Boston Baroque - "V’adoro pupille" from Handel's Giulio Cesare with soprano Susanna Phillips 

I attended one of these performances. Phillips has real stage presence and a lovely (if not huge) voice and tons of musicality! The Caesar, forget who he is, was great too. Boston Baroque always does a good job.

She helps me open my heart anew today...

Fantastic

One of Handel's greatest creations. Impossible to embellish that melody so best to do the Da Capo as a straight repeat.

brava!!!!!

Beautiful woman and a voice!

Это высшая лига, и сказать больше нечего. Браво.

ソプラノもカウンターテノールもともに素晴らしいですね！

Omc ! ☺How lovely and adorable 😇😚❤🌹🥀🌺🌻🌼🌷

Incanto pittorico ed elegiaco, filo che che unisce parola e suono

Wow, very well executed performance!

Meravigliosa!

Its amazing.

Heavenly. Divine! Could Haendel write a melody, or what?

❤❤❤

1:11

Ik kan dit zingen als deze zangeres.

Its amazing, bravi,but the hands spoil the performance

All those yards of gold lame fabric is a wee bit kitschy, but despite that Susanna nails it. A gorgeous rendition!

Agree with the comment about the awkwardness of her hand and arm movements. It IS more distracting than sensual.

whoever told her to do her hands like that made a mistake! not seductive or queenly, just bizarre

Kan dir zingen bent man 67

예쁘신데 손이 발연기네요 연기자들에게 배우시지! 아님 그냥 노래만 하시던지! ㅋㅋㅋㅋㅋㅋ 한국인의 손끝연기 무용가에게도 배우는게 유익할 듯도요

Awful. The orchestra is very reduced and droopy at times the sound is so straight toned and cold it is irritating. The entire thing sounds flat and dreary. The soprano is a bore and offer zero help or diction. The voice has no vocal character or size. This has become the fascination in early music which is sad. The dancers and winged costume stance effects are super. The pony tail looked stupid on the tall girl to the right however and should had been corrected. The hand movements trying to be Lully versus 18th C where they were still used but differently was….erm it bordered on confusing and should had been tighter and more angular. Again wrong. The effect of these kind of performances are tranquil and somulant at best for the overheated ADHD types. The perfect thing for nervous opera hating classic music patrons who think this is how it sounded in the 1700’s or should. It isn’t by the way. The original Cleopatra was a bright high Italian soubrette soprano with dominance. Not this child, who looks asleep. Also the plugging of the Conservatory in the stage set was ridiculous. The Boston classical music scene really is just so strange. They used to have strong connection to opera and this Baroque movement but it is all so watered down one night as well listen to a CD. This truly was the flattest “Vadoro pupile” I have ever heard or seen. Terrible.

Уши вянут от такого пения!!!!!!