Kedves Klára! Szívből kívánok Önnek is, és az Önnel egyidős nagynénémnek, valamint más ismerőseimnek is még hosszú-hosszú éveket és jó egészséget! Isten áldja!🌹🙏
Kellemes így színezve, de kár, hogy az algoritmus nem lett Budapestre "okosítva", a villamosok sárgák, a buszok derékig sötétkékek, fölül ezüst színűek voltak akkor (is)...
Colorization based on real colours and reality - not someone's idea. If some colours not even 100% correct, much more realistic as the black and white distortion. Black and White do nothing with reality!
@@trollkickerexperts5906 The black and white is the captured, documented reality. You can imagine the colors, but the colorized video is an art. Someone imagined the colors and painted that way. In some parts that is could be true, in other parts definitely far from the true. That would be so interesting capturing the real colors but that is not possible. So if we can not do it, I do not care others imaginations. I much more prefere the original black and white pictures.
@@PaulusdeKenezy I think you simply don't know how the colorization process happening. I ensure you, that's do nothing with Art, but much more with precise algorythms. The black and white holding inside all the informations about the original colours. But not human, but only special softwares can be able to translate it. All the variations of the RGB spectre has a precise equivalent in the black and white structure. The black and white just decoding the original colours into that restricted shades, but this could be recodable exactly on opposite way! The black and white from the movie after the digitalization simply became transformed data. But we have keys to transform back these datas - based on samples - into it's realistic coloured equivalents. The possibility of errors simply zero. So this nothing to do with art or imaginations. These are the real colours. The only issue is with the very weak quality of the early cameras, when they distorting their own original images with false black and white shades... But we cannot change this, because in that time we were no HD cameras, and this distortion very similar, as what we can see on the first color movies....
@@kevhynaleks2631 You are not right. The black and white films have information about the brightness in every parts only, not the about the colours. The manmade algorythm is so precise, how these men programmed it. They try to find out the colors from the brightness and the recorded situation, that is it, because no more information. Yes, there is process by "AI" that learned from the early jobs and samples so just search the similarities and paint it on that way and we hope if there were same patterns, there had same colours originally, but we can not be sure. You can see the result is artificial, no unique coloured cloth, strap in hair or anything in any moment. The reality is/was totally different. You saying about HD cameras, but you should know it is not about that. Even the early analogue cameras have got high brightness resolutions by the films, and the problem with the scanners in digitalizing process. The original B&W film has no RGB info at all, so the colour resolution is 0.
@@PaulusdeKenezy If we using black and white filters on modern cameras, if we turn off and on this filter, we can easily see the process of decoding and recoding, when our image black and white or color. So not a big deal. I think you just want to debate about something. I still never see a camera, which give back the exact reality. But We don't need that, our brain complementing the missing details. But 99% of these colours are exactly same, as if we could have a color camera in 1938, and making these records with that.... But this is your opinion, all of us need to respect that. Meanwhile the digital colourization very beloved by many people, helping us come back to the time, and not just watching an alienated, lifeless record with wrong speed, but something which realistic, and generate the feeling of time-traveling...