Well it will be the most expensive overdrive pedal boss has ever made. You can get get a boss SD-1 super overdrive pedal for a third of the price of this one. And the SD-1 is already a fantastic OD pedal.
@@MoogerTuber yeah! It’s makes them sound more glassy for the cleans and the heavy tones “jump out”. Otherwise they generally sound dead to me. Unless you turn them up very loud. I can enjoy the amps at lower volumes.
I’ve been a big pedal board man for a long long time but in recent months I’m trying to do the minimal. With a good tube amp and a good Tele or Strat this unit sounds great. I bought an MXR Fat Sugar last year and that’s an incredible overdrive. I’ve ordered the Boss after hearing your demo.
Thanks! I have almost zero theoretical knowledge so I just play whatever tune comes into my head. A primitive way of working, I guess, but I get by. Cheers.
Does jammin Boss BP-1W make anyone else really happy? Boss BP-1W is quickly becoming my favorite pedal. It's just so beautiful and sexy. Practically free and the second you drop her on the board that chill ass mofo gives you a Rich Dark Gushing Robust tone.. And you also get this cute little 1/1 feedback response usually too harmless to be forgotten. But more than that, the Boss BP-1 is just so positively alluring. It comes on the board like "do you want to cast a spell?" and I'm like "yeah BP-1W i do want to cast a spell let's do this shit" and when she attacks she's like "SPELLS ARE FUN" and I'm like "yeah they are SO FUN." She doesn't say some bullshit macho shit like "I will destroy you" she's just like "nah spells are fun and voodoo spooky.” And she looks so happy. I mean this is an inanimate object that literally brought my guitar to life by magic. It understands it's life is a temporary magical gift and the dude is just fucking loving it. I mean just look at her face she’s just so happy and cute as a button. I am literally never sad when Boss BP-1W is on board. IDK if she's gonna ever make it into the pedal HOF or not, but for now she a super chill pedal.
At the start and end of this video I was reminded of Christopher Cross' sound back in the day, not the work of Eric Johnson but Christopher's specifically, punchy but with that added growl only to the mid range. Towards the end, through the plexi, it reminded me of what Angus Young got on Back in black from that wireless unit some consider the secret sauce. If you have a SG around, maybe do some research in that direction. Very interesting pedal. Think I will get a couple of them to play around with in every config possible. You definitely sold me on this one. Like those new digs, looks like a super comfy place to do what you do.
I am not a paid comment maker for this. This pedal sounds as good as the player. Very good. Sir, what is your recording chain for this video? You sound killer.
Some great tones/overtones and very natural. However, wasn’t nearly as infatuated when played thru the Plexi and there are no tone shaping controls. Also, not sure if you mentioned, but I believe it has two switchable buffer modes?
hi brett, great pedal demo. i´m considering to buy this one but i´m also thinking about the page from kingsley. i would love to see a comparison of both pedals.
How well would this do in the FX loop of an amp to serve as a pure volume dB boost for solos? If you think there's a better alternative, I'm all ears. I've got a Jackson Audio Prism I'm using for now and it's fine but getting the level just right is a challenge with it. It either doesn't really offer any extra dB or WAAY too much.
This is a continuation of their revisiting their own legacy products in modern pedal formats. They recently released two versions of a modern space echo pedal as well as a modern version of the ce-1. Makes sense that they would release a related product focused on the preamps of those classic units as well since many players over the years have used the vintage units JUST for their preamps even when they didn’t want the delay or chorus effects they provide.
Still got this pedal, Brett? I am getting an "unmusical" clipping sound on mine with the Gain control above 1:00, more pronounced in RE mode, that occurs with a heavier pick attack. A lighter picking technique doesn't seem to induce it. Hearing it on a clean channel but it's masked playing with some dirt. Wondering if it's inherent to the pedal or if something is up with mine. Did you notice this at all during your testing?
What I find perplexing is that the CE-1 provides a +/-13V supply to the preamp circuit. How does this pedal accomplish that? Or is this simply a digital model of the CE-1's preamp sound?
Brett please! Stop showing me that Charvel, I'm going to be making an impulse buy! Just joking mate, great video as always. Can I just provide a little bit of advice? No offence intended. It's not 'Wozza', it's 'Waza'. Japanese word that means something like 'technique'. Pronounced definitely as 'Wah-zah', not the Australian 'Wozza'. Please don't take offense at what I have said, it just drives me insane when I hear words mistakenly pronounced. Not that I should comment because I'm not a native English speaker and I know I often have a noticeable accent. No disrespect intended.
I'm guessing the 'RE' pre-amp model is lifted straight from the RE-202. There is an option to turn it off with that, which I believe reduces the latency a little, but I like the colour it adds to the sound. Nice demo as usual Brett. As so often on your vids I'll say 'If I was in the market for something like this I'd definitely check this out'. 🤘🙂
With boosters in general, there is a rule of thumb - MORE IS MORE, you should have cranked both the level and the gain knob to show us just how much signal those tubes can't handle
It's based on classic boss preamps that didn't have tone controls. A normal passive tone would change the tone. A low pass would be nice but I like that they just kept the circuits and added a level control.
