Brecht/Dessau: Die Verurteilung des Lukullus (Berlin 1966; Kegel - Berghaus - Burmeister; Moulson)

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Paul Dessau: "Die Verurteilung des Lukullus" (Oper; Text: Brecht)
(Kegel - Berghaus - Burmeister, Krahmer, Casapietra, Prenzlow, Pawlik; Moulson, Frei, Ritzmann, Kühne, Schreier, Süß, Arndt u.v.a.)
Deutsche Staatsoper Berlin 1966
Dirigent: Herbert Kegel
Inszenierung: Ruth Berghaus
Lukullus: John Moulson
Totenrichter: Gerhard Frei
Sprecher des Totengerichts: Reiner Süß
Fischweib: Annelies Burmeister
Kurtisane: Celestina Casapietra
Lehrer: Martin Ritzmann
Bäcker: Joachim Arndt
Bauer: Peter Olesch
König: Rolf Kühne
Königin: Renate Krahmer
Zwei Kinder: Wolfgang Resener, Karin Vierhub
Zwei Legionäre: Günther Bochmann, Erich Siebenschuh
Lasus: Peter Schreier
Kirschbaumträger: Horst Lunow
Tertullia: Gertraud Prenzlow
Eine kommentierende Frauenstimme: Sylvia Pawlik
Drei Frauenstimmen: Renate Hoff, Erna Roscher, Ingeborg Wenglor
Zwei Schatten: Günther Fröhlich, Hans-Joachim Lukat
Lehrer der Schulklasse: Horst Hiestermann
Offizier: Henno Garduhn
Tänzerin mit dem Kirschbaum: Hildegard Rührl
Fünf Offiziere: Hanno Garduhn, Joachim Arndt, Hans-Joachim Lukat, Heinz-Walter Roßner, Erich Siebenschuh
sowie Peter Bindszus, Eberhard Büchner, Detlev Dathe, Hanna Gellrich, Traute Mierke, Anneliese Müller, Ilona Papenthin, Joachim Reese, Dieter Reinhold
Chor und Kinderchor der Deutschen Staatsoper
Staatskapelle Berlin
Bühnenbild: Gustav Hoffmann
Assistenz: Harald Welzel
Kostüme: Christine Stromberg
Assistenz: Gerda Arndt
Masken: Brigitte Welzel, Richard Hornig
Entwürfe zum Maskenzug: Andreas Reinhard
Anfertigung der Masken: Eduard Fischer
Einleitende Worte zur Fernsehübertragung: Paul Dessau
Rezitation des Brecht-Gedichts "Fragen eines lesenden Arbeiters": Ekkehard Schall
(Beginn der Oper ab 0:05:10)
nach der "Lukullus"-Aufzeichnung beginnt noch ein Fernseh-Portrait über Paul Dessau, das aber hier leider abbricht

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3 окт 2024

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Комментарии : 10

@petatap 6 лет назад

Wenn das keine Star-Besetzung ist ... Nur die Besten der Besten !

@lunatir 7 лет назад

Vielen Dank. Man findet doch immer wieder etwas.

@gerdlindlar1980 3 года назад

großartiges dokument.

@ebbelwoi456 7 лет назад

Gerade erst entdeckt. Ganz wunderbar! Vielen Dank für den Upload. Ruth Berghaus hat an der Frankfurt Oper in der Gielen-Zeit viel inszeniert, so den Ring und den Parisfal. Schön, sie mal mit anderem Repertoire zu sehen.

@robertcarrington1738 3 года назад

The documentaries are also fascinating- watching Paul Dessau rehearsing and in discussion.

@robertcarrington1738 3 года назад

What a treasure! This is a magnificent production with excellent camera work, staging and a superb performance from both singers and orchestra. It is such an important document and enjoyable. Severe in its black and white filming, but thank you. I don`t speak German but the combination of the visuals and the recording I have, make this indispensable.

@MarioHernandez-qr4vx 2 года назад

Magnificent!!!!

@angusmcrandy 4 года назад

After his death, a solemn funeral procession accompanies Lucullus towards his triumphal arch. The coffin with the deceased is led to the sepulchral monument on the Via Appia; he is followed by a number of slaves engaged in dragging a huge frieze engraved with the deeds of the famous leader. At the end of the burial, the crowd disperses noisily. Of the students they read the companies of the general in history books. At the gates of the kingdom of shadows, Lucullus eagerly awaits the turn of his interrogation; Tertullia reminds him that in that place no preferences are made. When the judge and the jurors go on to examine the case of Lucullus, they see themselves forced to assume as a testimony in his favor the frieze that celebrates their triumphs: no intercessor has in fact appeared, and the jury must be able to pronounce itself on the merits or demerits interviewee. The figures of the frieze come to life and refer to the enterprises of the general. Lucullus justifies his actions but against him thousands of deaths and fifty-three destroyed cities are raised. The only extenuating circumstance he is granted is to have developed a new culinary art and to have imported cherry from Asia. One of the shadows, the farmer, expresses a praise towards the cherry tree but the jury remains compact in its final decision: for the cherries, which could have been imported from Asia even by one man, eighty thousand soldiers have fallen. Lucullus is condemned to remain in the eternal nothingness: "To nothingness, you throw it into nothingness! / How much more will he and the others like him / on the inhuman human race have to impose, raising his slothful hands / and imposing the mutual slaughter of peoples?