Bruckner: Symphony No. 7 in E major, WAB 107 [Original version; 1883] (with Score)

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Anton Bruckner:
Symphony No. 7 in E major, WAB 107 [Original version; 1883] (with Score)
Composed: 1881-83
Conductor: Eliahu Inbal
Orchestra: Frankfurt Radio Symphony (hr-Sinfonieorchester)
00:00 1. Allegro moderato (E major)
19:31 2. Adagio: Sehr feierlich und sehr langsam (C-sharp minor)
43:08 3. Scherzo: Sehr schnell (A minor) - Trio: Etwas langsamer (F major)
52:50 4. Finale: Bewegt, doch nicht schnell (E major)
Anton Bruckner's Symphony No. 7 in E major, WAB 107, is one of the composer's best-known symphonies. It was written between 1881 and 1883 and was revised in 1885. It is dedicated to Ludwig II of Bavaria. The premiere, given under Arthur Nikisch and the Gewandhaus Orchestra in the opera house at Leipzig on 30 December 1884, brought Bruckner the greatest success he had known in his life. The symphony is sometimes referred to as the "Lyric", though the appellation is not the composer's own, and is seldom used.

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7 авг 2024

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Комментарии : 59

@richardwilliams473 Год назад

The Heavens start to slowing open up from 18:00 to the end of the 1st movement. BRAVO

@PosauneundPapier Год назад

That moment at 5:00 into that next section is SO GOOD

@jakenowell5211 2 года назад

Bruckner trick at 35:40 that beat 3 is the down beat which lasts until just before the climax at 37:50 where he gives us an extra two beats to really draw out the suspension until the climax.

@davidantiguedadclassicalgu4259 Год назад

Genius! Thank you for pointing it out :)

@junwuwang5701 Год назад

I'm not sure why you feel beat 3 is the downbeat there? The do re mi motive starts on beat 3 from the first time it appears

@jakenowell5211 Год назад

@@junwuwang5701 mainly because of the phrasing. Nothing is usually held onto the third beat and the string patterns reverse or change on beat three which is typical for the downbeat

@simonvanprooijen Год назад

@@jakenowell5211 I have such a good example for this concept. Please listen to this piece by Franck: Prelude, aria and finale. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-GvbHP2MHrx8.html Then the second theme starts at around 2:34, and is 1 beat off the whole time, and then at 4:25 he used that extra beat to delay the climax by 1 beat, which is so cool!!

@lisawiggs8220 Год назад

Thanks for including the score! 🤪Brilliant!!!

@daanvdbmusic Год назад

- 1st movement: Exposition A: 0:00 B: 2:35 C: 5:18 Development B: 8:03 C: 9:44 A: 10:20 Recap A': 10:57 B': 13:50 C': 15:29 Coda: 16:43 - 2nd movement: A: 19:41 B: 24:11 A': 27:18 B': 33:05 A'' + Coda: 35:05 - 3rd movement: A: 43:10 B (Trio): 46:45 A: 49:12

@PosauneundPapier Год назад

WOW

@dieulinhtran 2 года назад

1 часть ГП ПП 2:37 ЗП 5:20 Кульминация Разработки 10:25 2 часть 19:31 2-я тема 24:14 3 часть 43:08 Трио 46:47 4 часть 52:50 ПП 53:54 ЗП 55:46 Новая тема разработки 1:01:36

@robinpclarke Год назад

Yes, but Moscow time is 3 hrs ahead of here.

@Eva11092 7 месяцев назад

1 часть Экспозиция Г.П. П.П. - 2:35 З.П. - 5:19 Разработка Г.П. в обращении -7:00 П.П. в обращении- 8:05 З.П. в обращении- 9:44 Г.П. - 10:20 Реприза Г.П.- 12:05 П.П. -13:50 З.П. -15:30 Кода- 2ая половина г.п.- 16:43, 1ая половина г.п - 18:02 2 часть А а - 19:32 b - 20:03 В - 24:13 А1 a - 27:22 b - 27:52 В1 - 33:05 А2 a - 35:05 b - 35:42 Кода - 38:47 3 часть Экспозиция Г.П.- 43:12 П.П.- 43:49 Разработка Г.П.- 44:20 Реприза Г.П.- 45:37 П.П.- 46:12 Трио - 46:46 4 часть Экспозиция Г.П.- 52:52 П.П.-53:55 З.П.-55:45 Разработка Г.П.-58:43 З.П.-58:58 П.П.-1:00:03 Реприза Г.П.- 1:01:50 Кода - 1:02:55

@KatieGeorgieva 2 года назад

ПП 2:37 ЗП 5:20 Кульминация Разработки 10:25 4 часть ПП 53:55 ЗП 55:46 Новая тема разработки 1:01:36

@RezRiverz Год назад

58:54 for the Samuel Adler orchestration book example in the second edition. Example XI-6

@MrUrklasd Год назад

Almost my whole life i have listened the second movement in a game CALL OF DUTY 1 in the first mission after i kill the first nazi when i get in the first house. Some health packets are there and a gramophone, where they play this movement. Amazing. Nostalgia.

@fatguy6153 Год назад

I always remembered the Dies Irae from Mozart’s Requiem in COD WOW towards the end of eviction. I first heard this symphony live not expecting much and was utterly transfixed, I don’t even remember the concerto I had went to see it was that good.

@Proximate99 Год назад

I can see why, because the Nazis actually had the Adagio play over the german radio after announcing that Hitler died.

@amabelgarnetyanson7337 Год назад

Amen, I Also Like Bruckner's 7th Finale.

@hansrichardnohrer2834 6 месяцев назад

Eine gute musik das danke

@Dylonely42 10 месяцев назад

Nice.

@MrBrandenBurn 2 года назад

9:05 Viola!

@MrBrandenBurn Год назад

@Musikbibliothek melody: Cello Countermelody: viola

@chiranthanr3163 Год назад

Celibidache..

@user-nt1mj9mq7w 6 месяцев назад

1ч ГП - 00:11 ПП - 02:36 ЗП - 05:19 2ч 1раздел - 19:32 2раздел - 24:11 3ч 1раздел - 43:09 Трио - 46:45 4ч ГП - 52:52 ПП - 53:54 ЗП - 56:56

@user-nt1mj9mq7w 6 месяцев назад

4ч ЗП - 55:47

@Drums.perc00 Год назад

これ2楽章の練習番号『W』の所シンバルとトライアングル無いからノヴァーク版じゃなくてハース版だよ

@SamuelSantos-kh4du 2 года назад

Please, i need Bruckner symphony 8 with Bernard Haitink...

@VincentGiza-Composer 2 года назад

Yes yes yes yes yes YES

@ALTMedia-Official 11 месяцев назад

39:00 Wagner Tuba Quartet

@Dylonely42 10 месяцев назад

Thank you.

@anangryjuicebox2799 Год назад

5:19 9:44 59:46 1:00:04

@Eroica_Under_God.15.18 Год назад

The Most Glorious Symphony Ever Composed, and In Honor of Richard Wagner.

@AndreyRubtsovRU Год назад

Is Something Wrong With Your Keyboad?

@poncione 8 месяцев назад

La sinfonia dedicata a Wagner è la terza... L' adagio della settima fu però composta e ispirata dalla malattia e morte di Wagner, omaggiato divinamente tramite un tragico trionfo che richiama in parte la marcia funebre di Siegfried. ❤

@Eroica_Under_God.15.18 8 месяцев назад

@@AndreyRubtsovRU No.

@cloverisfan818 Месяц назад

Apparently this is the austrian painter’s favourite symphony 🤨

@Jman_96 Год назад

55:46 59:18

@yseultcooperstockdale5206 9 месяцев назад

35:06 Carolyn Chen

@detectivehome3318 2 года назад

Would have loved Jochum as the choice of recording

@soutteruk1 2 года назад

Gunter Wand!

@detectivehome3318 2 года назад

@@soutteruk1 also a fine choice!

@soutteruk1 2 года назад

@@detectivehome3318 You will find my choice is usually so.

@detectivehome3318 2 года назад

@@soutteruk1 do u know David Hurwitz on RU-vid?

@soutteruk1 2 года назад

@@detectivehome3318 I do but he certainly is not my cup of tea.

@user-jh1ty3dk7m 2 года назад

8:30

@user-dp8vr9jr5q Год назад

43:40

@user-cf7gd4iz9n Год назад

08:15

@withjoae 3 месяца назад

15:30

@VincentGiza-Composer 2 года назад

The cymbal crash isn’t even there 😂 their only note 😂 I cant stop laughing. Bruckner really hater percussionists I guess.

@detectivehome3318 2 года назад

Lmao that's why I like the revised version😂

@JeanPaul-Hol65 2 года назад

@Max Bruch Bruckner did not need to enrich his robust, "classic" orchestra with the percussion circus of a Mahler or a Shostakovich to be one of the greatest symphonists in history...

@macmadnes5262 Год назад

@@JeanPaul-Hol65 you’re right he didn’t need to. And because he chose never to do anything but give the melody to the high instruments and chords to the lower instruments every stinking time, nothing he ever wrote sounds remotely interesting. Meanwhile every moment of “a Mahler or Shostakovich” is memorable. Funny how that works

@JeanPaul-Hol65 Год назад

@@macmadnes5262 Funny how everyone sees music differently. For me, Mahler and Shostakovich (also) need to feed their music with exorbitant and exotic instrumentation to make it interesting, while Bruckner's music enraptures and shocks me without needing those 'tricks' at all. The way it is constructed is self-sufficient, and that is enough for me to love it deeply. Thank you for your comment. 😉

@gezobel Год назад

Bruckner's extraordinary and seemingly unique genius was his ability to create a huge and magical sound with an orchestra not much larger than that employed by Beethoven. As others have said Bruckner had no real need for percussion to creat effect though I do like the 'theatre' of the cymbals in the climax. It is also true that the composer himself thought it had a good idea to include TWO cymbal clashes in the climax of the Adagio in his very next symphony. So clearly Bruckner was open to percussion inclusion even if it was mainly for concert hall 'theatre' rather than for any essential audio effect?