Bruckner: Symphony No. 9 - Radio Filharmonisch Orkest & Karina Canellakis - Live concert HD 

Karina only goes from strength to strength. Her phrasing in this magnificent symphony is that of a seasoned master.

Five stars to this video: to the composer ✴, to the orchestra✴, to the conductor✴, to de producer✴, even to the public✴

1. Feierlich, misterioso (d min.) - 0:04 2. Scherzo: Bewegt, lebhaft (d min) - 23:59 - Trio. Schnell (F♯ major) - 27:55 3. Adagio: Langsam, feierlich (E maj.) - 34:16

Thank you!

excellent thank you

Wonderful!

Perfect!!!

Bravo Karina. I hope I could see (before I go) you conducting Mahler's, too. Seeing and hearing you conducting is one of my greatest pleasure.

This girl Canellakis born to be a condutor. How she feels the musik is out of serie. Wounderful the way she moves to electrize all the musicien. I never saw she plays , never pay attention to her. I have no words !

Glorious. Thank you for uploading this performance.

Fantastic performance

This has become my favourite Bruckner. But let me say it took me 8-10 times of listening before I realized how genious this is.

Herrlich,so schöne Symphonie.Die Ausführung grandios!Bin begeistert,dass in dem Orchester so viele Damen spielen. Bravo!

10 seconds in… Thumbs up!

멋지고 훌륭한 영상 고맙습니다 Thank you~!!!

Nice!

Fabuloso. Perfeita intrepretação.

The conductor is the best. I feared the "dear God" fell asleep with Bruckner

Dank aan de uitvoerders maar ook aan de geluidstechnici van AVROTROS. Puik werk!

Maestro Kanellakis, lei trasmette emozioni.

2:38 Those three chors are, in my opinion, one of the main indicators if the conductor does a good Bruckner interpretation or not. On many contemporary recordings, these chords are way too soft and/or rushed. 20th century conductors would never do this (Celibidache, Wand, ...) but for example the Gergiev one (which is awful) also fails here. I'm glad to hear that Mrs. Canellakis is doing itbetter. Good performance!

Décidément, de plus en plus douée : Merveilleuse Canellakis !

朝比奈さん没後、なかなか出会えなっかった、ブルックナー９番の素晴らしい演奏を、ここで見つけて感激です。

I commend Karina Canellakis and the Radio Filharmonisch Orkest for performing the Bruckner 9th Symphony. I do wish the sound had been boosted. A bit too soft here. You really should hear Ferdinand Leitner's Bruckner 9th with the Radio-Sinfonieorchester Stuttgart. Terrifying! As this symphony should be....Best Wishes from a listener in Washington,DC.

彼女の独自の視点でブルックナーを俯瞰したこの「革新的」な解釈は誠にユニークであり「秀逸」でもある。但しブルックナーファンの間では「賛否両論」が湧き起こり、その評価も真っ二つに分かれるであろう。日本の「ブルックナー信奉者」はガチガチの「保守派」が多いので、カネラキスの9番を支持する者は「ほぼほぼいない」ものと思われる。それくらいの「インパクト」がある画期的な演奏なのである。　ブルックナーにおける気鋭の指揮者の演奏の中でも、特にカネラキスの解釈と演奏手法は突出している。彼女は極めて知的であり、冷静さとパッションを併せ持ち、それらを巧みにコントロールしてみせる。その芸術的なセンスと演奏技術（指揮ぶり）は卓越している。　またカネラキスの「ブル9」は全体を通し一貫して繊細で端正な表情を維持している。ギスギスしたり「がっついた」所は微塵もない。つまり極めてノーブルにして「美麗なる」ブルックナーをビルドアップしてみせたのである。　　各楽章を見てゆくと、第1楽章は比較的にオーソドックスな解釈がなされてとても美しい。取り分け弦楽器群の丁寧で繊細なボーイングが際立っていた。フルート奏者を含めた各木管奏者も其々が工夫を凝らしていて聴きごたえがあった。　第2楽章の反復されるスケルツォの部分は、堂々としてオーソドックスな解釈がなされている。それとは対照的に、中間部のトリオでは大胆なアレンジ？とも言えるオリジナリティが発揮される。彼女は折角の感傷的な旋律の部分をはしょっているのだ。しかしそれもまた良しである。　第3楽章は総じて速い。後半に至っては快速急行の態を為している。しかしそれでも尚、カネラキスのブルックナーは充分に美しい。緻密に練られ計算された1ランク上の見事なブル９である。更にはこの「RU-vid動画」は音質も画質も素晴らしいので、これはもう「至上の9番」と言っていいだろう。放送フィルのパフォーマンスも素晴らしい。「カリーナ・カネラキスさん、最高のブルックナーの9番をありがとうございます。」　【光明こと中井章弘】 　This ``innovative'' interpretation of Bruckner from her unique perspective is truly unique and ``excellent.'' However, there are pros and cons among Bruckner fans, and their evaluations are likely to be divided into two. It is a groundbreaking performance with that much "impact". Among the performances of Bruckner's up-and-coming conductors, Canellakis's interpretation and performance method are particularly outstanding. She is extremely intelligent, has both calmness and passion, and skillfully controls them. Her artistic sense and her conducting skills are outstanding. She also maintains a delicate and neat expression throughout Kanerakis No. 9. There is not the slightest squeak or "sticky" place. In other words, she was able to build up the ``beautiful'' Bruckner into an extremely noble artist. Looking at each movement, the first movement has a relatively orthodox interpretation and is very beautiful. In particular, the careful and delicate bowing of the string instruments stood out. Each of the woodwind players, including the flute player, put their own ingenuity into their performances and it was worth listening to. The repeated scherzo part of the second movement has a proudly orthodox interpretation. In contrast, the trio in the middle exhibits bold originality. But that's also good. The third movement is generally fast. The second half is like an express train. However, Canellakis's Bruckner is still beautiful enough. It is a splendid No. 9, one rank higher, which has been carefully thought out and calculated. Moreover, the sound quality and image quality of this "RU-vid video" are excellent, so it can be said that this is the "Supreme No. 9". The performance of the broadcast Philharmonic is also wonderful. “Thank you Karina Canellakis for the wonderful Bruckner No. 9.” 　　　　　　　　　　　　　　　　　　　　　【Akihiro Nakai from Japan】

I would like to hear in all these concert some concerts with Martha Argerich, thank you.

🎶🥰🎵🤝🏼

Sixteenth or eighth note?

Una versión bastante desastrosa. Canellakis es muy guapa, pero necesita otra orquesta mejor. El sonido también deja bastante que desear.

Women are terrible conductors.