Carl Philipp Emanuel Bach - Oboe Concerto in B flat major, Wq 164 

J'en suis entièrement d'accord!

The World is full of negative scheise ==>> we need less negative, and more positive in our lives..==>> it costs billions of dollhairs to blow each other up...==>> it costs nothing to be nice The StarFire Family wishes you Peace and Prosperity Ad Infinitum 🙏 Peace ✌☮

The music is so powerful that it "moves" not only anyone who has the pleasure of watching this, but him physically!

His replacement Richard Egarr, is phenomenal,

Do they mean his PUBIC hair? The man is talented and is an artist.

Hear hear!!!

for once though I'd like to see an artist of his caliber play the piece dressed in a full-length bright pink bunny suit.

Gérard Begni Could you please name another concerto of CPhE Bach that is typical of him and likable?

Gerard Begni: I can add my 'yes' to Merlin's desire to find out what makes CPE so much of 'his own'. Yes, I understand I can listen to him extensively, and that may tell me something that I may finally intuit about his individual style that marks him out from the others. But I'm wondering if there are a few words from you that can give us that understanding, also, as you say. Seriously. (Immediately, listening, I can tell that this is *not* Mozart, and would suspect not Haydn , either...)

​@@MMijdus I just realize that I did not answer to a question that you asked to me one year ago about a typical concerto by Carl Philip Emmanuel Bach. There is a very interesting concerto for hapsichord, pianoforte and orchestra, in which he shows that he is fully aware of the difference between the two keyboard instruments; In addition, he gives some importance to the flutes in the orchestra.

@@gerardbegni2806 Thank you. I found it. It's the concerto in E-flat (H479 /Wq47). Personally I prefer the oboe concerto, but thanks anyway.

Merlin Mijdus As a general rule, check the date of composition: if a work was written between 1738 and 1767 then it was written whilst CPE was working in the very conservative, north German, galant, and Italian-style dominated musical environment of Frederick the Great in Berlin. The music is mostly therfore in a more rococo, galant style, and generally more approachable though still very easily identifiable as CPE, but it has traces of CPE’s characteristics empfindsamer Stil - traces not particularly liked by Frederick the Great. As a general rule, CPE’s more personal ‘private’ works are more characteristic of the composer than his easier ‘public’ works. The later works, after he moved to Hamburg in 1768, are more characteristically idiomatic with all the very individual quirks of his style virtually unrestrained: - extrovert and extreme contrasting emotions; - unpredictability (melodic, harmonic, rhythmic); - extreme dynamics; frequent changes of mood and tempi; - bold dissonances; deceptive cadences; - motivic fragments followed by bustling activity then expressive lyrical beauty and so forth. - emotional sensibility. Remember too that whilst employed at Berlin, his main role was to play harpsichord continuo; at Hamburg, it was to organise the music for the city’s churches. A key thing thing to bear in mind as mentioned above is the difference between CPE’s ‘public’ and ‘private’ works, regardless of date of composition. There are some works written also specifically for didactic purposes, though CPE never sacrifices his artistic integrity in writing them. CPE’s public works are generally easier to follow; his private works ie those basically written for himself, or on specific commission from admirers such as Baron van Swieten, display all his unique musical personality in its boldest originality. What is true of all CPE’s music, whenever it was written, is that it is easily identifiable within four bars; it can be something of an acquired taste, but is exciting, thrilling and emotionally satisfying once you understand the musical language of the composer.

Indeed a good Obonist!

Sorry I meant an a Oboist!

the word is TASTEFULLY

FOOL

@@adrianoseresi3525 thank you :)

Gérard Begni ballet Clasicocplasiqe

You are absolutely right, C.Ph.E. Bach has really a musical language of his own, very recognizable and I love ihis music.

@Gérard Begni This concerto ( and the second one for oboe ) are originals. Those were the Last works of this style composer By CPE BACH. Indeed , He favors a sober and quite sentimental tone whose willingness to seduce aims to gain the support of amateur musicians in Berlin . If you listen to the concerti for flute ( in particular the (third)mvmt of "concerto in D minor ") , i think this isn't the same writing. More joyful, with lightness and more classical style.

You made Bartje mad with your comment >:( Shame on you!

between 1720 and 1788

In 1765. It was one of the two last concertos written this year in Berlin before Bach went to Hambourg in 1768.

Holiger produces much more direct and dry sound intonation, this sound is more juicy and mellow

Suena bien .Que sentido moverse tanto.Marea verlo.

yea, like I don't think he should be p;laying in public without a haircut. I bet his socks are the wrong color...

You must be from the moon. First Lunatic I’ve come across in a long time!

And why is Hogwood dressed like a priest?

Encuentro extraordinariamente clara su batuta

THEN MAYBE YOU SHOULD GO BLIND Use your ears not your eyes you fool

Yes, it's true. I don't like it neither

indeed.

Oboist needs one in his, might keep him a little more still.

Such a pity he didn't asked you how to behave before he started playing.

LOFTmusic Proper training would have solved this. Dont get why it is so hard to stand still.

I still don't get why it's any of your business. And no, proper training only teaches to regulate movement as not to interfere with playing. CLEARLY he is having no difficulty expressing musical ideas or executing technique, so what exactly is the problem? You don't like how he looks? Give me a break, you are all kinds of ignorant.

I don't like neither

Ele dança para seu "deusdocéu." Ha ha ha...