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What a timely video! You've given us a real perspective toward how specular light works, and how to use them. This downtime will be a great opportunity to test your methodology. Thanks so much.
As always Dustin another great video with some fantastic tips. I love how you get these results with the most basic of equipment. Hope you and your family are all keeping safe in these strange times - Nick
Awesome tutorial as always!!! Thank you! I hope you will make that "white porcelain on catalog white" tutorial in the near future... I'm excited to see your take on it...
Anything very reflective like that, needs to reflect a bright diffusion source! It's a matter of lighting enough diffusion (or a Melodi) to cover the stubborn angles, best of luck
cool work man. every time you come up with great content that also using entry level gear. Please make some product photography tutorial with light painting technique. Will be eagerly waiting for it.
Hi there, we custom welded the attachment but have begun manufacturing them. You can sign up here to be notified when they are ready: www.subscribepage.com/workphlotable
I'm really enjoying your tutorials. I've tried a few and did this one today. However I couldn't get the fork handles in focus, did you do a composite or focus stack? I'm shooting at 70mm..
Hi there, no I use opaque black acrylic. I have a link in our description our you can sign up here www.subscribepage.com/workphlotable to be notified when we release our acrylic :)
That is a good question, you can shoot 'through' a diffuser (hole in the diffuser) typically with more sturdy diffusion material. But the problem of reflecting the lens back into itself is a tale as old as time, beauty and the beast.
The lighting isn't even across 4-5 pieces. Try doing that in camera and hold a gradient on the background do it falls off to black evenly just beyond the subject. Now do it with 48 piece sets. On film. Used to do that all the time without all the retouching tricks. The art of real photography is truly dead.
I mentioned the reason for that part way through. Don't let it die, share your work at facebook.com/groups/workphlo. I would love to see your work from the 80s or 90s.
@@workphlo No can do, its all transparency, no digital. If you ever saw a Robinsons/MayCo ad from that period, you've seen my work. I did almost all the Brides Magazine and LA Times Magazine work in addition to large chunks of the mailers and newspaper ads. Based on the average number of shots per day and the 9 years I worked there it comes to somewhere between 45 and 85K shots. After that I hung it up and didn't look at a camera for years.