Bryan Hymel & Irene Roberts - BIZET, C’est toi! C’est moi! (Carmen)

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BIZET, C’est toi! C’est moi!
Bryan Hymel - Tenor
Irene Roberts - Mezzo-Soprano
Julius Drake - Pianist
Rosenblatt Recital, Wigmore Hall, London 25.02.2016: American tenor Bryan Hymel is one of opera’s fastest-rising stars. Impressing audiences with his “clarion tone and a ringing top” (Opera), he is joined by guest mezzo-soprano Irene Roberts. Hymel is an exclusive Warner Classics recording artist and winner of the 2013 Olivier Award for Outstanding Achievement in Opera for a trio of performances at London’s Royal Opera House.
“Pavarotti, roll over. There’s a new king of the high Cs.…Hymel’s voice is rare these days: a combination of Wagnerian muscle and bel canto refinement, comfortable in the stratospheric register… This is why we listen to opera!” NPR
“If Hymel had been born a generation earlier we might have had The Four Tenors. That’s how good he is.” Sinfini Music
Rosenblatt Recitals are London's only world-class concert season of opera and song. Want to know more?
Find us on Facebook and Twitter:
www. rosenblatt.recitals/
RosenblattOpera
www.rosenblattrecitalseries.co.uk

Опубликовано:

14 окт 2024

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Комментарии : 10

@josuegragerabautista9493 8 лет назад

Bravo. Cantó e interpretación. Bravo por los dos.

@bodiloto 8 лет назад

Adina : - C'est toi ? Nemorino : - C'est moi !...

@giuliasaramiori5489 7 лет назад

bodiloto he's got a wonderful voice, tho.

@bodiloto 7 лет назад

quando ero giovane come te i contralti cantavano Carmen e i baritoni e i tenori drammatici interpretavano Don José .... ''toute est fini ...''

@giuliasaramiori5489 7 лет назад

bodiloto concordo che la voce non sia adatta a don josé, però ha un bellissimo timbro, bel fraseggio e colori... molto musicale, inoltre...no?

@ygorcoelhos 7 лет назад

Then they were wrong, because these Opéra Comique roles are clearly NOT written for a contralto and for a dramatic tenor, much less a baritone, even though they can pull them off and excel.

@jefgong 6 лет назад

"TOUT est fini" sarebbe meglio... Il loro francese è perfetto, e non posso dire lo stesso del suo ! Preferisco mille volte un José che ha una voce leggera ma canta la lingua del ruolo con gusto a un Corelli che amazza il francese, sempre urlando.

@photo161 5 лет назад

beautifully sung but the sense of utter desperation was utterly lacking on both parts. And without that the scene makes no sense.

@cliffgaither 10 месяцев назад

@photo161 :: At first, this doesn't seem to be a good idea (of all scenes in opera, they picked this one ; the piano doesn't have the power to convey the magnititude of Bizet's masterful imagination) ; at least they tried something different and they sound fairly good, under the circumstances [the tenor is commendable and the mezzo-soprano holds herself well ...]