"Canto Ostinato" - Simeon ten Holt - Minimal Utopia Orkestra

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thrilling version of Simeon ten Holt's masterpiece
Raphael Meinhart (marimba), Njamy Sitson (vocals, conga), Valentin Butt (accordion), Daniel Pircher (Portuguese guitar), Benjamin Walbrodt (cello)
recorded at HAU1 Hebbel am Ufer, August 24th 2017, in context of the festival "Ein Traum von Weltmusik" , a cooperatiopn of HAU Hebbel am Ufer/Run United Music, a production of Jochen Kühling and Mark Terkessidis
more info: www.HeimatliederausDeutschland.de
#Minimal #NjamySitson #HeimatliederausDeutschland #MinimalUtopia

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2 окт 2024

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Комментарии : 14

@Helyzz82 Месяц назад

when the local bard with no clue joins the tavern..

@ajstimson 6 лет назад

Gorgeous performance. I wish I could buy a recording of this and support the artists!

@ajstimson 2 года назад

Replying to my own four year old comment. I still keep coming back to this performance. It truly is brilliant and unique! Wish I could have seen this in person.

@commente 2 года назад

Is it me or is the marimba very loud in the mix? Otherwise, great combination of instruments

@andrewbrown6307 8 месяцев назад

It’s just you.

@landsgevaer 7 месяцев назад

The marimba is a bit dominant and sharp, but I don't dislike it. The percussive and particularly the vocal bits I am not entirely sure of, too irregular for me, breaks the repetitive rhythmic trance. But hey, interpretations. Accordeon and cello were made for their parts, it seems. I enjoyed the whole of it.

@JollesLab 4 года назад

Thank you, absolutely love this performance and combination of intstruments of my favourite music piece

@asdaysas 5 лет назад

Yes me too, I’d looove to buy and support this magical music.

@anitaszczecinna1832 7 лет назад

Impressive, großartig, wunderbar. CD?

@rockugotcha 10 месяцев назад

damn

@brainiac.computer 4 года назад

3:35

@JavierRuizGonzalez 7 месяцев назад

If you want to hear the relentless pulse of Canto Ostinato and how the different parts interlock, and how the piece evolves slowly, you came to the wrong place. The musicians decided to add an improvised part of voice and percussion. You never hear the expected fusion of all voices, especially because the marimba upper register is too loud. Maybe It could be seen as a musician outside the piece adding his part, but I am not convinced.