I've spent over a decade listening to Bach's works, and every now and then I'll come across one I hadn't heard, and it will move me deeply. Bach is never finished, and the student is never finished with Bach.
S O R R Y, T H I S O S T I N A T O B E L O N G S T O F L A M E 🔥 - Professor of Musicology at Washington U. Mr. Todd Decker (Thanks Adam. We love you ❤️)
Giovanni Piergrossi its even better when its performed slower. Another piece some what like this mvt is the andante from bach sonata 2 in a minor for unaccompanied violin
Fantastic sense of rythm, in this straigth forward and perfect version. Trevor Pinnock always has a perfect sense of rythm, almost something jazzy! And it is so pleasant to hear a version where the musical line has all the priorty, without any attempt to show off with the most possible original virtuoso effects! A wonderful version. And the score helps so much following the lines .....
I love Ennio Morricone, he's a legend, i know the music from 5 movies that are composed by Ennio Morricone 1) The Good, The Bad, and the Ugly (1966), Which stars Clint Eastwood 2) The Mission (1986), Which stars Jeremy Irons and Robert DeNiro 3) Wolf (1994), Which stars Jack Nicholson and Michelle Pfeiffer 4) The Thing (1982), Which stars Kurt Russell 5) Cinema Paradiso (1988), Which is everybody's favorite, I love the love theme, it is beautiful.
Decker: I’m suing Bach for this travesty of piece! T H I S O S T I N A T O B E L O N G S T O C H R I S T I A N R A P P E R ‘ F L A M E ‘ D A M M I T ! Now give me my money ! ! ! Adam: Yeah.......hold my beer first. 🔥🔥🔥
hey gerubach.... listen very clever with the posted recordings...... like some and most out that do exist, i happen to have absolute perfect pitch.... and understand modern and period tuning... ive always how you manage to come across such beautiful recordings that in fact were performed and recorded with modern 440hrz tuning, since for the last 30+ yrs most interpretations of all sorts from the baroque era were done in 415...how ever ive been a true follower and connaiseur and longtime fan and also studier of sir pinnock as well as rachel podger.. for years ever since she was with pslladium... i happen to own the double cd recording of she and pinnock of bachs violin sonatas,,, and for some reason felt there was something particular about certain phrasing and tonal color she and only she brings i felt wow this 440 but this particular part is so rachel but her recording was done in415....especislly a mjor sonata.. 2nd mov the harpsichord i noticed the ssme lutelike stop on the harpsichord that was evideny with pinnock and podgers recording,.... so i waited til the end and saw the perfprming and recording info..... there they were... my only question is what are u doing with post that theyre restored or manipulated to modern pitch
