I'm currently running a 80% Discount on my entire 13 album discography collection here: reinhardtbuhr.bandcamp.com So you only pay $18.80 for 13 unique different albums which I released over 10 years. Just a little thank you for all your amazing support over the years!
Normally I switch fast trough livemusicparts of "tutorials"...but when I heared the part in this video I couldnt skip it...it touched me so deep...maaan...the way you play and combine this instruments is wonderful and I want to play some of your beautiful tracks from bandcamp on my first ecstatic dance dj sets! Thanks for spreading this sounds from your mind into the world!
Thanks for this video, especially the last part is so helpful. Hoping to get started with a rc 505 soon and see how it flows. This is truly appreciated, thanks for inspiring and being. Sending love🙏🏻❤️
Hey thanks for the vedio man must appreciated. Got a issue from the start when I press memory then left and right arrows input fx and trax fx options are not appearing on the screen. Any ideas anyone?
Yeah man about the fx position u use, it's weird man, with mine too, on some I dont even have the guitar to bass etc. Might have to read the manual to understand what's going on but it's really not that intuitive tbh
I don't understand. What can this do that a sampler like an akai live can't do? Isn't it the same exact concept? What's different on here, that you can't achieve on an mpc, and what slots and inputs come with this?
Sorry for it might seem like a stupid question but once you have created a soundscape with all the tracks filled, is it possible to save the project independently so it will load as you left it with all the tracks placed with all the effects and parameters by opening the file?
Hi, I'm sorry I'm not an English speaker but I'll try to explain my sentence! I really want to buy this Boss RC 505 but I have so many questions about it and I need to speak with a guy like you cause you know many things about it. Is it possible to speak with you on an other channel like Messenger, phone or something like that? =) Thanks a lot for this great video and I hope you will answer :p See ya !!
Hi there, yes sorry for the late response, never saw this comment for some reason, you can find me on facebook or my patreon page. send me a message there and I will respond! best regards Reinhardt
Hey Reinhardt! Thank you so much for your RC-505 tutorials and performances, you have extraordinary talent! I have a 505 on it’s way, and was wondering if you could set the machine to record specific 4, 8, 16 etc bar loops without having to hit the Play Button every time you wanted to stop recording? Basically set it up where it stops automatically after the set amount of bars is done. Is this possible?? Thank you for your time
The INST input is designed for audio up to +4dBu, which is what most professional instruments output. They output a much higher voltage than consumer or DJ equipment. The AUX input seems to be designed for headphone signal levels. So the normal output of a DJ-mixer (with RCA-connectors) would not be very loud compared to what the INST input can handle. It's a bit loud for the AUX input though, but if you keep the volume down, it makes sense that the AUX input sounds better. If you use a pro-audio mixer (with jack connectors), though, I'd expect the INST input to sound better.
Just picked up an rc 505 and I've been appreciating your videos a lot. It helps a lot to see how you have everything set up and optimized for how you work. Thanks and keep making beautiful music!
brother , have you ever connected a roli seaboard and rc 505 to each other... if so please help me to understand.. i cant get the sound of seaboard through the rc505+speaker.. İt'S sound always goes out from pc... thank you for all your beautiful, inspiring songs and videos. Love and respect
hi, I am not a musician! I have tried but it's not in my DNA, but I Love music and with my Mac I make music that I love using Loops. I have now got to the point where I have exhausted all available loops, then I saw you video on youtube and have just got a 505! 2nd hand and I am going to give it my best shot! if it all goes wrong then I blame you lol.
I"m trying to get a single elongated tone to loop without a spike at the join of the beginning/end of the loop. just using my voice through a mic, with a simple hum which is a consistent sound as I make it, starting the sound before the press of the record button and continuing the hum after hitting the stop recording of the loop... I would assume it would be a clean join but it seems to pop and clip is there a way to alleviate this? Or are looping machines more designed for rhythmic sounds which have a break in the sound to loop back on?
I saw a guy using the same footswitch that set it up so the second switch chooses the next track. That way you can start and stop the one that is currently selected and then move to the next track to record it. Then you can use all five tracks with the footswitch instead of just two of them. Not sure how you set that up. There must be a function in the 505 for selecting the next track that you can assign to a footswitch. There is a lot of good information in your video, though. Thanks!
Mine came in 4 days ago, and thanks to your videos, I'm already doing most anything I think up! It's not as difficult as it seems at first. And it's more versatile than I thought it was! Thanks Reinhardt! Again, I LOVE what you do with it. It's TOTALLY musical. Several vids by others mostly make it seem like a NOISE machine. I ordered mine after seeing some of your Busking videos.
Hello Sir...I love your music and am inspired to purchase the 505 for my own music. But more than that, I loved your story about your faith... please keep up your great work, and God bless..
The transition using track fx roll & filter and all stop, then turning off track fx with all start [7:30] is an awesome trick! I also really like how you showed all the settings screen by screen for those fx. Thanks for doing that! I'm watching your videos and learning so much.
I loved hearing your music so much I bought an Rc 505 to move beyond my usual multi0tracking. Thanks so much for explaining some of how you do what you do. Feel free to explain more if you get the urge.
That horn and the cello line worked perfectly, great mood. Thanks for the video, very informative, and love the vibe. I am also a musician/artist and have studio... If you ever need music to be mixed/mastered in a pro setting let me know. I like what you do, so if we develop a symbiotic relationship, I am all up for that...
A really deep look behind the curtain whereas I usually have the view from infront (or from behind the cam). Well structured and understandable explained. And everything you explain is visible through this permanent view - it´s very helpful.
I hate everything you are doing.....(HAHA! Signed, COMPLETELY JEALOUS!!) You have an amazing sound... as I listen to your live you do in this video, I come to the conclusion, you aren't making songs... YOUR'RE MAKING THE NEXT MOVIE SCORE SOUND TRACK to the next Indiana Jones Movie!! Great excellent job! Keep on exploring and expanding your talent! George from South Carolina USA
Thank you for such an informative video. My rc-505 is due to arrive in 2 weeks. I will surely watching this video many more times!! Who know what the future has in store, exiting times. 🙏
How come you don't give props to your Novation Circuit and Strymon TimeLine in your gear list? I'd say these two powerful pieces of gear that were front and center in your live set deserve links if your guitar cam does. Otherwise awesome tutorial on the Boss RC-505. Love your music!
The two most basic microphones you might want are called SM57 and SM58. The only difference between the two is the windscreen giving the SM58 more bass in closer proximity to the sound and the SM57 has a more even response at any distance. For vocals with lots of bass - SM58 is the industry workhorse and the first microphone for most vocalists, anything louder than a typical voice or very high pitch like bells and whistles use SM57. There's always better microphones for more money but these two are essential starter mics.
With the overdub, that kind of gives you ten tracks doesn't it? Can you mute the overdub or the original track at the same time, or just the overdub or original track at one time? Thanks
Hi Reinhard,. How do you avoid, when recording a new mic track, that the sound coming out of speakers is being recorded through the mic and overlap the instrument or the voice?
Only way is to play loud over that, or use headphones and face speaker away from the mic or just play with headphones only depending on what you do... avoid condenser mics, hope that helps?
Incredible, thanks for all the tips and tricks and for actually showing how it is supposed to work in really life. I am dizzy from your great performance (and the go-pro on your head 😂). Really cool. Just purchased several of your albums online … great stuff.
CHEERS MATE, I JUST BOUGHT MY LOOP STATION SO I HAVEN'T YET GIVEN IT A GO. I FELT I NEEDED TO HAVE AN IDEA BEFORE STARTING AND YOU WERE VERY HELPFUL.... CHEERS, I'LL GET BACK TO ONCE I HAVE GIVEN IT A GOOD GO OVER.......
Love your videos! What would you recommend someone who is just getting into looping? What to buy I mean? I grew up playing drums but no longer have a drum kit. I now play acoustic and electric guitar and sing. I do have a guitar amp and a microphone but that's it. Just wondering on starting equipment? Thanks!
Does anyone know where to get a brand new one of these for cheaper than $500, or some kind of discount? I love this thing, but I think that's a little much?
Hi Reinhardt! Thank you for the video. I have one question though. When you loop at the different tracks, the circle around the play button fills. For your different tracks this circle moves at different speeds, while at mine rc 505 the circles all fill at the same speed (the ‘free’ measure is enabled for all my tracks though)
Hi Reinhardt, thanks for your music and showing us how you put it all together. I discovered your work not long ago and got to enjoy the 80% Discount on my entire 13 album discography. What a bargain. Thanks for that too. I've got a few questions for you: Why do you reckon the aux input is better? I have got hissing issues when the signal of my microphones and instruments get picked up (the hissing appears when i play but my rig is silent when I don't play even though the mic is on. The hiss also get looped). Could it help my sort issue? Otherwise do you have an idea of why it's happening? One last thing, cool you're now using Ableton to loop yourself. I really though of looping myself with a software too but got discouraged by how complicated it all seems to be and how much gears it involves. Do you think you could show us how it all work or direct us to place that would? Thanks again man. Keep the groove grooving :)
