pole you showed (the one with the internal cable). I have the Rode boom pole Pro which is not that cheap but I really hate it since it always comes loose.
@@ReadyPlayerEmma The middle one is definitely an Airo by K-Tek and if I had to guess I'd say the last one is likely the K-Tek KE-110CC. Airo: www.bhphotovideo.com/c/product/1384773-REG/airo_abp1_boom_pole_1.html KE-110CC: www.bhphotovideo.com/c/product/326895-REG/K_Tek_KE_110CC_KE_110CC_Avalon_Series_Aluminum.html
YaeCCC 11.5 ft I love this boom pole the only thing that sucked about it was the wait. but its only 44 dollars and it gives you the option to add a wire through it latter. its a pretty good one for the price. I personally fill its a still.
Any suggestions for boompoles for traveling with? A lot of the work I will be doing involves a lot of travel, and it would be beneficial to have a compact one to travel with.
I would like to see a solution involving wireless audio recording with a boom pole. Sennheiser recently came out with a wireless lav kit that includes a wireless transmitter for shotgun mics. I would love to see a similar system from Deity.
Ok so this is slightly off subject. I see you have a deadcat fuzzy windscreen for the S-Mic 2 but are you planning on making one for the V-Mic D3 or D3 Pro? Thanks Great video!
We don't endorse any particular products but rather want to showcase feature-sets you want to consider when you do your own research as to what fits your needs. This is a guide, not a review video.
I personally really really HATE internal cabling. Once the internal cable broke then it will be just weight of your boom pole and not easily repaired on set, Btw weight of boom pole is to me it’s theone of the most important thing when I chose boom pole. It will directly affect to your performance. When boom is lighter then you can hold up longer. Move A LOT FASTER. After long day shooting you less tired and there’s no pain in the muscles. Counter weights...??? Huh. I dont even need it because my boom pole and blimps are well thought out to reduce weight. And he said that when you extend it it not really sounds shakey and noisy but it’s absolutely NOT. it’s very noisy when you move boom faster than most of time and it will possibly ruin the shot. WHY dont you guys just train yourself to get really used to non-internal cables?!?? It’s more reliable, lighter, quieter, changeable. Im pretty sure that 95% of time I can coil cables faster than anyone on set and I have zero troubles with external cabling. INTERNAL CABLING IS FOR LAZY ASS BASTERDS. CHANGE MY MIND.
Hi I have a question... I have a very pricey boompole (it was given to me) however, the internal cable is loose (due to age I think)... how can I replace it. It also has a right angle xlr input...
What can be done about ground loop hums and in-home electromagnetic interference in the home/apartment. Asking because most of my recording is done through usb interface powered by ac adapter.
Those are generally on a specific frequency and can be dealt with in post by adding a notch to your EQ where you need it (effectively lowering the volume of the specific frequency). I would also suggest you buy RX elements from izotope. If you wait, you can get it for 30 dollars when it is on offer and it will do a great job getting rid of noise of that type.
And lucky you, B and H have elements on offer right now for 10 dollars! www.bhphotovideo.com/c/product/1356812-REG/izotope_10_rxe_rx_elements_audio.html
I would say maybe a better quality power adapter or a ferrite choke on the cord might do. Could also be the interface or interference on the USB cable or just interference from the computer itself, try separating things, test with a different computer, longer cables, again ferrite choke (sometimes you can find the USB cables with the built-in lumps). Might not necessarily be ground loops if it's powered by a DC brick, usually they don't carry the ground through. Would be interesting to know if you figured out what was causing it a year later?
By not including brand specific-options, they are staying away from someone claiming that it's sponsored content. Instead, they decided to focus on relaying tips to look for to ensure quality.
We get it: you don't want to direct people to other manufacturers. But what was the point in a boom pole buying guide with no product info or links to anything? All you've said is, "There are more and less expensive versions of a product. Here are some of the differences."
No. You do not want all the weight dangling over your actors head while you hold the thinnest tube of the monopod.... best to buy the right tool for the job.
How is this a buyers guide when you don’t tell us what brand it. All I know is that if I buy something over $200 then I’m good but it’s not that simple
